A solid memoir mostly for fans of the band.

HIGH SCHOOL

A coming-of-age memoir about how the Canadian twin sisters became successful recording artists.

When they started high school, Tegan and Sara Quin considered themselves oddballs, outcasts, and misfits. They were big music fans—Nirvana, Green Day, the Smashing Pumpkins—but had no particular musical aspirations. Other than being identical twins, there was not much to distinguish them from other teenagers trying to navigate the awkward years—certainly nothing to suggest that they would soon become young recording stars and icons of the burgeoning LGBTQ community. These were pivotal years for the sisters, and their musical success would prove transformative. However, music almost seems like an afterthought here, as the authors proceed in alternating chapters to show how their experience was fairly typical. They did lots of drugs, got blackout drunk on occasion, went to parties that got out of control, experienced their sexual awakenings, and wrestled with their sexual identities. Both had boyfriends and girlfriends, and both struggled with the issue of whether a particular girl was her best friend or something more. They also fought a lot. The music came when they found a guitar that belonged to their stepfather and separately began writing songs and then harmonizing with each other’s songs. The sisters also hid many of their experiences from each other, so it proved cathartic to write and share. “I wrote lyrics that sometimes felt too close to the bone,” remembers Sara, recalling how the unraveling of her relationship with her girlfriend contributed to her songwriting surge. After arranging the song with her sister, she writes, “when we finished, I felt lighter.” Their friends became fans of their music, and a self-recorded cassette helped expand that fandom. Winning a prestigious talent contest earned them studio time, and they marked their 18th birthdays by signing with one of the recording labels that had been pursuing them.

A solid memoir mostly for fans of the band.

Pub Date: Sept. 24, 2019

ISBN: 978-1-982112-66-0

Page Count: 384

Publisher: MCD/Farrar, Straus and Giroux

Review Posted Online: July 15, 2019

Kirkus Reviews Issue: Aug. 1, 2019

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A standout immigrant coming-of-age story.

THE DISTANCE BETWEEN US

A MEMOIR

In her first nonfiction book, novelist Grande (Dancing with Butterflies, 2009, etc.) delves into her family’s cycle of separation and reunification.

Raised in poverty so severe that spaghetti reminded her of the tapeworms endemic to children in her Mexican hometown, the author is her family’s only college graduate and writer, whose honors include an American Book Award and International Latino Book Award. Though she was too young to remember her father when he entered the United States illegally seeking money to improve life for his family, she idolized him from afar. However, she also blamed him for taking away her mother after he sent for her when the author was not yet 5 years old. Though she emulated her sister, she ultimately answered to herself, and both siblings constantly sought affirmation of their parents’ love, whether they were present or not. When one caused disappointment, the siblings focused their hopes on the other. These contradictions prove to be the narrator’s hallmarks, as she consistently displays a fierce willingness to ask tough questions, accept startling answers, and candidly render emotional and physical violence. Even as a girl, Grande understood the redemptive power of language to define—in the U.S., her name’s literal translation, “big queen,” led to ridicule from other children—and to complicate. In spelling class, when a teacher used the sentence “my mamá loves me” (mi mamá me ama), Grande decided to “rearrange the words so that they formed a question: ¿Me ama mi mamá? Does my mama love me?”

A standout immigrant coming-of-age story.

Pub Date: Aug. 28, 2012

ISBN: 978-1-4516-6177-4

Page Count: 320

Publisher: Atria

Review Posted Online: June 12, 2012

Kirkus Reviews Issue: July 1, 2012

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Buffs of the Old West will enjoy Clavin’s careful research and vivid writing.

TOMBSTONE

THE EARP BROTHERS, DOC HOLLIDAY, AND THE VENDETTA RIDE FROM HELL

Rootin’-tootin’ history of the dry-gulchers, horn-swogglers, and outright killers who populated the Wild West’s wildest city in the late 19th century.

The stories of Wyatt Earp and company, the shootout at the O.K. Corral, and Geronimo and the Apache Wars are all well known. Clavin, who has written books on Dodge City and Wild Bill Hickok, delivers a solid narrative that usefully links significant events—making allies of white enemies, for instance, in facing down the Apache threat, rustling from Mexico, and other ethnically charged circumstances. The author is a touch revisionist, in the modern fashion, in noting that the Earps and Clantons weren’t as bloodthirsty as popular culture has made them out to be. For example, Wyatt and Bat Masterson “took the ‘peace’ in peace officer literally and knew that the way to tame the notorious town was not to outkill the bad guys but to intimidate them, sometimes with the help of a gun barrel to the skull.” Indeed, while some of the Clantons and some of the Earps died violently, most—Wyatt, Bat, Doc Holliday—died of cancer and other ailments, if only a few of old age. Clavin complicates the story by reminding readers that the Earps weren’t really the law in Tombstone and sometimes fell on the other side of the line and that the ordinary citizens of Tombstone and other famed Western venues valued order and peace and weren’t particularly keen on gunfighters and their mischief. Still, updating the old notion that the Earp myth is the American Iliad, the author is at his best when he delineates those fraught spasms of violence. “It is never a good sign for law-abiding citizens,” he writes at one high point, “to see Johnny Ringo rush into town, both him and his horse all in a lather.” Indeed not, even if Ringo wound up killing himself and law-abiding Tombstone faded into obscurity when the silver played out.

Buffs of the Old West will enjoy Clavin’s careful research and vivid writing.

Pub Date: April 21, 2020

ISBN: 978-1-250-21458-4

Page Count: 400

Publisher: St. Martin's

Review Posted Online: Jan. 20, 2020

Kirkus Reviews Issue: Feb. 15, 2020

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