bookshelf

SUMMER GLOVES

Name: SUMMER GLOVES
Author: Sarah Gilbert
ISBN: 0-446-51689-9

by Sarah Gilbert ‧ RELEASE DATE: April 23, 1993

bookshelf

A former beauty queen wrestles with her roles of daughter, mother, and wife of an adulterer—in Gilbert's funny, at times insightful, novel (Hairdo, Dixie Riggs). Pammy Outlaw, ex-Miss South Carolina, is slim and beautiful, mother of a beautiful, smart 12-year-old, but her life is a nightmare. Handsome husband Flick, formerly a good provider, has gone back to school for his Ph.D. in lit; she, meanwhile, has no intellectual pretensions—we get to hear Flick deconstruct a fish tank—but it still hurts when Flick and his new friends snub her. Furthermore, Flick complains about the expense of Pammy's dragging daughter Evie on the same sort of beauty pageant circuit that made Pammy's childhood miserable. Then Pammy finds Flick's hotel bill from a liaison with a fellow grad student...so it's home to mother, the ex-Miss New Jersey. We learn that Pammy has often fantasized killing her mother with hatchets, yet she says, ``...the greatest love in the world is the love that goes on between a mother and a daughter and it never makes any sense at all.'' As Evie approaches puberty, we also learn that Pammy had an abortion at 13. Now, a pair of summer gloves handed down through the women of the family are given to Pammy by her mother, to supplement the rest of the handed-down burdens, like fear of food and a warped self-image. To top if off, her mother has entered the three of them in a grandmother-mother-daughter beauty contest. Pammy's good-girl self says she should get back together with the joyless Flick, but instead she has a fling with Sam—a middle-aged pilot and lawyer with sexy hands—and, eventually, learns to ``fly'' on her own. A rollicking good farce, if told by a somewhat unreliable, self-contradictory—and occasionally tiresomely repetitive— narrator.

Pub Date: April 23, 1993

ISBN: 0-446-51689-9

Page Count: 208

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 1, 1993

Categories:

GENERAL FICTION

bookshelf

SUMMER ISLAND

by Kristin Hannah ‧ RELEASE DATE: March 1, 2001

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

bookshelf

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

Categories:

GENERAL FICTION

- BOOK REVIEW
THE WOMEN
by Kristin Hannah

- BOOK REVIEW
THE FOUR WINDS
by Kristin Hannah

- BOOK REVIEW
THE GREAT ALONE
by Kristin Hannah

bookshelf

LAST ORDERS

by Graham Swift ‧ RELEASE DATE: April 5, 1996

bookshelf

Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.