Next book

SPIES OF THE MIDNIGHT SUN

A TRUE STORY OF WWII HEROES

From the World War Two series , Vol. 3

A complex but lively thriller that brings to mind the work of Len Deighton.

Awards & Accolades

Our Verdict

  • Our Verdict
  • GET IT

Marquis’ (Blackbeard, 2018, etc.) third series entry centers on the lives and adventures of spies operating in concert with the Norwegian resistance during the Nazi occupation.

This latest novel concentrates on a colorful, real-life figure known as “Agent ZigZag”—British spy Eddie Chapman, a suave, charismatic figure who seems to have stepped out of the pages of a Graham Greene novel; he had many clandestine adventures spying on the Germans during World War II. The author enhances the tale of Agent ZigZag with stories, drawn from recently unearthed documents, detailing the lesser-known adventures of fellow resistance members Dagmar Lahlum and Annemarie Breien, showing the double agents’ complicated day-to-day dealings as Nazi oppression in their country steadily intensifies. Marquis has clearly done a prodigious amount of research, which results in a rather dense work. However, he matches it with a good sense of dramatic pacing that keeps the multifaceted plot bubbling along despite copious amounts of exposition in each chapter; the story is full of hairsbreadth escapes, double-crosses, and desperate bravery. (Marquis also elaborates on the historical record by having his spies all know one another, although the documentary evidence that they actually did is inconclusive.) The strong narrative momentum is enhanced by the author’s occasional penchant for arch melodrama: “And with that [Stephan Albert Heinrich] von Gröning fingered his own Iron Cross at his throat—and smiled the smile of a true German spymaster.” He ends the book with a formidably lengthy afterword that lays out the true history in precise detail, and the list of cited sources is equally generous. As a result, this is not only a skillful, rapid-fire historical spy thriller, but also a fine source on one of the least-known and most heroic chapters of the Second World War.

A complex but lively thriller that brings to mind the work of Len Deighton.

Pub Date: May 29, 2018

ISBN: 978-1-943593-23-1

Page Count: 418

Publisher: Mount Sopris Publishing

Review Posted Online: July 24, 2018

Categories:
Next book

SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

Categories:
Next book

LAST ORDERS

Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.

Pub Date: April 5, 1996

ISBN: 0-679-41224-7

Page Count: 304

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 1996

Categories:
Close Quickview