Hardly a Booker contender, but an enjoyable bedtime read.

TURNING FOR HOME

Second novel, first US publication from Britisher Challis: a surprisingly affecting tale about an old lady’s (and an old horse’s) last chance for the grand life.

When plucky Maeve Delaney finds herself in London with only 35 quid, she reluctantly decides it’s time to find some sort of work. With help from best friend Sophie (they went to a posh girls’ school together; Maeve’s vagabond life is her own choice), Maeve lands a job as caregiver to Lady Pamela. Since injuring her hip, Lady Pamela has been wasting away in the Somerset countryside, knowing that soon either death or her daughter-in-law Bunty (who’s got extravagant ideas about remodeling Lady Pam’s house for herself) will be removing her from her beloved Charlton House. Death would be a welcome relief from old age, but to be placed in an old folk’s home—that’s more than the proud Lady can bear. Unbeknownst to everyone, Maeve is to the rescue. A sort of wild, foul-mouthed, sexy Mary Poppins, Maeve isn’t bullied by Lady Pamela’s haughty ways, and in no time has the old girl out of bed and up for garden strolls, installs cable for the new big-screen TV, and includes a nice stiff drink with their evening meals. Soon Maeve discovers the existence of Irish Dancer, Lady Pam’s racehorse that was a serious contender before an injury that’s now behind her. Maeve and Lady Pam conspire to bring Irish Dancer back into form, which of course gives Lady Pamela a new lease on life as well. Though her plot’s simple, Challis peoples her tale with an assortment of likable characters: Sophie, who is struggling to reinvent herself after her husband left her with twin toddlers to raise; gentleman Sam, Lady Pam’s longtime beau; and Matt, the country vet. An interesting twist saves the story from becoming too chirpy and full of false good will.

Hardly a Booker contender, but an enjoyable bedtime read.

Pub Date: May 19, 2003

ISBN: 0-312-31446-9

Page Count: 320

Publisher: Dunne/St. Martin's

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: April 1, 2003

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ONE DAY IN THE LIFE OF IVAN DENISOVICH

While a few weeks ago it seemed as if Praeger would have a two month lead over Dutton in their presentation of this Soviet best seller, both the "authorized" edition (Dutton's) and the "unauthorized" (Praeger's) will appear almost simultaneously. There has been considerable advance attention on what appears to be as much of a publishing cause celebre here as the original appearance of the book in Russia. Without entering into the scrimmage, or dismissing it as a plague on both your houses, we will limit ourselves to a few facts. Royalties from the "unauthorized" edition will go to the International Rescue Committee; Dutton with their contracted edition is adhering to copyright conventions. The Praeger edition has two translators and one of them is the translator of Doctor Zhivago Dutton's translator, Ralph Parker, has been stigmatized by Praeger as "an apologist for the Soviet regime". To the untutored eye, the Dutton translation seems a little more literary, the Praeger perhaps closer to the rather primitive style of the original. The book itself is an account of one day in the three thousand six hundred and fifty three days of the sentence to be served by a carpenter, Ivan Denisovich Shukhov. (Solzhenitsyn was a political prisoner.) From the unrelenting cold without, to the conditions within, from the bathhouse to the latrine to the cells where survival for more than two weeks is impossible, this records the hopeless facts of existence as faced by thousands who went on "living like this, with your eyes on the ground". The Dutton edition has an excellent introduction providing an orientation on the political background to its appearance in Russia by Marvin Kalb. All involved in its publication (translators, introducers, etc.) claim for it great "artistic" values which we cannot share, although there is no question of its importance as a political and human document and as significant and tangible evidence of the de-Stalinization program.

Pub Date: June 15, 1963

ISBN: 0451228146

Page Count: 181

Publisher: Praeger

Review Posted Online: Oct. 5, 2011

Kirkus Reviews Issue: June 15, 1963

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Unrelenting gloom relieved only occasionally by wrenching trauma; somehow, though, Hannah’s storytelling chops keep the...

FLY AWAY

Hannah’s sequel to Firefly Lane (2008) demonstrates that those who ignore family history are often condemned to repeat it.

When we last left Kate and Tully, the best friends portrayed in Firefly Lane, the friendship was on rocky ground. Now Kate has died of cancer, and Tully, whose once-stellar TV talk show career is in free fall, is wracked with guilt over her failure to be there for Kate until her very last days. Kate’s death has cemented the distrust between her husband, Johnny, and daughter Marah, who expresses her grief by cutting herself and dropping out of college to hang out with goth poet Paxton. Told mostly in flashbacks by Tully, Johnny, Marah and Tully’s long-estranged mother, Dorothy, aka Cloud, the story piles up disasters like the derailment of a high-speed train. Increasingly addicted to prescription sedatives and alcohol, Tully crashes her car and now hovers near death, attended by Kate’s spirit, as the other characters gather to see what their shortsightedness has wrought. We learn that Tully had tried to parent Marah after her father no longer could. Her hard-drinking decline was triggered by Johnny’s anger at her for keeping Marah and Paxton’s liaison secret. Johnny realizes that he only exacerbated Marah’s depression by uprooting the family from their Seattle home. Unexpectedly, Cloud, who rebuffed Tully’s every attempt to reconcile, also appears at her daughter’s bedside. Sixty-nine years old and finally sober, Cloud details for the first time the abusive childhood, complete with commitments to mental hospitals and electroshock treatments, that led to her life as a junkie lowlife and punching bag for trailer-trash men. Although powerful, Cloud’s largely peripheral story deflects focus away from the main conflict, as if Hannah was loath to tackle the intractable thicket in which she mired her main characters.

Unrelenting gloom relieved only occasionally by wrenching trauma; somehow, though, Hannah’s storytelling chops keep the pages turning even as readers begin to resent being drawn into this masochistic morass.

Pub Date: April 23, 2013

ISBN: 978-0-312-57721-6

Page Count: 416

Publisher: St. Martin's

Review Posted Online: Feb. 18, 2013

Kirkus Reviews Issue: March 1, 2013

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