A historical novel focuses on the final Allied push to vanquish the Nazis in Germany during World War II.
This fifth installment of a series from Marquis tells the story of the war in Europe in 1944 and 1945 from a number of different perspectives. One chunk of the narrative is told through the viewpoint of Sgt. William McBurney, a young Black man who becomes a gunner in the “Black Panthers” of the 761st Tank Battalion, the first African American tank unit. Another portion centers on Gen. George Patton, the famous leader of the 3rd Army that did so much of the lightning combat in the last year of the war in Europe. And a third shard of the narrative centers on Angela Lange, a fictionalized teenage resistance fighter in Germany, one of the “Edelweiss Pirates” risking their lives to overthrow Nazi rule in Cologne. All three of these protagonists face separate trials—McBurney against the ingrained racism of the United States armed services, Lange against the divided loyalties of a terrified people, and Patton against the tenacious forces of a battlefield enemy. Marquis bases his tale on scrupulous research, an admixture that makes this World War II series a thoroughly engaging example of heavily factual historical fiction. And perhaps inevitably, this reliance on historical documentation tends to make Patton the best drawn and most memorable of the book’s characters, although the author is a bit susceptible to hero worship in these segments (“He had long made it a point to dress with military spit and polish, and as he gazed out at the wreckage of war spread across the rolling French tableland, he appeared particularly colossal”). Counterbalancing Patton’s perspective with those of McBurney and Lange allows Marquis to make insightful commentary on the weird dualities of war. McBurney witnesses a human side of the fighting that tends to be missed by the more gung-ho Patton. All of these threads are rendered with a genuinely gripping forward momentum.
A granular and engrossing tale about the last months of World War II’s European theater.