Amusing enough, but there is little intellectual meat on these bones.
An intriguing combination of questions, answers and playful illustrations presents the comparative anatomy of animals, based on their bones, in an original way, with mixed results.
What if you had no bones at all? What would you look like with bones at the end of your spine? What if your hand bones reached your feet? What animal would you look like? The author, a biologist and veterinarian, has taught children’s environmental-education classes as well as college students. Her “what if” questions are right on target for young learners, connecting them to the subject and extending their imaginations. She covers the differences between vertebrates and invertebrates and some skeletal particulars, but this is more a collection of intriguing points than an organized introduction. Unfortunately, the presentation gets in the way of the information. Questions and explanations appear in both a chunky letterpress and hand-lettered–like sans-serif style; answers are in uppercase; this busy typography won’t help fledgling readers. Spookytooth’s illustrations use a diverse group of children to demonstrate major points. These pictures add humor, and some are instructive as well, though others are confusing. Side-by-side human and animal skeletons have major parts labeled; later X-ray views are less meaningful. For organized information, Steve Jenkins’ Bones: Skeletons and How They Work (2010) is a better choice.
Amusing enough, but there is little intellectual meat on these bones. (more about bones and vertebrates, glossary, further reading) (Informational picture book. 5-9)Pub Date: Oct. 1, 2013
ISBN: 978-0-7613-8464-9
Page Count: 32
Publisher: Millbrook/Lerner
Review Posted Online: Aug. 13, 2013
Kirkus Reviews Issue: Sept. 1, 2013
Hee haw.
The print version of a knee-slapping cumulative ditty.
In the song, Smith meets a donkey on the road. It is three-legged, and so a “wonky donkey” that, on further examination, has but one eye and so is a “winky wonky donkey” with a taste for country music and therefore a “honky-tonky winky wonky donkey,” and so on to a final characterization as a “spunky hanky-panky cranky stinky-dinky lanky honky-tonky winky wonky donkey.” A free musical recording (of this version, anyway—the author’s website hints at an adults-only version of the song) is available from the publisher and elsewhere online. Even though the book has no included soundtrack, the sly, high-spirited, eye patch–sporting donkey that grins, winks, farts, and clumps its way through the song on a prosthetic metal hoof in Cowley’s informal watercolors supplies comical visual flourishes for the silly wordplay. Look for ready guffaws from young audiences, whether read or sung, though those attuned to disability stereotypes may find themselves wincing instead or as well.
Hee haw. (Picture book. 5-7)Pub Date: May 1, 2010
ISBN: 978-0-545-26124-1
Page Count: 26
Publisher: Scholastic
Review Posted Online: Dec. 28, 2018
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Having put together a band with renowned cousin Duck Ellington and singer “Bee” Holiday, Rooster’s chances sure look...
Winning actually isn’t everything, as jazz-happy Rooster learns when he goes up against the legendary likes of Mules Davis and Ella Finchgerald at the barnyard talent show.
Having put together a band with renowned cousin Duck Ellington and singer “Bee” Holiday, Rooster’s chances sure look good—particularly after his “ ‘Hen from Ipanema’ [makes] / the barnyard chickies swoon.”—but in the end the competition is just too stiff. No matter: A compliment from cool Mules and the conviction that he still has the world’s best band soon puts the strut back in his stride. Alexander’s versifying isn’t always in tune (“So, he went to see his cousin, / a pianist of great fame…”), and despite his moniker Rooster plays an electric bass in Bower’s canted country scenes. Children are unlikely to get most of the jokes liberally sprinkled through the text, of course, so the adults sharing it with them should be ready to consult the backmatter, which consists of closing notes on jazz’s instruments, history and best-known musicians.Pub Date: Sept. 1, 2011
ISBN: 978-1-58536-688-0
Page Count: 32
Publisher: Sleeping Bear Press
Review Posted Online: July 19, 2011
Kirkus Reviews Issue: Aug. 1, 2011
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