As they did in Bone by Bone: Comparing Animal Skeletons, Levine and Spookytooth successfully combine science fact,...
Adopting an interactive, question-and-answer approach, Levine introduces children to common characteristics and variations in the teeth of mammals.
Directly addressing readers, the author invites them to identify the three types of mammal teeth (incisors, canines, and molars) by looking into a mirror. “Do you see the flat teeth in front? Those are your incisors. If you haven’t lost any recently, you should have four on top and four on the bottom. How many do you have?” Next, Levine asks readers to guess which kind of mammal they’d be if they sported particular types of teeth—for example, “if you had really long canines?” A page turn delivers an answer, capitalized exuberantly: “A SEAL OR A CAT OR A DOG OR A BEAR!” (Asterisked footnotes often add additional examples.) Spookytooth’s flat, stylized, presumably digitally composed pictures incorporate textures of watercolor and wood, using shadows to suggest depth and dimension. Two girls and two boys with differing skin colors hilariously embody Levine’s “what ifs,” modeling everything from a beaver’s protruding incisors to the tusks of the elephant, walrus, warthog, and narwhal. Levine points out specific adaptations in the teeth of meat eaters, herbivores, and omnivores and devotes a few pages to the mainly undifferentiated teeth of nonmammals.
As they did in Bone by Bone: Comparing Animal Skeletons, Levine and Spookytooth successfully combine science fact, interactive fun, and giggle-inducing pictures. (additional facts, glossary, bibliography, Web resources) (Informational picture book. 5-9)Pub Date: March 1, 2016
ISBN: 978-1-4677-5215-2
Page Count: 32
Publisher: Millbrook/Lerner
Review Posted Online: Dec. 7, 2015
Kirkus Reviews Issue: Dec. 15, 2015
Hee haw.
The print version of a knee-slapping cumulative ditty.
In the song, Smith meets a donkey on the road. It is three-legged, and so a “wonky donkey” that, on further examination, has but one eye and so is a “winky wonky donkey” with a taste for country music and therefore a “honky-tonky winky wonky donkey,” and so on to a final characterization as a “spunky hanky-panky cranky stinky-dinky lanky honky-tonky winky wonky donkey.” A free musical recording (of this version, anyway—the author’s website hints at an adults-only version of the song) is available from the publisher and elsewhere online. Even though the book has no included soundtrack, the sly, high-spirited, eye patch–sporting donkey that grins, winks, farts, and clumps its way through the song on a prosthetic metal hoof in Cowley’s informal watercolors supplies comical visual flourishes for the silly wordplay. Look for ready guffaws from young audiences, whether read or sung, though those attuned to disability stereotypes may find themselves wincing instead or as well.
Hee haw. (Picture book. 5-7)Pub Date: May 1, 2010
ISBN: 978-0-545-26124-1
Page Count: 26
Publisher: Scholastic
Review Posted Online: Dec. 28, 2018
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Having put together a band with renowned cousin Duck Ellington and singer “Bee” Holiday, Rooster’s chances sure look...
Winning actually isn’t everything, as jazz-happy Rooster learns when he goes up against the legendary likes of Mules Davis and Ella Finchgerald at the barnyard talent show.
Having put together a band with renowned cousin Duck Ellington and singer “Bee” Holiday, Rooster’s chances sure look good—particularly after his “ ‘Hen from Ipanema’ [makes] / the barnyard chickies swoon.”—but in the end the competition is just too stiff. No matter: A compliment from cool Mules and the conviction that he still has the world’s best band soon puts the strut back in his stride. Alexander’s versifying isn’t always in tune (“So, he went to see his cousin, / a pianist of great fame…”), and despite his moniker Rooster plays an electric bass in Bower’s canted country scenes. Children are unlikely to get most of the jokes liberally sprinkled through the text, of course, so the adults sharing it with them should be ready to consult the backmatter, which consists of closing notes on jazz’s instruments, history and best-known musicians.Pub Date: Sept. 1, 2011
ISBN: 978-1-58536-688-0
Page Count: 32
Publisher: Sleeping Bear Press
Review Posted Online: July 19, 2011
Kirkus Reviews Issue: Aug. 1, 2011
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