by Sara Crowe ‧ RELEASE DATE: Feb. 7, 2017
A lovely, eerie adventure that balances the ancient magic with its protagonist's very real character growth
In a grim season, one rural tradition seems less like a boys' romp and more like a gateway for the old powers.
This ought to be a banner year for 13-year-old Ash, finally selected as the stag boy. As the lead runner in his British town's annual Stag Chase, Ash should be preparing to race his best friend, Mark, and the other boys their age, hounds to his stag. If only the whole town weren't shattered with grief. A foot-and-mouth outbreak has devastated the area, with tragic consequences; Mark's dad hanged himself in the barn. Ash's own father, an army captain, has returned from the war—afflicted with PTSD, haunted by visions and rising alcoholism. Even the Stag Chase itself seems corrupted. Ash sees creepy crows in the woods, skulls draped in the trees, ghost stag boys, and (most uncanny) Mark living in the woods, dressed in rags and daubed with clay. The old ways are rising, Mark insists, and the stag boy's destiny will not be a happy one. In haunting, lyrical prose, Ash tries to protect himself from Bone Jack the soul-taker while learning to be a better son and friend. With a deft hand, Crowe twines the ancient folk motifs around her evocation of modern Britain—with one exception: characters’ races go unspecified, leaching it of its multicultural vigor.
A lovely, eerie adventure that balances the ancient magic with its protagonist's very real character growth . (Fantasy. 11-13)Pub Date: Feb. 7, 2017
ISBN: 978-0-399-17651-7
Page Count: 256
Publisher: Philomel
Review Posted Online: Nov. 15, 2016
Kirkus Reviews Issue: Dec. 1, 2016
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BOOK REVIEW
by Sara Crowe ; illustrated by Adam Record
by Megan McDonald ‧ RELEASE DATE: March 1, 1999
From McDonald (Tundra Mouse, 1997, etc.), a haunting, dramatic glimpse of the Bone Keeper, a trickster with special transformational powers. Some say Bone Woman is a ghost; some envision her with three heads that view past, present, and future simultaneously. Most, however, call her the “Skeleton Maker” or “Keeper of Bones.” Chanting, shaking, moaning, and wailing, the Bone Keeper is frenzied as she sorts bones; not until the end of the book are readers told, in murmuring lines of free verse, what the Bone Keeper is creating in her mysterious desert cave. Out of the darkness, a wolf springs to life, leaps from the cave, howling, a symbol of resurrection and proof of life’s cyclical nature. Also keeping readers guessing as to the Bone Keeper’s final creation are Karas’s paintings; they, too, require that the final piece of the puzzle be placed before all are understood. The coloring and textures embody the desert setting in the evening, showing the fearsome cave and sandy shadows that wait to release the mystery of the bones. (Picture book. 5-8)
Pub Date: March 1, 1999
ISBN: 0-7894-2559-9
Page Count: 30
Publisher: DK Publishing
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 1999
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BOOK REVIEW
by Daniel Peddle ‧ RELEASE DATE: Jan. 1, 2000
Peddle debuts with a small, wordless epiphany that flows like an animated short. A low winter sun first lights a child building a snowman, then, after a gloriously starry night, returns to transform it—to melt it. Leaving most of each page untouched, Peddle assembles a minimum of accurately brushed pictorial elements for each scene: the builder; the snow figure; their lengthening shadows; the rising sun’s coruscating circle in the penultimate picture; a scatter of sticks, coal, and a carrot in the final one. Most children will still prefer The Snowy Day, but others may find layers of meaning beneath the story’s deceptive simplicity. (Picture book. 4-9)
Pub Date: Jan. 1, 2000
ISBN: 0-385-32693-9
Page Count: 28
Publisher: Doubleday
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 15, 1999
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