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LAST VOYAGE OF THE VALENTINA

Old-fashioned, sentimental melodrama, written with finesse and page-turning energy.

Popular British novelist Montefiore, a media glam girl who hangs with the likes of Prince Charles, enters the U.S. market with a murder-romance that travels between swinging 1970s London and WWII Italy.

Strikingly beautiful half-Italian Alba has always felt herself an outsider and resented her wealthy, conventional father Thomas and stepmother Margo. At 26, Alba lives in London on her father’s houseboat, the Valentina, and keeps herself occupied with sex and shopping. One day she finds a rolled-up portrait of her mother, Valentina, who died shortly after her birth and is never mentioned by her father (other than in the naming of his boat). Novelist neighbor Viv suggests that Alba enlist Viv’s attractive agent Fitz to pretend to be her boyfriend in order to help discover what secrets about Valentina her father is hiding. The ruse works. Plus, Fitz and Alba fall in love, but he wisely tells her she must go to Italy alone to find her roots. Once there, Alba quickly finds herself reevaluating her identity. In her mother’s village, she meets her family and slowly uncovers the secrets of Valentina’s death. Meanwhile, the portrait of his dead love has caused Thomas to remember their tragic affair, carrying readers back with him to WWII. Captain of a motor torpedo boat, Thomas stopped briefly in Valentina’s war-ravaged village and promptly fell in love with her. He promised to return after learning Valentina was pregnant, and he kept his word, but she was murdered on the eve of their wedding. Gradually Alba realizes that her father was protecting her from unpleasant truths about her duplicitous mother. She returns to England planning to marry Fitz but finds it hard to resist the pull of Italy.

Old-fashioned, sentimental melodrama, written with finesse and page-turning energy.

Pub Date: June 6, 2006

ISBN: 0-7432-7686-8

Page Count: 416

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 2006

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THE LAST LETTER

A thoughtful and pensive tale with intelligent characters and a satisfying romance.

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A promise to his best friend leads an Army serviceman to a family in need and a chance at true love in this novel.

Beckett Gentry is surprised when his Army buddy Ryan MacKenzie gives him a letter from Ryan’s sister, Ella. Abandoned by his mother, Beckett grew up in a series of foster homes. He is wary of attachments until he reads Ella’s letter. A single mother, Ella lives with her twins, Maisie and Colt, at Solitude, the resort she operates in Telluride, Colorado. They begin a correspondence, although Beckett can only identify himself by his call sign, Chaos. After Ryan’s death during a mission, Beckett travels to Telluride as his friend had requested. He bonds with the twins while falling deeply in love with Ella. Reluctant to reveal details of Ryan’s death and risk causing her pain, Beckett declines to disclose to Ella that he is Chaos. Maisie needs treatment for neuroblastoma, and Beckett formally adopts the twins as a sign of his commitment to support Ella and her children. He and Ella pursue a romance, but when an insurance investigator questions the adoption, Beckett is faced with revealing the truth about the letters and Ryan’s death, risking losing the family he loves. Yarros’ (Wilder, 2016, etc.) novel is a deeply felt and emotionally nuanced contemporary romance bolstered by well-drawn characters and strong, confident storytelling. Beckett and Ella are sympathetic protagonists whose past experiences leave them cautious when it comes to love. Beckett never knew the security of a stable home life. Ella impulsively married her high school boyfriend, but the marriage ended when he discovered she was pregnant. The author is especially adept at developing the characters through subtle but significant details, like Beckett’s aversion to swearing. Beckett and Ella’s romance unfolds slowly in chapters that alternate between their first-person viewpoints. The letters they exchanged are pivotal to their connection, and almost every chapter opens with one. Yarros’ writing is crisp and sharp, with passages that are poetic without being florid. For example, in a letter to Beckett, Ella writes of motherhood: “But I’m not the center of their universe. I’m more like their gravity.” While the love story is the book’s focus, the subplot involving Maisie’s illness is equally well-developed, and the link between Beckett and the twins is heartfelt and sincere.

A thoughtful and pensive tale with intelligent characters and a satisfying romance.

Pub Date: Feb. 26, 2019

ISBN: 978-1-64063-533-3

Page Count: 432

Publisher: Entangled: Amara

Review Posted Online: Jan. 2, 2019

Kirkus Reviews Issue: Feb. 15, 2019

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TELL ME

You’ll need your own detective’s notebook to keep tabs on all the characters and connections on display here. Even so,...

A tenacious reporter won’t let personal ties to a decades-old case stop her from finding the truth.

On the advice of her agent, Savannah Sentinel reporter and author Nikki Gillette is looking for fodder for her latest true-crime novel when she realizes that the perfect subject is about to be released from prison. Savannah’s notorious Blondell O’Henry has been locked up for some 20 years for the murder of her oldest daughter and Nikki’s childhood friend, Amity. Now that Blondell’s son Niall has recanted the testimony that put her away all those years ago, it looks as if she’ll be a free woman unless Nikki’s fiance, Detective Pierce Reed, can find a reason to keep her detained. Pierce and Nikki both work to discover what happened years ago at that cabin in the woods, though Pierce bridles at Nikki’s rather unconventional—all right, illegal—research methods. It seems to Nikki that the more she investigates, the more connections she discovers to her own family, beginning with the fact that her Uncle Alex was the original defense attorney on the case. But all of these uncomfortable connections make Nikki still more determined to learn the truth, even if she doesn’t like what that may mean.

You’ll need your own detective’s notebook to keep tabs on all the characters and connections on display here. Even so, Jackson (You Don’t Want to Know, 2012, etc.) shows a mastery of the true-crime thriller formula that will please fans.

Pub Date: June 25, 2013

ISBN: 978-0-7582-5858-8

Page Count: 336

Publisher: Kensington

Review Posted Online: June 8, 2013

Kirkus Reviews Issue: June 15, 2013

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