by Samanta Schweblin ; translated by Megan McDowell ‧ RELEASE DATE: May 5, 2020
Capacious, touching, and disquieting, this is not-so-speculative fiction for an overnetworked and underconnected age.
A nuanced exploration of anonymous connection and distant intimacy in our heavily accessible yet increasingly isolated lives.
Schweblin, a canny observer of both the better and less-savory angels of our nature, asks: Would you rather be a "keeper," inviting an unknown observer into your home to view your daily routines and private habits through the camera eyes of a "kentuki," a kind of fuzzy robot animal companion and the latest technocraze, or would you prefer to be a "dweller," the anonymous controller on the other end, rolling on little rubber wheels through the life of a stranger? Kentukis take the form of animals—crows, dragons, and most aptly, moles; they're slickly packaged, expensive, desirable, and have the capacity for only a single connection. We spy on a number of these transglobal connections, some brief, as with the Barcelona nursing home director who buys kentukis for his residents, while others span months and are followed throughout the book. One such relationship begins with a dweller in Lima, who displaces the maternal feelings she can't seem to connect to her adult son onto a young German woman, a keeper, whose abundant affection for her rabbit kentuki gives the Lima woman a sense of belonging. As happens with many new technologies we blithely attach to our lives, few users have really considered the potential consequences of the arrangement before entering into it. But everything imaginable happens through kentukis—adventure, love, rejection, extortion, exploitation, and even more inventive depravities. As the firecracker ending reminds us, with our real and virtual lives increasingly blurred, any one of those moments could be our own.
Capacious, touching, and disquieting, this is not-so-speculative fiction for an overnetworked and underconnected age.Pub Date: May 5, 2020
ISBN: 978-0-525-54136-3
Page Count: 256
Publisher: Riverhead
Review Posted Online: April 12, 2020
Kirkus Reviews Issue: May 1, 2020
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by Samanta Schweblin ; translated by Megan McDowell
BOOK REVIEW
by Samanta Schweblin ; translated by Megan McDowell
BOOK REVIEW
by Samanta Schweblin translated by Megan McDowell
by Richard Wright ‧ RELEASE DATE: April 20, 2021
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.
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A falsely accused Black man goes into hiding in this masterful novella by Wright (1908-1960), finally published in full.
Written in 1941 and '42, between Wright’s classics Native Son and Black Boy, this short novel concerns Fred Daniels, a modest laborer who’s arrested by police officers and bullied into signing a false confession that he killed the residents of a house near where he was working. In a brief unsupervised moment, he escapes through a manhole and goes into hiding in a sewer. A series of allegorical, surrealistic set pieces ensues as Fred explores the nether reaches of a church, a real estate firm, and a jewelry store. Each stop is an opportunity for Wright to explore themes of hope, greed, and exploitation; the real estate firm, Wright notes, “collected hundreds of thousands of dollars in rent from poor colored folks.” But Fred’s deepening existential crisis and growing distance from society keep the scenes from feeling like potted commentaries. As he wallpapers his underground warren with cash, mocking and invalidating the currency, he registers a surrealistic but engrossing protest against divisive social norms. The novel, rejected by Wright’s publisher, has only appeared as a substantially truncated short story until now, without the opening setup and with a different ending. Wright's take on racial injustice seems to have unsettled his publisher: A note reveals that an editor found reading about Fred’s treatment by the police “unbearable.” That may explain why Wright, in an essay included here, says its focus on race is “rather muted,” emphasizing broader existential themes. Regardless, as an afterword by Wright’s grandson Malcolm attests, the story now serves as an allegory both of Wright (he moved to France, an “exile beyond the reach of Jim Crow and American bigotry”) and American life. Today, it resonates deeply as a story about race and the struggle to envision a different, better world.
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.Pub Date: April 20, 2021
ISBN: 978-1-59853-676-8
Page Count: 240
Publisher: Library of America
Review Posted Online: March 16, 2021
Kirkus Reviews Issue: April 1, 2021
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BOOK TO SCREEN
by Claire Lombardo ‧ RELEASE DATE: June 25, 2019
Characters flip between bottomless self-regard and pitiless self-loathing while, as late as the second-to-last chapter, yet...
Four Chicago sisters anchor a sharp, sly family story of feminine guile and guilt.
Newcomer Lombardo brews all seven deadly sins into a fun and brimming tale of an unapologetically bougie couple and their unruly daughters. In the opening scene, Liza Sorenson, daughter No. 3, flirts with a groomsman at her sister’s wedding. “There’s four of you?” he asked. “What’s that like?” Her retort: “It’s a vast hormonal hellscape. A marathon of instability and hair products.” Thus begins a story bristling with a particular kind of female intel. When Wendy, the oldest, sets her sights on a mate, she “made sure she left her mark throughout his house—soy milk in the fridge, box of tampons under the sink, surreptitious spritzes of her Bulgari musk on the sheets.” Turbulent Wendy is the novel’s best character, exuding a delectable bratty-ness. The parents—Marilyn, all pluck and busy optimism, and David, a genial family doctor—strike their offspring as impossibly happy. Lombardo levels this vision by interspersing chapters of the Sorenson parents’ early lean times with chapters about their daughters’ wobbly forays into adulthood. The central story unfurls over a single event-choked year, begun by Wendy, who unlatches a closed adoption and springs on her family the boy her stuffy married sister, Violet, gave away 15 years earlier. (The sisters improbably kept David and Marilyn clueless with a phony study-abroad scheme.) Into this churn, Lombardo adds cancer, infidelity, a heart attack, another unplanned pregnancy, a stillbirth, and an office crush for David. Meanwhile, youngest daughter Grace perpetrates a whopper, and “every day the lie was growing like mold, furring her judgment.” The writing here is silky, if occasionally overwrought. Still, the deft touches—a neighborhood fundraiser for a Little Free Library, a Twilight character as erotic touchstone—delight. The class calibrations are divine even as the utter apolitical whiteness of the Sorenson world becomes hard to fathom.
Characters flip between bottomless self-regard and pitiless self-loathing while, as late as the second-to-last chapter, yet another pleasurable tendril of sisterly malice uncurls.Pub Date: June 25, 2019
ISBN: 978-0-385-54425-2
Page Count: 544
Publisher: Doubleday
Review Posted Online: March 3, 2019
Kirkus Reviews Issue: March 15, 2019
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