A fresh concept and protagonist that breathe life into a conventional but exciting actioner.
In Marquis’ debut thriller, a man hoping to confront the author who plagiarized his unpublished work winds up in the middle of a CIA operation to take down Russian mobsters.
Unemployed geologist Nick Lassiter knows one thing for sure: the story portrayed in the new film Subterranean Storm is highly similar to his unpublished manuscript, Blind Thrust. Convinced that celebrated author Cameron Beckett, whose latest novel was the movie’s source text, pilfered his story, Nick and his pals head to New York. Nick just wants an apology from Beckett, but causing a scene at a book signing indirectly incites the Russian Mafia. They’ve got their hooks in Beckett’s agent, Anton De Benedictis, whose gambling brother has racked up significant debt. Nick’s CIA father, Austin Brewbaker, is working an operation involving De Benedictis and the Russians, but he struggles to keep his son, his son’s friends, and Nick’s ex-girlfriend—and CIA asset—Natalie Perkins safe. There’s a lot going on in Marquis’ book, as the author smartly builds off a solid premise. De Benedictis, for one, is also Natalie’s boss, while Nick has issues to work out with his ex as well as his estranged father. Nick’s initial goal seems over-the-top—he treks from Denver to the Big Apple just for Beckett to explain himself—but it’s actually quite reasonable. Nick is a realist and knows that a lawsuit against Beckett will likely go nowhere; readers, meanwhile, know without a doubt that Beckett indeed got his novel idea from Nick’s manuscript (courtesy of a slush pile). Russian thugs, with Alexei Popov at the helm, become a stronger presence in the story’s latter half, a decidedly more intense (albeit a smidge less original) turn that features Austin, and even Nick and Natalie, engaged in gunfights and a riveting car chase with the Russians. The story can occasionally be repetitive: Beckett is frequently compared to James Patterson, and Nick et al. either discuss their hastily created group (the title’s namesake) or chant its moniker a few too many times. Still, in Nick, unpublished authors have a formidable ally.
A fresh concept and protagonist that breathe life into a conventional but exciting actioner.Pub Date: Sept. 15, 2015
ISBN: 978-1-943593-00-2
Page Count: 373
Publisher: Mountain Sopris Publishing
Review Posted Online: Oct. 13, 2015
Kirkus Reviews Issue: Nov. 15, 2015
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.
Pub Date: April 5, 1996
ISBN: 0-679-41224-7
Page Count: 304
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 1996
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