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PRAIRIE SONATA

A poignant and eloquent reflection on tradition, family, friendship, and tragedy.

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A young girl’s assumptions about life are challenged by the arrival of a new teacher in Rabin’s historical YA novel.

In Canada’s vast Manitoba prairie sits the fictional town of Ambrosia. It has a thriving Jewish community that’s made up of immigrants who fled the Russian pogroms of the late 19th and early 20th centuries. It’s here, in 1948, that readers meet 11-year-old Mira Adler, who narrates this coming-of-age tale. She’s a happy, imaginative youngster who attends the Peretz School, a learning center that teaches “English” studies in the morning and Jewish studies in the afternoon. The latter classes are taught primarily in Yiddish, a language that Rabin uses liberally in dialogue and narration throughout the novel, always followed by helpful translation. Mira states that “my world was an untroubled one, and in my naiveté and innocence, I assumed that it was the same for everyone.” That changes after the arrival of Chaver Bergman, a new, young Yiddish teacher. “There was something affecting and melancholy about him,” Mira says, “engendering rachmonos(pity) rather than gleeful mischief.” When he offers Mira private violin lessons, they build a friendship that leads him to share the story of his tragic past. Born in Czechoslovakia, he’s a tormented, guilt-ridden Holocaust survivor who was once a virtuoso violinist but no longer plays. His instruction is verbal, inspiring Mira with visual images of music that inflect Rabin’s prose with moments of beauty with joyful and mournful tones: “He told me to imagine leaves swirling in the wind when playing Vivaldi’s ‘Autumn’ from The Four Seasons, each little leaf being carried aloft on a current of cool air.” Her descriptions of daily life, traditional foods, and celebrations paint an evocative portrait of second-generation Jewish diaspora life in the West. And Mira’s growing awareness of anti-Semitism outside her small enclave provides readers with a timely reminder of the need to remain vigilant against bigotry. Overall, it’s a compelling work with a wistful longing for days of childhood innocence.

A poignant and eloquent reflection on tradition, family, friendship, and tragedy.

Pub Date: Oct. 7, 2020

ISBN: 978-1-5255-7636-2

Page Count: 288

Publisher: FriesenPress

Review Posted Online: Nov. 13, 2020

Kirkus Reviews Issue: Jan. 1, 2021

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SALT TO THE SEA

Heartbreaking, historical, and a little bit hopeful.

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January 1945: as Russians advance through East Prussia, four teens’ lives converge in hopes of escape.

Returning to the successful formula of her highly lauded debut, Between Shades of Gray (2011), Sepetys combines research (described in extensive backmatter) with well-crafted fiction to bring to life another little-known story: the sinking (from Soviet torpedoes) of the German ship Wilhelm Gustloff. Told in four alternating voices—Lithuanian nurse Joana, Polish Emilia, Prussian forger Florian, and German soldier Alfred—with often contemporary cadences, this stints on neither history nor fiction. The three sympathetic refugees and their motley companions (especially an orphaned boy and an elderly shoemaker) make it clear that while the Gustloff was a German ship full of German civilians and soldiers during World War II, its sinking was still a tragedy. Only Alfred, stationed on the Gustloff, lacks sympathy; almost a caricature, he is self-delusional, unlikable, a Hitler worshiper. As a vehicle for exposition, however, and a reminder of Germany’s role in the war, he serves an invaluable purpose that almost makes up for the mustache-twirling quality of his petty villainy. The inevitability of the ending (including the loss of several characters) doesn’t change its poignancy, and the short chapters and slowly revealed back stories for each character guarantee the pages keep turning.

Heartbreaking, historical, and a little bit hopeful. (author’s note, research and sources, maps) (Historical fiction. 12-16)

Pub Date: Feb. 2, 2016

ISBN: 978-0-399-16030-1

Page Count: 400

Publisher: Philomel

Review Posted Online: Nov. 2, 2015

Kirkus Reviews Issue: Nov. 15, 2015

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THE ENIGMA GAME

Another soaring success.

Wein returns with another emotional flight through World War II, this time in Scotland.

Three young people’s lives intersect in a remote Scottish village, their bond cemented by the unexpected receipt of the first Enigma machine to reach Allied hands. Characters who appear here from earlier volumes include: volunteer Ellen McEwen, respected by others who don’t know she’s a Traveller; flight leader Jamie Beaufort-Stuart, alive but with a flight log of dead friends; and 15-year-old biracial Jamaican English orphan Louisa Adair, employed (by phone, without disclosing her skin color) to care for an elderly but fierce German woman. All of them are bound by a sense of helplessness and a desire to make a difference; Wein shines at exploring the tension between the horrors of war and its unexpected pleasures, many thanks to friendships that could only exist during a time of upheaval. In many ways a small story about big things—fitting in a novel thematically focused on the ways individuals matter—this is historical fiction at its finest, casting a light on history (with some minor liberties, noted in the extensive backmatter) as well as raising questions still relevant today, particularly around class and race, nationality and belonging; unexpected connections across those gulfs lead to moments of love and heartbreak for readers and characters alike.

Another soaring success. (author’s note, resources) (Historical fiction. 12-18)

Pub Date: Nov. 3, 2020

ISBN: 978-1-368-01258-4

Page Count: 432

Publisher: Disney-Hyperion/LBYR

Review Posted Online: Feb. 8, 2020

Kirkus Reviews Issue: March 1, 2020

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