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EXCLUSIVE

A beach-bag shoo-in: With trademark zing and vigor, Brown (Charade, 1994, etc.) takes on the White House. Television newswoman Barrie Travis is surprised by an out-of- the-blue call from First lady Vanessa Merritt (an old schoolmate) asking her to meet for lunch at an off-the-beaten-path Washington cafe. Even more surprising is Vanessa's strange manner and suggestive conversation at the rendezvous, leading Barrie to suspect that the recent death of Robert Rushton Merritt, the President and Vanessa's only son, may be more of a mystery than it seemed when it was splashed all over the evening news as a classic case of SIDS (sudden infant death syndrome). Barrie knows for sure that she's on to something when the president's smarmy right-hand man, Spencer Martin, starts eliminating her sources and following her tracks; with the help of her best friend Daily, an ex-reporter, and Gray Bondurant, a war hero and former aide to the president who escaped the crooked administration for the wilds of Colorado, Barrie launches a full-scale investigation in search of the answer America doesn't even know it doesn't know: What really happened to the First Son, and just how corrupt are the dashing young president and his lovely, grieving wife? The search uncovers more dirt and danger than Barrie, Daily, or even Gray had imagined, and Barrie's sleazy boss Howie Fripp is more of a hindrance than a help. But, of course, it's not just the mystery that preoccupies Barrie, whose first encounter with the dashing Gray is unforgettable; in the final pages, Brown nails a clever plot twist that will surprise all but the most suspicious of readers. A fine pick for an election year: Brown knows her terrain and has produced a lively, gripping read. (First printing of 350,000; Literary Guild main selection; author tour)

Pub Date: July 5, 1996

ISBN: 0-446-51978-2

Page Count: 457

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1996

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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