A simple, disciplined, and affecting addition to the genre of Holocaust memoirs.

I CARRIED THEM WITH ME

A YOUNG GIRL'S JOURNEY TO SURVIVE

A debut author recounts her experiences before and during the Holocaust.

Born in the eastern Czechoslovakian town of Sekernice to a family of religious Jews, Lumer had a traditional upbringing in a time and place with few amenities. She was responsible for working at her parents’ store, caring for her younger siblings, and praying every day: “I had no idea what I was saying, but I knew it was very important, because if I didn’t say that prayer every morning, there was a very good chance I would get punished by God.” The first section of the book comprises anecdotes about growing up in Sekernice, a multilingual town in the Carpathian Mountains home to various ethnic groups and religious traditions. The second section follows Lumer’s life after her relocation in 1943 to Budapest, where her parents sent her at the age of 15 in hopes that she would be safe there with her older brothers for the duration of World War II. The following spring, Germany invaded Hungary and began deporting its Jews to concentration camps. Lumer’s wartime experiences included multiple camps and forced marches in dire conditions, though she somehow found the will—and luck—to remain alive despite all that the world threw at her. The author, as the introduction reveals, wrote this book with the editing help of Joe Lumer, her son; it is dedicated to his memory. She tells her story in simple, declarative prose, with little commentary beyond the bare facts and emotions of each experience. “The guards kept telling us it was only a little longer, only a little farther, and we would arrive,” she writes of one march. “I fell again and couldn’t get up, so I started crawling on all fours, like a dog.” She resists offering easy explanations of the conflict and the genocide, or what both might portend for the future, simply repeating her remembrances and allowing them to weigh on readers. This gives the earlier episodes, like the one involving Lumer carrying a live chicken in a sack to the shochet (slaughter), an almost folkloric quality. The later recollections vividly reveal the horrific absurdity of war.

A simple, disciplined, and affecting addition to the genre of Holocaust memoirs.

Pub Date: May 29, 2017

ISBN: 978-0-692-80577-0

Page Count: 193

Publisher: Temple Hill Books

Review Posted Online: Nov. 7, 2017

Kirkus Reviews Issue: Dec. 15, 2017

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Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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WHAT A WONDERFUL WORLD

A LIFETIME OF RECORDINGS

Noted jazz and pop record producer Thiele offers a chatty autobiography. Aided by record-business colleague Golden, Thiele traces his career from his start as a ``pubescent, novice jazz record producer'' in the 1940s through the '50s, when he headed Coral, Dot, and Roulette Records, and the '60s, when he worked for ABC and ran the famous Impulse! jazz label. At Coral, Thiele championed the work of ``hillbilly'' singer Buddy Holly, although the only sessions he produced with Holly were marred by saccharine strings. The producer specialized in more mainstream popsters like the irrepressibly perky Teresa Brewer (who later became his fourth wife) and the bubble-machine muzak-meister Lawrence Welk. At Dot, Thiele was instrumental in recording Jack Kerouac's famous beat- generation ramblings to jazz accompaniment (recordings that Dot's president found ``pornographic''), while also overseeing a steady stream of pop hits. He then moved to the Mafia-controlled Roulette label, where he observed the ``silk-suited, pinky-ringed'' entourage who frequented the label's offices. Incredibly, however, Thiele remembers the famously hard-nosed Morris Levy, who ran the label and was eventually convicted of extortion, as ``one of the kindest, most warm-hearted, and classiest music men I have ever known.'' At ABC/Impulse!, Thiele oversaw the classic recordings of John Coltrane, although he is the first to admit that Coltrane essentially produced his own sessions. Like many producers of the day, Thiele participated in the ownership of publishing rights to some of the songs he recorded; he makes no apology for this practice, which he calls ``entirely appropriate and without any ethical conflicts.'' A pleasant, if not exactly riveting, memoir that will be of most interest to those with a thirst for cocktail-hour stories of the record biz. (25 halftones, not seen)

Pub Date: May 1, 1995

ISBN: 0-19-508629-4

Page Count: 224

Publisher: Oxford Univ.

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: March 1, 1995

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