Romance, humor, kindhearted characters, and a touch of painful reality make this another sure bet for Dessen fans.
Louna finds her cynicism about romance challenged when her family’s wedding business hires Ambrose.
After years facing brides with cold feet and badly behaved wedding guests, Louna has become skeptical about romance and plans on remaining single during her last summer before college. Luckily, the busy wedding schedule provides plenty of legitimate excuses for Louna to avoid opportunities to meet potential dates. That changes when satisfying a particularly fussy bridal party requires hiring the bride’s brother, Ambrose. He’s a lady’s man who typically charms more than one potential date during every social gathering. But he professes honesty about his dating motivations, expresses genuine interest in his dates, and displays a sort of oddly enchanting “aw, shucks” dismissal of his ability to reel in girls. Louna’s outwardly dismayed by his antics, but his clichéd (but adorable) gestures, such as impulsively adopting a rescue dog, begin to win her over. However, Louna’s still tormented by the unexpected death of her first love. Flashbacks to their relationship combined with the way she reluctantly accepts the need to move forward too provide a bittersweet counterpoint to the traditional rom-com storyline. Louna’s lovingly depicted gay godfather provides a bit of diversity in the otherwise apparently straight, white cast.
Romance, humor, kindhearted characters, and a touch of painful reality make this another sure bet for Dessen fans. (Romance. 12-16)Pub Date: June 6, 2017
ISBN: 978-0-425-29033-0
Page Count: 368
Publisher: Viking
Review Posted Online: March 28, 2017
Kirkus Reviews Issue: April 15, 2017
A lushly written story with an intriguing heart.
After praying to a Fate for help, Evangeline discovers the dangerous world of magic.
When her father passes away, Evangeline is left with her cold stepmother and kind but distant stepsister, Marisol. Despite inheriting a steady trust in magic, belief in her late mother’s homeland of the mystical North (where fantastical creatures live), and philosophy of hope for the future, her dreams are dashed when Luc, her love, pledges to marry Marisol instead. Evangeline desperately prays to the Prince of Hearts, a dangerous and fickle Fate famed for his heart that is waiting to be revived by his one true love—and his potentially lethal kisses. The bargain they strike sends her on a dark and magical journey throughout the land. The writing style fluctuates from clever and original to overly verbose and often confusing in its jumble of senses. While the pervasive magic and concept of the Fates as a religious system add interest, other fantasy elements are haphazardly incorporated without enough time devoted to building a cohesive world. However, the themes of love, the power of story, family influence, and holding onto belief are well rounded and add depth. The plot contains welcome surprises, and the large cast piques curiosity; readers will wish more time was spent getting to know them. Evangeline has rose-gold hair and, like other main characters, reads as White; there is diversity among the fantasy races in this world.
A lushly written story with an intriguing heart. (map) (Fantasy. 12-16)Pub Date: Sept. 28, 2021
ISBN: 978-1-250-26839-6
Page Count: 416
Publisher: Flatiron Books
Review Posted Online: July 27, 2021
Kirkus Reviews Issue: Aug. 15, 2021
Evocations of Narnia are not enough to salvage this fantasy, which struggles with thin character development.
A portal fantasy survivor story from an established devotional writer.
Fourteen-year-old Eva’s maternal grandmother lives on a grand estate in England; Eva and her academic parents live in New Haven, Connecticut. When she and Mum finally visit Carrick Hall, Eva is alternately resentful at what she’s missed and overjoyed to connect with sometimes aloof Grandmother. Alongside questions of Eva’s family history, the summer is permeated by a greater mystery surrounding the work of fictional children’s fantasy writer A.H.W. Clifton, who wrote a Narnialike series that Eva adores. As it happens, Grandmother was one of several children who entered and ruled Ternival, the world of Clifton’s books; the others perished in 1952, and Grandmother hasn’t recovered. The Narnia influences are strong—Eva’s grandmother is the Susan figure who’s repudiated both magic and God—and the ensuing trauma has created rifts that echo through her relationships with her daughter and granddaughter. An early narrative implication that Eva will visit Ternival to set things right barely materializes in this series opener; meanwhile, the religious parable overwhelms the magic elements as the story winds on. The serviceable plot is weakened by shallow characterization. Little backstory appears other than that which immediately concerns the plot, and Eva tends to respond emotionally as the story requires—resentful when her seething silence is required, immediately trusting toward characters readers need to trust. Major characters are cued white.
Evocations of Narnia are not enough to salvage this fantasy, which struggles with thin character development. (author’s note, map, author Q&A) (Religious fantasy. 12-14)Pub Date: Jan. 30, 2024
ISBN: 9780593194454
Page Count: 384
Publisher: WaterBrook
Review Posted Online: Oct. 21, 2023
Kirkus Reviews Issue: Nov. 15, 2023
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