Prepare yourself for the long haul. This is expansive, emotionally complex, and bound to suck you in.
Magic, dragons, and prophecy are welcome threads in a fantasy that extols the power of motherhood, friendship, and self-love to change the world.
This prequel to Shannon’s The Priory of the Orange Tree (2019) has a similar scope to that 800-page fantasy, but dragon lore is less important here than the stories of people and events that become catalysts for The Priory's tale. Each chapter is grounded by a cardinal direction, lest you lose your bearings, with the four corners of the world home to central characters whom readers will get to know intimately. In the West lives Glorian, heir to the queendom of Inys. Her rule is based on the sacred Berethnet bloodline, whose power originates from the knight Galian Berethnet's banishing of the Nameless One, a giant fire-breathing wyrm birthed from the world’s core. In the East, Dumai lives on a mountain peak and trains as a godsinger, someone who harbors a human connection to the dragons the East worship as gods. In the South, Tunuva is a warrior of the Priory, a sisterhood that worships the Mother who is seen as the true banisher of the Nameless One. Their beliefs are so different and their societies so distanced that they don't know of the others' existence. And yet, when the balance of nature starts to waver, bringing whispers of new fire-breathing threats like the Nameless One, these women find themselves united by a common cause to save their people and seek truth about the higher powers at war with one another. This story is epic in scope, but its density is the sort that pulls you in. The biggest pull comes from the humanity displayed by the central characters, whose hearts ache for their children and their futures in a world fraught with turmoil. The fire-breathers bring more than destruction in their wake; they also bring a plaguelike sickness that will elicit sharp parallels to the Covid-19 pandemic. The very real struggles these characters face, whether they ride dragons or bear the suffocating rules of monarchy, make this a consuming read. While some fantasy tropes feel like they've only been added to the story's surface, the pages keep turning because of the heart-wrenching reasons that characters are driven to action. The heroes shine in their uniqueness, with diverse family dynamics interwoven throughout and representation ranging from queer lords and warriors to genderfluid alchemists. This prequel stands on its own, but a word of warning to people who have read The Priory: You'll want to reread it in order to benefit from the deeper knowledge of what came before.
Prepare yourself for the long haul. This is expansive, emotionally complex, and bound to suck you in.Pub Date: Feb. 28, 2023
ISBN: 978-1-63557-792-1
Page Count: 880
Publisher: Bloomsbury
Review Posted Online: Jan. 11, 2023
Kirkus Reviews Issue: Feb. 1, 2023
Engrossing worldbuilding, appealing characters, and a sense of humor make this a winning entry in the Sanderson canon.
A fantasy adventure with a sometimes-biting wit.
Tress is an ordinary girl with no thirst to see the world. Charlie is the son of the local duke, but he likes stories more than fencing. When the duke realizes the two teenagers are falling in love, he takes Charlie away to find a suitable wife—and returns with a different young man as his heir. Charlie, meanwhile, has been captured by the mysterious Sorceress who rules the Midnight Sea, which leaves Tress with no choice but to go rescue him. To do that, she’ll have to get off the barren island she’s forbidden to leave, cross the dangerous Verdant Sea, the even more dangerous Crimson Sea, and the totally deadly Midnight Sea, and somehow defeat the unbeatable Sorceress. The seas on Tress’ world are dangerous because they’re not made of water—they’re made of colorful spores that pour down from the world’s 12 stationary moons. Verdant spores explode into fast-growing vines if they get wet, which means inhaling them can be deadly. Crimson and midnight spores are worse. Ships protected by spore-killing silver sail these seas, and it’s Tress’ quest to find a ship and somehow persuade its crew to carry her to a place no ships want to go, to rescue a person nobody cares about but her. Luckily, Tress is kindhearted, resourceful, and curious—which also makes her an appealing heroine. Along her journey, Tress encounters a talking rat, a crew of reluctant pirates, and plenty of danger. Her story is narrated by an unusual cabin boy with a sharp wit. (About one duke, he says, “He’d apparently been quite heroic during those wars; you could tell because a great number of his troops had died, while he lived.”) The overall effect is not unlike The Princess Bride, which Sanderson cites as an inspiration.
Engrossing worldbuilding, appealing characters, and a sense of humor make this a winning entry in the Sanderson canon.Pub Date: April 4, 2023
ISBN: 9781250899651
Page Count: 384
Publisher: Tor
Review Posted Online: April 11, 2023
Kirkus Reviews Issue: May 1, 2023
SEEN & HEARD
Reasonably involving while you’re reading it but ultimately disappointing and incomplete feeling.
A feud between two powerful witch families heats up, thanks to two pairs of star-crossed lovers and an ambitious middle son, in this stand-alone by the author of The Atlas Six (2022).
In New York City, Lazar Fedorov, aka Koschei the Deathless, trades in illicit magical items, fantastical creatures, and expensive favors extended to the desperate. His three sons—Dimitri, Roman, and Lev—aid him in his dealings. Meanwhile, Marya Antonova, aka Baba Yaga, and her seven daughters sell high-end beauty products and illegal magical hallucinogens. As Yaga prepares to extend her drug sales to nonmagical buyers and her eldest daughter, Marya, also called Masha, discovers that the Fedorovs are interfering with their business, both sides plot to finish off their rivals. Matters head toward a tragic direction as Masha and Dimitri reignite the embers of their long-ago love, Masha’s youngest sister, Sasha, becomes romantically entangled with Lev, and Roman makes his own violent plans to gain his father’s approval. What appears to be an unholy magical cross between The Godfather and Romeo and Juliet leads to an expected high body count—and that’s only halfway through the book. Since this is a fantasy novel, Blake throws in a twist that initially feels like a shocking swerve, but we’re soon headed in a similar, but potentially even more destructive, direction. Several characters exhibit deep and interesting emotional growth (some based on a clever use of magic drawn straight from the Russian fairy tales the book references), but others are never fully fleshed out. In addition, the plot unfortunately coalesces predictably (and not nearly as intricately as the scheming characters, and probably the author, imagine it does), and the denouement seems less inevitably tragic than sadly pointless. Meanwhile, many opportunities for intriguing worldbuilding (how magic works, how witches govern themselves to hide their magic from nonwitches, where magical creatures come from, what non–New York witch societies are like) are never picked up.
Reasonably involving while you’re reading it but ultimately disappointing and incomplete feeling.Pub Date: April 4, 2023
ISBN: 978-1-25-088485-5
Page Count: 432
Publisher: Tor
Review Posted Online: April 24, 2023
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