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UNSETTLED LAND

FROM REVOLUTION TO REPUBLIC, THE STRUGGLE FOR TEXAS

A much-needed exploration of the complex racial history of early Texas that won’t please the remember-the-Alamo crowd.

A study of Texas history that shows how the era of revolution was a contest of many sides.

Wresting Texas away from Mexico wasn’t just the work of Davy Crockett and Sam Houston. Haynes, director of the Center for Greater Southwestern Studies at the University of Texas at Arlington, opens with a party of German freethinkers recruited by an Englishman in New York with the promise of free land—but not forewarned that the Comanches had designs on that land themselves. Then came a wave of eastern woodland Native peoples who had been driven out of their homelands by White settlement, guided by a canny leader who, though refused permission to colonize, did so anyway. They faced down Comanches along with many other neighbors. “The Indian refugees who came to Texas from the United States,” writes Haynes, “would find an even more diverse collection of Native peoples already living there.” Then came Anglo fortune-seekers and settlers, such as a Mississippi speculator who, “following in the footsteps of Stephen F. Austin, had been working for more than a year to establish his colony in the Piney Woods.” That colony put him up against Native peoples, the Hispanos of the town of Nacogdoches, and a nest of ruffians who had fled from Louisiana when the U.S. Army established an outpost there. All these parties came into conflict during the revolutionary era, and in the end, as Haynes documents, it was the pro-slavery Whites who initiated their revolution after learning that Mexico was abolishing slavery who emerged victorious. The effects of newly established White supremacy were many, including the removal of many Tejanos, Hispanic Texans who had joined in that revolution, from positions of authority or power. One was the guerrilla fighter Juan Seguín, driven from the mayorship of San Antonio in 1842. As Haynes notes, sharply, “Anglos dominated the city council; 140 years would pass before the town elected a Mexican-American mayor again.”

A much-needed exploration of the complex racial history of early Texas that won’t please the remember-the-Alamo crowd.

Pub Date: May 3, 2022

ISBN: 978-1-5416-4541-7

Page Count: 464

Publisher: N/A

Review Posted Online: Feb. 10, 2022

Kirkus Reviews Issue: March 15, 2022

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LOVE, PAMELA

A juicy story with some truly crazy moments, yet Anderson's good heart shines through.

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The iconic model tells the story of her eventful life.

According to the acknowledgments, this memoir started as "a fifty-page poem and then grew into hundreds of pages of…more poetry." Readers will be glad that Anderson eventually turned to writing prose, since the well-told anecdotes and memorable character sketches are what make it a page-turner. The poetry (more accurately described as italicized notes-to-self with line breaks) remains strewn liberally through the pages, often summarizing the takeaway or the emotional impact of the events described: "I was / and still am / an exceptionally / easy target. / And, / I'm proud of that." This way of expressing herself is part of who she is, formed partly by her passion for Anaïs Nin and other writers; she is a serious maven of literature and the arts. The narrative gets off to a good start with Anderson’s nostalgic memories of her childhood in coastal Vancouver, raised by very young, very wild, and not very competent parents. Here and throughout the book, the author displays a remarkable lack of anger. She has faced abuse and mistreatment of many kinds over the decades, but she touches on the most appalling passages lightly—though not so lightly you don't feel the torment of the media attention on the events leading up to her divorce from Tommy Lee. Her trip to the pages of Playboy, which involved an escape from a violent fiance and sneaking across the border, is one of many jaw-dropping stories. In one interesting passage, Julian Assange's mother counsels Anderson to desexualize her image in order to be taken more seriously as an activist. She decided that “it was too late to turn back now”—that sexy is an inalienable part of who she is. Throughout her account of this kooky, messed-up, enviable, and often thrilling life, her humility (her sons "are true miracles, considering the gene pool") never fails her.

A juicy story with some truly crazy moments, yet Anderson's good heart shines through.

Pub Date: Jan. 31, 2023

ISBN: 9780063226562

Page Count: 256

Publisher: Dey Street/HarperCollins

Review Posted Online: Dec. 5, 2022

Kirkus Reviews Issue: Jan. 1, 2023

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I'M GLAD MY MOM DIED

The heartbreaking story of an emotionally battered child delivered with captivating candor and grace.

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The former iCarly star reflects on her difficult childhood.

In her debut memoir, titled after her 2020 one-woman show, singer and actor McCurdy (b. 1992) reveals the raw details of what she describes as years of emotional abuse at the hands of her demanding, emotionally unstable stage mom, Debra. Born in Los Angeles, the author, along with three older brothers, grew up in a home controlled by her mother. When McCurdy was 3, her mother was diagnosed with breast cancer. Though she initially survived, the disease’s recurrence would ultimately take her life when the author was 21. McCurdy candidly reconstructs those in-between years, showing how “my mom emotionally, mentally, and physically abused me in ways that will forever impact me.” Insistent on molding her only daughter into “Mommy’s little actress,” Debra shuffled her to auditions beginning at age 6. As she matured and starting booking acting gigs, McCurdy remained “desperate to impress Mom,” while Debra became increasingly obsessive about her daughter’s physical appearance. She tinted her daughter’s eyelashes, whitened her teeth, enforced a tightly monitored regimen of “calorie restriction,” and performed regular genital exams on her as a teenager. Eventually, the author grew understandably resentful and tried to distance herself from her mother. As a young celebrity, however, McCurdy became vulnerable to eating disorders, alcohol addiction, self-loathing, and unstable relationships. Throughout the book, she honestly portrays Debra’s cruel perfectionist personality and abusive behavior patterns, showing a woman who could get enraged by everything from crooked eyeliner to spilled milk. At the same time, McCurdy exhibits compassion for her deeply flawed mother. Late in the book, she shares a crushing secret her father revealed to her as an adult. While McCurdy didn’t emerge from her childhood unscathed, she’s managed to spin her harrowing experience into a sold-out stage act and achieve a form of catharsis that puts her mind, body, and acting career at peace.

The heartbreaking story of an emotionally battered child delivered with captivating candor and grace.

Pub Date: Aug. 9, 2022

ISBN: 978-1-982185-82-4

Page Count: 320

Publisher: Simon & Schuster

Review Posted Online: May 30, 2022

Kirkus Reviews Issue: July 1, 2022

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