A calamitous chapter in American history is illustrated by the intertwined tales of four women who survived it.
The settling of the American West is full of stories, but one of its greatest tales of heroism and endurance is not well known. In the mid-1800s, Mormon leader Brigham Young instructed the followers of his new religion to leave their lives in the sinful Old World and travel to Zion, or Salt Lake, to what would one day be Utah. At his command, hundreds traveled to Iowa City, the westernmost point of the railroad, and constructed wooden handcarts, chosen for their economy, to make the 1,300-mile trek by foot. Despite the challenges—the wood was green and many, formerly city dwellers, were unfit for the journey—some groups traveled safely. Not so the Martin Company, 650 who set out in July 1856 to find ferocious heat, starvation and deadly winter storms before arriving. To illustrate this forgotten chapter, Dallas (The Bride's House, 2011, etc.) focuses on four women: Louisa, the adoring bride of a company leader; Anne, a non-Mormon who resents her convert husband for forcing her from an easy life in London; lovelorn Nannie, who travels to support her beloved, pregnant sister and brother-in-law; and Jessie, a self-reliant farm girl who chafes at the religion's strict rules. Together with a detailed cast of supporting characters, they bear and bury children and other loved ones, finding a kind of sisterhood and inner strength. They are further burdened (and bound) by the rampant sexism of the new faith, which encourages polygamy and views new women as "fresh fish." Dallas' vivid prose makes the journey's escalating hardships feel real, as Anne "no longer kept track of time or distance, just pushed the cart in a kind of daze, her mind as much a blur as the snow that fell." Readers enticed by the HBO program Big Love will be particularly interested in the origins of this insular community. This fact-based historical fiction, celebrating sisterhood and heroism, makes for a surefire winner.
Pub Date: April 24, 2012
ISBN: 978-1-250-00502-1
Page Count: 320
Publisher: St. Martin's
Review Posted Online: March 18, 2012
Kirkus Reviews Issue: April 1, 2012
A deeply satisfying novel, both sensuously vivid and remarkably poignant.
Norwegian novelist Jacobsen folds a quietly powerful coming-of-age story into a rendition of daily life on one of Norway’s rural islands a hundred years ago in a novel that was shortlisted for the 2017 Man Booker International Prize.
Ingrid Barrøy, her father, Hans, mother, Maria, grandfather Martin, and slightly addled aunt Barbro are the owners and sole inhabitants of Barrøy Island, one of numerous small family-owned islands in an area of Norway barely touched by the outside world. The novel follows Ingrid from age 3 through a carefree early childhood of endless small chores, simple pleasures, and unquestioned familial love into her more ambivalent adolescence attending school off the island and becoming aware of the outside world, then finally into young womanhood when she must make difficult choices. Readers will share Ingrid’s adoration of her father, whose sense of responsibility conflicts with his romantic nature. He adores Maria, despite what he calls her “la-di-da” ways, and is devoted to Ingrid. Twice he finds work on the mainland for his sister, Barbro, but, afraid she’ll be unhappy, he brings her home both times. Rooted to the land where he farms and tied to the sea where he fishes, Hans struggles to maintain his family’s hardscrabble existence on an island where every repair is a struggle against the elements. But his efforts are Sisyphean. Life as a Barrøy on Barrøy remains precarious. Changes do occur in men’s and women’s roles, reflected in part by who gets a literal chair to sit on at meals, while world crises—a war, Sweden’s financial troubles—have unexpected impact. Yet the drama here occurs in small increments, season by season, following nature’s rhythm through deaths and births, moments of joy and deep sorrow. The translator’s decision to use roughly translated phrases in conversation—i.e., “Tha’s goen’ nohvar” for "You’re going nowhere")—slows the reading down at first but ends up drawing readers more deeply into the world of Barrøy and its prickly, intensely alive inhabitants.
A deeply satisfying novel, both sensuously vivid and remarkably poignant.Pub Date: April 7, 2020
ISBN: 978-1-77196-319-0
Page Count: 272
Publisher: Biblioasis
Review Posted Online: Jan. 12, 2020
Kirkus Reviews Issue: Feb. 1, 2020
In Clavell's last whopper, Tai-pan, the hero became tai-pan (supreme ruler) of Hong Kong following England's victory in the first Opium War. Clavell's new hero, John Blackthorne, a giant Englishman, arrives in 17th century Japan in search of riches and becomes the right arm of the warlord Toranaga who is even more powerful than the Emperor. Superhumanly self-confident (and so sexually overendowed that the ladies who bathe him can die content at having seen the world's most sublime member), Blackthorne attempts to break Portugal's hold on Japan and encourage trade with Elizabeth I's merchants. He is a barbarian not only to the Japanese but also to Portuguese Catholics, who want him dispatched to a non-papist hell. The novel begins on a note of maelstrom-and-tempest ("'Piss on you, storm!' Blackthorne raged. 'Get your dung-eating hands off my ship!'") and teems for about 900 pages of relentless lopped heads, severed torsos, assassins, intrigue, war, tragic love, over-refined sex, excrement, torture, high honor, ritual suicide, hot baths and breathless haikus. As in Tai-pan, the carefully researched material on feudal Oriental money matters seems to he Clavell's real interest, along with the megalomania of personal and political power. After Blackthorne has saved Toranaga's life three times, he is elevated to samurai status, given a fief and made a chief defender of the empire. Meanwhile, his highborn Japanese love (a Catholic convert and adulteress) teaches him "inner harmony" as he grows ever more Eastern. With Toranaga as shogun (military dictator), the book ends with the open possibility of a forthcoming sequel. Engrossing, predictable and surely sellable.
Pub Date: June 23, 1975
ISBN: 0385343248
Page Count: 998
Publisher: Atheneum
Review Posted Online: Sept. 21, 2011
Kirkus Reviews Issue: June 1, 1975
BOOK TO SCREEN
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