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I CARRIED THEM WITH ME

A YOUNG GIRL'S JOURNEY TO SURVIVE

A simple, disciplined, and affecting addition to the genre of Holocaust memoirs.

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A debut author recounts her experiences before and during the Holocaust.

Born in the eastern Czechoslovakian town of Sekernice to a family of religious Jews, Lumer had a traditional upbringing in a time and place with few amenities. She was responsible for working at her parents’ store, caring for her younger siblings, and praying every day: “I had no idea what I was saying, but I knew it was very important, because if I didn’t say that prayer every morning, there was a very good chance I would get punished by God.” The first section of the book comprises anecdotes about growing up in Sekernice, a multilingual town in the Carpathian Mountains home to various ethnic groups and religious traditions. The second section follows Lumer’s life after her relocation in 1943 to Budapest, where her parents sent her at the age of 15 in hopes that she would be safe there with her older brothers for the duration of World War II. The following spring, Germany invaded Hungary and began deporting its Jews to concentration camps. Lumer’s wartime experiences included multiple camps and forced marches in dire conditions, though she somehow found the will—and luck—to remain alive despite all that the world threw at her. The author, as the introduction reveals, wrote this book with the editing help of Joe Lumer, her son; it is dedicated to his memory. She tells her story in simple, declarative prose, with little commentary beyond the bare facts and emotions of each experience. “The guards kept telling us it was only a little longer, only a little farther, and we would arrive,” she writes of one march. “I fell again and couldn’t get up, so I started crawling on all fours, like a dog.” She resists offering easy explanations of the conflict and the genocide, or what both might portend for the future, simply repeating her remembrances and allowing them to weigh on readers. This gives the earlier episodes, like the one involving Lumer carrying a live chicken in a sack to the shochet (slaughter), an almost folkloric quality. The later recollections vividly reveal the horrific absurdity of war.

A simple, disciplined, and affecting addition to the genre of Holocaust memoirs.

Pub Date: May 29, 2017

ISBN: 978-0-692-80577-0

Page Count: 193

Publisher: Temple Hill Books

Review Posted Online: Nov. 7, 2017

Kirkus Reviews Issue: Dec. 15, 2017

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SLEEPERS

An extraordinary true tale of torment, retribution, and loyalty that's irresistibly readable in spite of its intrusively melodramatic prose. Starting out with calculated, movie-ready anecdotes about his boyhood gang, Carcaterra's memoir takes a hairpin turn into horror and then changes tack once more to relate grippingly what must be one of the most outrageous confidence schemes ever perpetrated. Growing up in New York's Hell's Kitchen in the 1960s, former New York Daily News reporter Carcaterra (A Safe Place, 1993) had three close friends with whom he played stickball, bedeviled nuns, and ran errands for the neighborhood Mob boss. All this is recalled through a dripping mist of nostalgia; the streetcorner banter is as stilted and coy as a late Bowery Boys film. But a third of the way in, the story suddenly takes off: In 1967 the four friends seriously injured a man when they more or less unintentionally rolled a hot-dog cart down the steps of a subway entrance. The boys, aged 11 to 14, were packed off to an upstate New York reformatory so brutal it makes Sing Sing sound like Sunnybrook Farm. The guards continually raped and beat them, at one point tossing all of them into solitary confinement, where rats gnawed at their wounds and the menu consisted of oatmeal soaked in urine. Two of Carcaterra's friends were dehumanized by their year upstate, eventually becoming prominent gangsters. In 1980, they happened upon the former guard who had been their principal torturer and shot him dead. The book's stunning denouement concerns the successful plot devised by the author and his third friend, now a Manhattan assistant DA, to free the two killers and to exact revenge against the remaining ex-guards who had scarred their lives so irrevocably. Carcaterra has run a moral and emotional gauntlet, and the resulting book, despite its flaws, is disturbing and hard to forget. (Film rights to Propaganda; author tour)

Pub Date: July 10, 1995

ISBN: 0-345-39606-5

Page Count: 432

Publisher: Ballantine

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1995

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LIFE IS SO GOOD

The memoir of George Dawson, who learned to read when he was 98, places his life in the context of the entire 20th century in this inspiring, yet ultimately blighted, biography. Dawson begins his story with an emotional bang: his account of witnessing the lynching of a young African-American man falsely accused of rape. America’s racial caste system and his illiteracy emerge as the two biggest obstacles in Dawson’s life, but a full view of the man overcoming the obstacles remains oddly hidden. Travels to Ohio, Canada, and Mexico reveal little beyond Dawson’s restlessness, since nothing much happens to him during these wanderings. Similarly, the diverse activities he finds himself engaging in—bootlegging in St. Louis, breaking horses, attending cockfights—never really advance the reader’s understanding of the man. He calls himself a “ladies’ man” and hints at a score of exciting stories, but then describes only his decorous marriage. Despite the personal nature of this memoir, Dawson remains a strangely aloof figure, never quite inviting the reader to enter his world. In contrast to Dawson’s diffidence, however, Glaubman’s overbearing presence, as he repeatedly parades himself out to converse with Dawson, stifles any momentum the memoir might develop. Almost every chapter begins with Glaubman presenting Dawson with a newspaper clipping or historical fact and asking him to comment on it, despite the fact that Dawson often does not remember or never knew about the event in question. Exasperated readers may wonder whether Dawson’s life and his accomplishments, his passion for learning despite daunting obstacles, is the tale at hand, or whether the real issue is his recollections of Archduke Ferdinand. Dawson’s achievements are impressive and potentially exalting, but the gee-whiz nature of the tale degrades it to the status of yet another bowl of chicken soup for the soul, with a narrative frame as clunky as an old bone.

Pub Date: Feb. 1, 2000

ISBN: 0-375-50396-X

Page Count: 288

Publisher: Random House

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 15, 1999

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