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TEN THINGS I'VE LEARNT ABOUT LOVE

Whimsy and pathos, artfully melded.

This soulful debut unpacks a family enigma involving a wandering daughter, a homeless father and their tenuous family ties.

The title might promise another light romantic romp about a footloose young woman in her late 20s. However, English newcomer Butler has greater gravitas in mind. The top 10 lists strewn throughout point to increasingly somber subjects: a mother’s early death, infidelity, a father’s death from cancer, and elder sisters who are both fervent and ambivalent in their affection for their much younger sibling, protagonist Alice. Summoned home from Mongolia to the bedside of Malcolm, her dying father, Alice is also forced to revisit London, the site of a traumatic rupture with her Indian lover, Kal, whose family wants to arrange a marriage for him. After Malcolm’s passing, sisters Tilly and Cee hint at what Alice has suspected since her mother’s death when she was 4 years old: She is viewed as an interloper in the only family she has ever known. Meanwhile, in alternating sections, Daniel, a homeless man, scours London for the daughter he fathered during a long-ago affair but has never met. Daniel’s plight stems both from the disastrous legacy of his gambler father and from an auto accident that bankrupted him. All he knows is that the woman he is searching for might have red hair, like her mother, and is named Alice. Delicately, through the accretion of telling details, the reader learns that Daniel’s Alice and our heroine are one and the same, but Alice thinks her father has just died. When, while helping another destitute man reconnect with his lost child, Daniel happens across Malcolm’s obituary, complete with relatives’ names and the location of memorial services, he realizes his quest may soon be fulfilled if he has the courage to gamble. Improbably but convincingly, his initial diffident overtures to Alice take the form of mini art installations. Spare language and an atmosphere of foreboding will keep readers on tenterhooks.

Whimsy and pathos, artfully melded.

Pub Date: July 15, 2013

ISBN: 978-1-59420-533-0

Page Count: 320

Publisher: Penguin Press

Review Posted Online: June 8, 2013

Kirkus Reviews Issue: June 15, 2013

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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LAST ORDERS

Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.

Pub Date: April 5, 1996

ISBN: 0-679-41224-7

Page Count: 304

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 1996

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