A calamitous chapter in American history is illustrated by the intertwined tales of four women who survived it.
The settling of the American West is full of stories, but one of its greatest tales of heroism and endurance is not well known. In the mid-1800s, Mormon leader Brigham Young instructed the followers of his new religion to leave their lives in the sinful Old World and travel to Zion, or Salt Lake, to what would one day be Utah. At his command, hundreds traveled to Iowa City, the westernmost point of the railroad, and constructed wooden handcarts, chosen for their economy, to make the 1,300-mile trek by foot. Despite the challenges—the wood was green and many, formerly city dwellers, were unfit for the journey—some groups traveled safely. Not so the Martin Company, 650 who set out in July 1856 to find ferocious heat, starvation and deadly winter storms before arriving. To illustrate this forgotten chapter, Dallas (The Bride's House, 2011, etc.) focuses on four women: Louisa, the adoring bride of a company leader; Anne, a non-Mormon who resents her convert husband for forcing her from an easy life in London; lovelorn Nannie, who travels to support her beloved, pregnant sister and brother-in-law; and Jessie, a self-reliant farm girl who chafes at the religion's strict rules. Together with a detailed cast of supporting characters, they bear and bury children and other loved ones, finding a kind of sisterhood and inner strength. They are further burdened (and bound) by the rampant sexism of the new faith, which encourages polygamy and views new women as "fresh fish." Dallas' vivid prose makes the journey's escalating hardships feel real, as Anne "no longer kept track of time or distance, just pushed the cart in a kind of daze, her mind as much a blur as the snow that fell." Readers enticed by the HBO program Big Love will be particularly interested in the origins of this insular community. This fact-based historical fiction, celebrating sisterhood and heroism, makes for a surefire winner.
Pub Date: April 24, 2012
ISBN: 978-1-250-00502-1
Page Count: 320
Publisher: St. Martin's
Review Posted Online: March 18, 2012
Kirkus Reviews Issue: April 1, 2012
An elegant, pithy performance by a first-time novelist who couldn’t seem more familiar with his characters or territory.
Manhattan in the late 1930s is the setting for this saga of a bright, attractive and ambitious young woman whose relationships with her insecure roommate and the privileged Adonis they meet in a jazz club are never the same after an auto accident.
Towles' buzzed-about first novel is an affectionate return to the post–Jazz Age years, and the literary style that grew out of it (though seasoned with expletives). Brooklyn girl Katey Kontent and her boardinghouse mate, Midwestern beauty Eve Ross, are expert flirts who become an instant, inseparable threesome with mysterious young banker Tinker Grey. With him, they hit all the hot nightspots and consume much alcohol. After a milk truck mauls his roadster with the women in it, permanently scarring Eve, the guilt-ridden Tinker devotes himself to her, though he and she both know he has stronger feelings for Katey. Strong-willed Katey works her way up the career ladder, from secretarial job on Wall Street to publisher’s assistant at Condé Nast, forging friendships with society types and not allowing social niceties to stand in her way. Eve and Tinker grow apart, and then Kate, belatedly seeing Tinker for what he is, sadly gives up on him. Named after George Washington's book of moral and social codes, this novel documents with breezy intelligence and impeccable reserve the machinations of wealth and power at an historical moment that in some ways seems not so different from the current one. Tinker, echoing Gatsby, is permanently adrift. The novel is a bit light on plot, relying perhaps too much on description. But the characters are beautifully drawn, the dialogue is sharp and Towles avoids the period nostalgia and sentimentality to which a lesser writer might succumb.
An elegant, pithy performance by a first-time novelist who couldn’t seem more familiar with his characters or territory.Pub Date: July 25, 2011
ISBN: 978-0-670-02269-4
Page Count: 352
Publisher: Viking
Review Posted Online: May 19, 2011
Kirkus Reviews Issue: June 1, 2011
BOOK REVIEW
BOOK REVIEW
Young Starla is an endearing character whose spirited observations propel this nicely crafted story.
Crandall (Sleep No More, 2010, etc.) delivers big with a coming-of-age story set in Mississippi in 1963 and narrated by a precocious 9-year-old.
Due in part to tradition, intimidation and Jim Crow laws, segregation is very much ingrained into the Southern lifestyle in 1963. Few white children question these rules, least of all Starla Caudelle, a spunky young girl who lives with her stern, unbending grandmother in Cayuga Springs, Miss., and spends an inordinate amount of time on restriction for her impulsive actions and sassy mouth. Starla’s dad works on an oil rig in the Gulf; her mother abandoned the family to seek fame and fortune in Nashville when Starla was 3. In her youthful innocence, Starla’s convinced that her mother’s now a big singing star, and she dreams of living with her again one day, a day that seems to be coming more quickly than Starla’s anticipated. Convinced that her latest infraction is about to land her in reform school, Starla decides she has no recourse but to run away from home and head to Nashville to find her mom. Ill prepared for the long, hot walk and with little concept of time and distance, Starla becomes weak and dehydrated as she trudges along the hot, dusty road. She gladly accepts water and a ride from Eula, a black woman driving an old truck, and finds, to her surprise, that she’s not Eula’s only passenger. Inside a basket is a young white baby, an infant supposedly abandoned outside a church, whom Eula calls James. Although Eula doesn’t intend to drive all the way to Nashville, when she shows up at her home with the two white children, a confrontation with her husband forces her into becoming a part of Starla’s journey, and it’s this journey that creates strong bonds between the two: They help each other face fears as they each become stronger individuals. Starla learns firsthand about the abuse and scare tactics used to intimidate blacks and the skewed assumption of many whites that blacks are inferior beings. Assisted by a black schoolteacher who shows Eula and Starla unconditional acceptance and kindness, both ultimately learn that love and kinship transcend blood ties and skin color.
Young Starla is an endearing character whose spirited observations propel this nicely crafted story.Pub Date: July 2, 2013
ISBN: 978-1-4767-0772-3
Page Count: 320
Publisher: Gallery Books/Simon & Schuster
Review Posted Online: May 20, 2013
Kirkus Reviews Issue: June 15, 2013
BOOK REVIEW
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