A powerful story with a vivid setting, compelling plot, and multifaceted characters.
In this riveting historical novel based on true events, political tensions in a Scottish mission in 19th-century Calcutta, India, give rise to a sexual scandal.
Mary Pigot has been the superintendent of the Ladies’ Association Female Mission in Calcutta for 10 years before the Rev. William Hastie arrives in 1879. Hastie, the principal of the Scottish College, quickly finds fault with Pigot’s policies, practices, and mannerisms; for example, he feels that the orphanage that she manages isn’t up to Scottish standards of cleanliness. Hastie and his comrades also don’t agree with her proselytizing approach: “educate first, convert later—if ever.” Nor does Pigot share Hastie’s resentment toward members of the Free Church, which broke away from the Church of Scotland in 1843. She’s quick to assist anyone who needs help—even members of the local community whom Hastie finds questionable. The growing friction between Pigot and Hastie culminates in a formal investigation of the superintendent followed by libelous claims that she’s abusive, neglectful, incompetent, and immoral. Due to her casual demeanor with male colleagues, her enemies accuse her of “fornication” with an Indian man and a fellow missionary. To clear her name and take back her position, Pigot takes Hastie to court, leading to an unpredictable, sensational trial. Although the book is set in the 1800s, its approach to political, religious, cultural, and gender-related issues is surprisingly relevant. Wagner-Wright (Rama’s Labyrinth, 2015, etc.) paints India’s culture and climate in stunning detail: “March comes on like a slow fire. Another week, and we’ll have the humidity.” The realistic, intricate characters take turns narrating the tale, panoramically revealing themselves through their perceptions. At one point, for example, Hastie narrates, “I stop and take a breath, composing myself for this audience of fools.” The plot’s first half proceeds at an unhurried pace, but when the trial starts, its momentum resembles that of a competitive sporting event. Wagner-Wright’s extensive research allows her to stay remarkably true to history while her creativity brings an outstanding story of courage and fortitude to life.
A powerful story with a vivid setting, compelling plot, and multifaceted characters.Pub Date: Feb. 1, 2019
ISBN: 978-0-9963845-4-4
Page Count: 504
Publisher: Wagner Wright Enterprises
Review Posted Online: Nov. 15, 2018
Kirkus Reviews Issue: Jan. 1, 2019
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.
Pub Date: April 5, 1996
ISBN: 0-679-41224-7
Page Count: 304
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 1996
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