Exhaustive descriptions of court protocol, meals and entertainments slow the narrative at times, but, all in all, this is a...



Gulland, author of a trilogy starring Josephine Bonaparte (The Last Great Dance on Earth, 2000, etc.), turns her attention to Louise de la Vallière, most beloved mistress of Louis XIV.

Louise, nicknamed “Petite” because of her slight stature, was born to lower nobility in Tours, France. From childhood she displays a love of horses, and she tames her unruly white stallion Diablo by dosing him with so-called “Bone Magic”—in effect “gentling” the beast by making a Devil’s bargain. This becomes the occasionally overworked motif of Petite’s later romantic career. Her father’s death and Diablo’s disappearance trigger the chain of events leading her into Louis XIV’s bed. Petite’s impoverished mother entrusts her to a convent, then reclaims her when marriage to a marquis improves her fortunes. The marquis’s household serves Gaston, Duc D’Orléans, and Petite becomes maid to Gaston’s daughter, Marguerite, whom Gaston hopes will marry young King Louis. When Louis weds a Spanish princess, Marguerite has to settle for a Medici. Chasing a runaway colt, Petite encounters Louis, mistaking him for a forest poacher. When he compliments her on her horsewomanship, she’s smitten. After Gaston dies without a male heir, his estate reverts to the Crown. Petite is called to the Sun King’s court to wait upon Henriette, wife of Philippe, Louis’s younger brother. Petite, slightly lame but an accomplished dancer, stars in Louis’s ballets. At first piously resisting their growing mutual infatuation, Petite succumbs when she’s again alone in the woods with Louis. From then on she walks a delicate political line at Court. Rudimentary contraceptive practices of the day fail. Keeping her pregnancies and confinement secret, she stoically bears Louis four children. Louis legitimizes the surviving two, making Petite a duchess. Petite’s chief rival for the king is someone she least suspects, who ensnares Louis by witchcraft—poetic justice for Petite’s dabbling in the dark arts.

Exhaustive descriptions of court protocol, meals and entertainments slow the narrative at times, but, all in all, this is a fine telling, bolstered by the strength and sensitivity of Gulland’s characterizations.

Pub Date: June 3, 2008

ISBN: 978-0-7432-9887-2

Page Count: 400

Publisher: Touchstone/Simon & Schuster

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: April 15, 2008

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Inspired by disclosures of a real-life Florida reform school’s long-standing corruption and abusive practices, Whitehead’s...

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The acclaimed author of The Underground Railroad (2016) follows up with a leaner, meaner saga of Deep South captivity set in the mid-20th century and fraught with horrors more chilling for being based on true-life atrocities.

Elwood Curtis is a law-abiding, teenage paragon of rectitude, an avid reader of encyclopedias and after-school worker diligently overcoming hardships that come from being abandoned by his parents and growing up black and poor in segregated Tallahassee, Florida. It’s the early 1960s, and Elwood can feel changes coming every time he listens to an LP of his hero Martin Luther King Jr. sermonizing about breaking down racial barriers. But while hitchhiking to his first day of classes at a nearby black college, Elwood accepts a ride in what turns out to be a stolen car and is sentenced to the Nickel Academy, a juvenile reformatory that looks somewhat like the campus he’d almost attended but turns out to be a monstrously racist institution whose students, white and black alike, are brutally beaten, sexually abused, and used by the school’s two-faced officials to steal food and supplies. At first, Elwood thinks he can work his way past the arbitrary punishments and sadistic treatment (“I am stuck here, but I’ll make the best of it…and I’ll make it brief”). He befriends another black inmate, a street-wise kid he knows only as Turner, who has a different take on withstanding Nickel: “The key to in here is the same as surviving out there—you got to see how people act, and then you got to figure out how to get around them like an obstacle course.” And if you defy them, Turner warns, you’ll get taken “out back” and are never seen or heard from again. Both Elwood’s idealism and Turner’s cynicism entwine into an alliance that compels drastic action—and a shared destiny. There's something a tad more melodramatic in this book's conception (and resolution) than one expects from Whitehead, giving it a drugstore-paperback glossiness that enhances its blunt-edged impact.

Inspired by disclosures of a real-life Florida reform school’s long-standing corruption and abusive practices, Whitehead’s novel displays its author’s facility with violent imagery and his skill at weaving narrative strands into an ingenious if disquieting whole.

Pub Date: July 16, 2019

ISBN: 978-0-385-53707-0

Page Count: 224

Publisher: Doubleday

Review Posted Online: Jan. 21, 2019

Kirkus Reviews Issue: Feb. 1, 2019

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The writing is merely serviceable, and one can’t help but wish the author had found a way to present her material as...

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An unlikely love story set amid the horrors of a Nazi death camp.

Based on real people and events, this debut novel follows Lale Sokolov, a young Slovakian Jew sent to Auschwitz in 1942. There, he assumes the heinous task of tattooing incoming Jewish prisoners with the dehumanizing numbers their SS captors use to identify them. When the Tätowierer, as he is called, meets fellow prisoner Gita Furman, 17, he is immediately smitten. Eventually, the attraction becomes mutual. Lale proves himself an operator, at once cagey and courageous: As the Tätowierer, he is granted special privileges and manages to smuggle food to starving prisoners. Through female prisoners who catalog the belongings confiscated from fellow inmates, Lale gains access to jewels, which he trades to a pair of local villagers for chocolate, medicine, and other items. Meanwhile, despite overwhelming odds, Lale and Gita are able to meet privately from time to time and become lovers. In 1944, just ahead of the arrival of Russian troops, Lale and Gita separately leave the concentration camp and experience harrowingly close calls. Suffice it to say they both survive. To her credit, the author doesn’t flinch from describing the depravity of the SS in Auschwitz and the unimaginable suffering of their victims—no gauzy evasions here, as in Boy in the Striped Pajamas. She also manages to raise, if not really explore, some trickier issues—the guilt of those Jews, like the tattooist, who survived by doing the Nazis’ bidding, in a sense betraying their fellow Jews; and the complicity of those non-Jews, like the Slovaks in Lale’s hometown, who failed to come to the aid of their beleaguered countrymen.

The writing is merely serviceable, and one can’t help but wish the author had found a way to present her material as nonfiction. Still, this is a powerful, gut-wrenching tale that is hard to shake off.

Pub Date: Sept. 4, 2018

ISBN: 978-0-06-279715-5

Page Count: 272

Publisher: Harper/HarperCollins

Review Posted Online: July 17, 2018

Kirkus Reviews Issue: Aug. 1, 2018

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