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O MY AMERICA!

SIX WOMEN AND THEIR SECOND ACTS IN A NEW WORLD

Wheeler’s gift for biography is strong, and despite occasional wanderings from the trail, the author ably captures these...

English travel writer Wheeler (Access All Areas: Selected Writings 1990–2011, 2013, etc.) explores her personal struggle with age through the lens of American history as experienced by a group of 19th-century women.

In the introduction, the author reveals the impetus behind her choice of subject. With menopause on the horizon, she went looking for inspiration from women who traveled to America and found “second acts.” Fanny Trollope (mother of Anthony), Fanny Kemble, Harriet Martineau, Rebecca Burlend, Isabella Bird and Catherine Hubback (Jane Austen’s niece) all left Britain—some permanently and some for shorter trips—to find something in America. Some loved the United States, and some hated it, but all were changed by the experience. Those experiences make up the meat of the book, and they are worthy of chronicling. Kemble was a British actress who eventually contributed to the cause of the Union in the Civil War. Burlend conquered the harsh wilderness of Illinois with her family and left a legacy that can still be found today. The stories are at once varied and remarkably similar, and the resilience of the women is impressive. Though it is easy to see what attracted Wheeler to these women, the author occasionally veers off course into other subjects equally worthy but not entirely connected. The fate of the Native American tribes contemporary to the story is not to be ignored, but Wheeler references it in a manner that feels out of place. Sometimes, a particular invention or discovery leads Wheeler down a divergent path for a few pages; in those cases, the thread of the story is easily lost. While frequent asides about menopause and middle age personalize the author’s fascination for her subjects, they also break up the narrative.

Wheeler’s gift for biography is strong, and despite occasional wanderings from the trail, the author ably captures these women and their travels.

Pub Date: Sept. 24, 2013

ISBN: 978-0-374-29881-4

Page Count: 304

Publisher: Farrar, Straus and Giroux

Review Posted Online: June 30, 2013

Kirkus Reviews Issue: July 15, 2013

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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TOMBSTONE

THE EARP BROTHERS, DOC HOLLIDAY, AND THE VENDETTA RIDE FROM HELL

Buffs of the Old West will enjoy Clavin’s careful research and vivid writing.

Rootin’-tootin’ history of the dry-gulchers, horn-swogglers, and outright killers who populated the Wild West’s wildest city in the late 19th century.

The stories of Wyatt Earp and company, the shootout at the O.K. Corral, and Geronimo and the Apache Wars are all well known. Clavin, who has written books on Dodge City and Wild Bill Hickok, delivers a solid narrative that usefully links significant events—making allies of white enemies, for instance, in facing down the Apache threat, rustling from Mexico, and other ethnically charged circumstances. The author is a touch revisionist, in the modern fashion, in noting that the Earps and Clantons weren’t as bloodthirsty as popular culture has made them out to be. For example, Wyatt and Bat Masterson “took the ‘peace’ in peace officer literally and knew that the way to tame the notorious town was not to outkill the bad guys but to intimidate them, sometimes with the help of a gun barrel to the skull.” Indeed, while some of the Clantons and some of the Earps died violently, most—Wyatt, Bat, Doc Holliday—died of cancer and other ailments, if only a few of old age. Clavin complicates the story by reminding readers that the Earps weren’t really the law in Tombstone and sometimes fell on the other side of the line and that the ordinary citizens of Tombstone and other famed Western venues valued order and peace and weren’t particularly keen on gunfighters and their mischief. Still, updating the old notion that the Earp myth is the American Iliad, the author is at his best when he delineates those fraught spasms of violence. “It is never a good sign for law-abiding citizens,” he writes at one high point, “to see Johnny Ringo rush into town, both him and his horse all in a lather.” Indeed not, even if Ringo wound up killing himself and law-abiding Tombstone faded into obscurity when the silver played out.

Buffs of the Old West will enjoy Clavin’s careful research and vivid writing.

Pub Date: April 21, 2020

ISBN: 978-1-250-21458-4

Page Count: 400

Publisher: St. Martin's

Review Posted Online: Jan. 19, 2020

Kirkus Reviews Issue: Feb. 15, 2020

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