by Sara Mansfield Taber ‧ RELEASE DATE: July 29, 1991
A sympathetic account of the unexpected richness and resilience of life in a certified end-of-the-earth place— Patagonia—by a young American woman who learned as much about herself there as about the region. Comprising the southernmost 1600-kilometer stretch of South America, Argentinean Patagonia is a semi-desert where the wind blows for weeks across the flat landscape and water is as precious as fuel. The descendants of Welsh farmers and a succession of immigrants, many from the Basque region of Spain, most of today's Patagonians live on vast estancias, where sheep are raised. Too poor to afford enough arable land, they tend to be tenant farmers for the owners, who live in Buenos Aires. Taber and her husband, who lived in Patagonia in 1978-79 and in 1984-85 at an isolated camp on the coast, came to study whales. Initially confident of her own self-sufficiency, Sara was soon driven by the early winter evenings, the relentless winds, and the isolation to seek company, and she befriended the nearest local couple. Moved by the Patagonians' warmth and stoicism in the face of loneliness and unceasing hard work, she began visiting their homes and attending senaldas, an annual festivity in which far-flung neighbors come to help with the castrating and tail-docking of new lambs. The old ways, Taber regretfully discovered, were disappearing as families, wanting to educate their children, increasingly worked in the towns rather than on the Campo. And as for herself, she learned that ``rather than going alone the key to living in any wilderness was to join with others. The old Patagonians showed me...that open vulnerability is the definition of dignity.'' Occasionally awkward—the search for personal answers doesn't quite fit—but the vivid descriptions of the land and its people, and the palpable affection Taber feels for both, are more than adequate compensation.
Pub Date: July 29, 1991
ISBN: 0-8050-1473-X
Page Count: 256
Publisher: Henry Holt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 1, 1991
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson
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by E.T.A. Hoffmann & illustrated by Julie Paschkis
by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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developed by Ludwig Bemelmans ; illustrated by Steven Salerno
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by Ludwig Bemelmans ; illustrated by Steven Salerno
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