After a traumatic incident, an aspiring artist flees from England to Canada.
Peyton King is on a plane to Vancouver without a plan. The 17-year-old Brit has had a year that started out promisingly enough—a new school offers a fresh start after 5 years of bullying and brings, for the first time in her life, a group of friends and a boyfriend—then slowly but surely ended in chaos. Leaving only a short note for her parents, Peyton flees halfway across the world and shortly thereafter connects with a motley crew of 20-something travelers from various parts of Europe. As the group takes a road trip through Canada in an RV they dub Justin, Peyton documents the journey in her beloved sketchbook—and contemplates kissing her adorable fellow explorer Beasey. She also slowly regains the trust in other people that she’d lost. The story alternates chapters between Peyton’s past and present, slowly leading up to the tragic event that prompted her flight. Barnard has crafted a page-turner that’s both adventurous and reflective, and Peyton is a thoughtful, nuanced heroine who eventually understands her past roles as both victim and enabler. Excepting Scottish traveling companion Khalil, whose name cues him as a person of color, main characters are presumed White. There is some diversity in sexual orientation. Illustrations not seen.
A lovely coming-of-age tale set amid breathtaking scenery. (Fiction. 13-18)Pub Date: Feb. 23, 2021
ISBN: 978-1-5344-8390-3
Page Count: 320
Publisher: Simon & Schuster
Review Posted Online: Dec. 31, 2020
Kirkus Reviews Issue: Feb. 1, 2021
Categories: TEENS & YOUNG ADULT SOCIAL THEMES | TEENS & YOUNG ADULT FICTION
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This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression.
17
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After surviving a suicide attempt, a fragile teen isn't sure she can endure without cutting herself.
Seventeen-year-old Charlie Davis, a white girl living on the margins, thinks she has little reason to live: her father drowned himself; her bereft and abusive mother kicked her out; her best friend, Ellis, is nearly brain dead after cutting too deeply; and she's gone through unspeakable experiences living on the street. After spending time in treatment with other young women like her—who cut, burn, poke, and otherwise hurt themselves—Charlie is released and takes a bus from the Twin Cities to Tucson to be closer to Mikey, a boy she "like-likes" but who had pined for Ellis instead. But things don't go as planned in the Arizona desert, because sweet Mikey just wants to be friends. Feeling rejected, Charlie, an artist, is drawn into a destructive new relationship with her sexy older co-worker, a "semifamous" local musician who's obviously a junkie alcoholic. Through intense, diarylike chapters chronicling Charlie's journey, the author captures the brutal and heartbreaking way "girls who write their pain on their bodies" scar and mar themselves, either succumbing or surviving. Like most issue books, this is not an easy read, but it's poignant and transcendent as Charlie breaks more and more before piecing herself back together.
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression. (author’s note) (Fiction. 14 & up)Pub Date: Aug. 30, 2016
ISBN: 978-1-101-93471-5
Page Count: 416
Publisher: Delacorte
Review Posted Online: May 4, 2016
Kirkus Reviews Issue: May 15, 2016
Categories: TEENS & YOUNG ADULT FICTION | TEENS & YOUNG ADULT SOCIAL THEMES
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A romance with solid queer representation set against the backdrop of an Alabama Christian school.
Chloe Green is the only one who sees through Shara Wheeler’s goody-two-shoes act, and now that Shara’s pulled a disappearing act right before being crowned prom queen, she makes it her business to find her. This means teaming up with unlikely allies like Smith Parker, Shara’s jock boyfriend, and Rory Heron, the brooding boy next door, both in love with Shara, just as Chloe claims she is not. What brings the trio together is a series of notes Shara has left them, along with the awkward fact that she kissed all three of them before vanishing. McQuiston’s YA debut starts off as a fun page-turner with a rich cast of queer characters but ultimately disappoints with its predictable plot twists and protagonists whose journeys feel lackluster. In a story that uplifts the importance of friendship and found family, the main character’s tunnel vision and indifference toward her friends’ problems make for an ending that doesn’t feel earned. Rather than coming across as a complicated but earnest love interest, Shara feels superficial and narcissistic, raising the question of why so many people drop everything to pursue her. Shara and Chloe are White; Rory has a White mom and Black dad, and Smith is described as having dark brown skin. Bisexual Chloe has two moms.
An engaging, fast-paced story let down by character development. (author’s note) (Romance. 14-18)Pub Date: May 3, 2022
ISBN: 978-1-250-24445-1
Page Count: 368
Publisher: Wednesday Books
Review Posted Online: Feb. 9, 2022
Kirkus Reviews Issue: March 1, 2022
Categories: TEENS & YOUNG ADULT ROMANCE | TEENS & YOUNG ADULT SOCIAL THEMES
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