An unremarkable father-daughter bonding story in a remarkable setting.
Jolene accompanies her trucker dad on a job to Los Angeles.
It’s time for Jolene’s annual adventure with her dad—she has been making long-haul trips with him since she was 4. She loves camping out in the cab, eating road-stop food, and being together on the road—just the two of them. For this trip, she’s looking forward to rating onion rings together. Things are different this trip, though, because in the last year her parents got divorced when Jolene’s dad came out as gay. She now alternates weeks living with her mom in their old apartment and with her dad in the new apartment he shares with his boyfriend, Joey. These are big changes, but unfortunately, the author doesn’t dive deep into how Jolene is feeling about them, and it seems like a missed opportunity for exploration of identity and feelings as well as a way to model emotional communication in difficult situations. Grayscale illustrations every few pages help pace new chapter-book readers through the story. The text contains no reference to race or ethnicity for Jolene and her parents; the illustrations show a freckle-faced Jolene with brown skin while her mom has dark skin and her dad has white skin. Joey is Coast Salish, and there is an explanation of what “Indigenous” means but not much further exploration of this identity either. Backmatter includes recipes for onion rings, aioli, and spruce-tip syrup.
An unremarkable father-daughter bonding story in a remarkable setting. (Fiction. 6-8)Pub Date: April 7, 2020
ISBN: 978-1-4598-2529-1
Page Count: 112
Publisher: Orca
Review Posted Online: Jan. 25, 2020
Kirkus Reviews Issue: Feb. 15, 2020
Amusing but a little off tempo.
It’s important to hit all the right notes.
A tan-skinned musical composer with puffy black hair is busy at work on his next musical masterpiece when Half Note, a music symbol denoting two beats, feels unappreciated. Half Note is jealous of the more commonly used Quarter Note (one beat) and Eighth Note. Although the other musical symbols attempt to calm and comfort Half Note, she decides to run away. The next day, Composer needs Half Note and panics when he realizes that she’s gone. The other notes and musical symbols try to find her, but it’s only when they try to play her favorite song, “Twinkle, Twinkle, Little Star,” without her—with terrible results—that she comes running back. The story’s humor—which is largely based on “dad joke” puns—is completely dependent on readers’ musical knowledge. The artwork, a mix of acrylic and colored pencil, attempts to add some allegrezza to the piece, and while it’s not unsuccessful, it’s facing an uphill battle. Music teachers and musically minded caregivers may find some value in this story, but it will likely be too specialized for general readers. (This book was reviewed digitally.)
Amusing but a little off tempo. (glossary) (Picture book. 6-8)Pub Date: March 14, 2023
ISBN: 978-1-64567-631-7
Page Count: 32
Publisher: Page Street
Review Posted Online: Dec. 23, 2022
Kirkus Reviews Issue: Jan. 15, 2023
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A story of friendship that is both lively and lovely
Two friends embark upon a high-seas adventure.
Kondo, a large lemon-colored creature with wide round eyes, spends his day on his island home with his best friend, tangerine-hued Kezumi. Together, they frolic on their idyllic isle picking berries (tall Kondo nabs the higher fruit while Kezumi helps to retrieve the lower) while surrounded by tiny “flitter-birds” and round “fluffle-bunnies.” One day, Kezumi finds a map in a bottle that declares “WE ARE NOT ALONE.” Inspired by visions of a larger world, Kondo and Kezumi fashion a boat from a bathtub and set sail. The pair visits fantastical islands—deliciously cheese-laden Dairy Isle, the fiery and fearsome Fireskull Island—until they eventually settle upon the titular Giant Island, where they meet Albert, a gigantic gray talking mountain who is—obviously—unable to leave. Enthralled by his new friends, Albert wants them to stay forever. After Albert makes a fraught decision, Kondo and Kezumi find themselves at a crossroads and must confront their new friend. Goodner and Tsurumi’s brightly illustrated chapter book should find favor with fans of Kate DiCamillo and Chris Van Dusen’s similarly designed Mercy Watson series. Short, wry, descriptive sentences make for an equally enjoyable experience whether read aloud or independently. Episodic chapters move the action along jauntily; the conclusion is somewhat abrupt, but it promises more exploration and adventures for the best friends. (This review was originally published in the June 1, 2019, issue. The book data has been updated to reflect changes in publisher and date of publication.)
A story of friendship that is both lively and lovely (Fantasy. 6-8)Pub Date: Oct. 27, 2020
ISBN: 978-1-368-02577-5
Page Count: 80
Publisher: Little, Brown
Review Posted Online: May 7, 2019
Kirkus Reviews Issue: July 15, 2020
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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