This one is strictly for history buffs.
Gulland (The Shadow Queen, 2014, etc.) writes about Hortense de Beauharnais, daughter of Josephine Bonaparte and stepdaughter of Gen. Napoleon Bonaparte.
Four years after the Reign of Terror, Hortense is 15 and on the brink of adulthood. She is smart, beautiful, musically talented, and seemingly has it all. Hortense lives in a boarding school for aristocrats with her close friend Adèle Auguié and her cousin Émilie de Beauharnais. The girls work diligently under the guidance of the strict but kind headmistress, Maîtresse Campan. Despite Hortense’s outward calm, she struggles to come to terms with her father’s death by beheading and constantly worries about losing her beloved brother Eugène as well, as a result of his military posting in Egypt. To complicate matters further, Hortense is torn as to whether or not to believe the rumors circulating about her mother’s extramarital affair with a family friend, Hippolyte Charles. Despite the initially slow-moving plot, Gulland’s attention to minor details—such as Josephine’s interactions with her in-laws and visiting fortunetellers—brings to life the essence of living as a young noblewoman in the year 1798 amid newfound political peace. The largely underdeveloped characters and choppy plot, however, force readers to work hard to remain invested in the narrative.
This one is strictly for history buffs. (afterword, historical information, cast of characters, glossary, map) (Historical fiction. 14-18)Pub Date: June 26, 2018
ISBN: 978-0-425-29101-6
Page Count: 384
Publisher: Viking
Review Posted Online: April 2, 2018
Kirkus Reviews Issue: April 15, 2018
BOOK REVIEW
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression.
After surviving a suicide attempt, a fragile teen isn't sure she can endure without cutting herself.
Seventeen-year-old Charlie Davis, a white girl living on the margins, thinks she has little reason to live: her father drowned himself; her bereft and abusive mother kicked her out; her best friend, Ellis, is nearly brain dead after cutting too deeply; and she's gone through unspeakable experiences living on the street. After spending time in treatment with other young women like her—who cut, burn, poke, and otherwise hurt themselves—Charlie is released and takes a bus from the Twin Cities to Tucson to be closer to Mikey, a boy she "like-likes" but who had pined for Ellis instead. But things don't go as planned in the Arizona desert, because sweet Mikey just wants to be friends. Feeling rejected, Charlie, an artist, is drawn into a destructive new relationship with her sexy older co-worker, a "semifamous" local musician who's obviously a junkie alcoholic. Through intense, diarylike chapters chronicling Charlie's journey, the author captures the brutal and heartbreaking way "girls who write their pain on their bodies" scar and mar themselves, either succumbing or surviving. Like most issue books, this is not an easy read, but it's poignant and transcendent as Charlie breaks more and more before piecing herself back together.
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression. (author’s note) (Fiction. 14 & up)Pub Date: Aug. 30, 2016
ISBN: 978-1-101-93471-5
Page Count: 416
Publisher: Delacorte
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: May 15, 2016
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