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GROSSE POINTE GIRL

TALES FROM A SUBURBAN ADOLESCENCE

A dispiriting reminder that youth is wasted on the young.

First-novelist McCandless revisits—in loosely connected chapters—the cringe-making years of adolescent missteps and mistakes.

Narrator and Everygirl Emma Harris is about to enter sixth grade the summer her family move up from an apartment to a house in tony Grosse Pointe, Michigan. She’s soon best friends with neighbor Katrina, also a rising sixth grader. Katrina introduces her to the local landmarks—the department store, the ice-cream shop, and the drugstore—and helps her choose school clothes at the mall. The two are inseparable, but nothing lasts, especially in adolescence, and these tales are darker and more elegiac than the bouncy prose suggests. As Emma describes adjusting to middle school, being mortified by a popular boy, getting her first bra (embarrassingly ahead of the other girls) and her first period, her parents separate. Her father moves out; she and her mother have to find an apartment. Her friendship with Katrina, now more difficult to keep up, ruptures when a group of girls make insinuations about Katrina, and Emma, wanting to be popular, begins to ignore her. High school offers more challenges. Emma is attracted to Brian but insists on being friends because she fears losing those she loves. She loses her virginity to another boy. Emma and her friends go to parties where they drink too much and cross the river to nearby Canada with false IDs so they can drink in bars. A classmate commits suicide when rejected by Yale. The inevitable prom trauma—finding the dress and the date are equal chores—is followed by the almost anticlimactic graduation. At a reunion ten years later, Emma is drinking hard and Billy is still single. The drawings by comic-book illustrator Christine Norrie underline the numbingly familiar nature of these experiences; combined with McCandless’s shallow insights, they suggest the book would be more appropriately marketed as a YA title.

A dispiriting reminder that youth is wasted on the young.

Pub Date: June 1, 2004

ISBN: 0-7432-5612-3

Page Count: 192

Publisher: Simon & Schuster

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 15, 2004

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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LAST ORDERS

Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.

Pub Date: April 5, 1996

ISBN: 0-679-41224-7

Page Count: 304

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 1996

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