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Tall, Dark and Damaged

From the Damaged Heroes series , Vol. 1

Solid romantic suspense with strong characters and surprising plot twists.

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A successful businessman uncovers dangerous family secrets and a long-lost love in this latest novel from Andre (Locked, Loaded, & Lying, 2015).

Devon Ashby grows up in Chicago, the eldest son of a prominent but emotionally distant businessman, Harrison Wickham. When Devon is 9, he discovers the body of his mother. Her death is ruled a suicide, but he’s convinced she was murdered. Determined to establish his own identity, he leaves home at 18 with $53 and bus tickets for himself and his high school sweetheart, Hannah Moore. Their intense relationship is the lifeline both need to cope with difficult families. He is devastated when Hannah chooses to stay to care for her dying mother. Twelve years later, Devon returns to make peace with Harrison and collect his trust fund. He discovers a family in shambles and the estate damaged by a mysterious fire. He’s shocked to discover Hannah’s company has been hired to restore the Wickham art collection. Their reunion sparks a long, simmering attraction that’s complicated by his company’s plans to tear down her apartment building. But when a second death occurs in the Wickham family home, Devon must face the ghosts of the past to protect himself and Hannah. Andre’s novel offers appealing lead characters and tightly plotted romantic suspense. Tall, dark, and devastatingly handsome, Devon could easily turn into a caricature of his ruthless and calculating father; however, carefully integrated flashbacks reveal the pain and heartbreak that drive his motivation to succeed in business and life. He meets his match in Hannah, a young woman with an equally tragic family background determined to build her own business and care for her elderly aunt. Their renewed attraction is instant but fraught with complications, including his development plan for Hannah’s neighborhood and engagement to another woman. Although their romance forms the cornerstone of Andre’s narrative, additional storylines involving the fire at the Wickham estate and Harrison’s sudden engagement to a mysterious woman are also well-developed despite a climax that’s slightly over the top.

Solid romantic suspense with strong characters and surprising plot twists.

Pub Date: May 26, 2016

ISBN: 978-0-9975607-0-1

Page Count: 338

Publisher: Beach Reads

Review Posted Online: July 20, 2016

Kirkus Reviews Issue: Sept. 1, 2016

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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LAST ORDERS

Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.

Pub Date: April 5, 1996

ISBN: 0-679-41224-7

Page Count: 304

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 1996

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