A dispiriting reminder that youth is wasted on the young.
First-novelist McCandless revisits—in loosely connected chapters—the cringe-making years of adolescent missteps and mistakes.
Narrator and Everygirl Emma Harris is about to enter sixth grade the summer her family move up from an apartment to a house in tony Grosse Pointe, Michigan. She’s soon best friends with neighbor Katrina, also a rising sixth grader. Katrina introduces her to the local landmarks—the department store, the ice-cream shop, and the drugstore—and helps her choose school clothes at the mall. The two are inseparable, but nothing lasts, especially in adolescence, and these tales are darker and more elegiac than the bouncy prose suggests. As Emma describes adjusting to middle school, being mortified by a popular boy, getting her first bra (embarrassingly ahead of the other girls) and her first period, her parents separate. Her father moves out; she and her mother have to find an apartment. Her friendship with Katrina, now more difficult to keep up, ruptures when a group of girls make insinuations about Katrina, and Emma, wanting to be popular, begins to ignore her. High school offers more challenges. Emma is attracted to Brian but insists on being friends because she fears losing those she loves. She loses her virginity to another boy. Emma and her friends go to parties where they drink too much and cross the river to nearby Canada with false IDs so they can drink in bars. A classmate commits suicide when rejected by Yale. The inevitable prom trauma—finding the dress and the date are equal chores—is followed by the almost anticlimactic graduation. At a reunion ten years later, Emma is drinking hard and Billy is still single. The drawings by comic-book illustrator Christine Norrie underline the numbingly familiar nature of these experiences; combined with McCandless’s shallow insights, they suggest the book would be more appropriately marketed as a YA title.
A dispiriting reminder that youth is wasted on the young.Pub Date: June 1, 2004
ISBN: 0-7432-5612-3
Page Count: 192
Publisher: Simon & Schuster
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 15, 2004
BOOK REVIEW
Thoroughbreds and Virginia blue-bloods cavort, commit murder, and fall in love in Roberts's (Hidden Riches, 1994, etc.) latest romantic thriller — this one set in the world of championship horse racing. Rich, sheltered Kelsey Byden is recovering from a recent divorce when she receives a letter from her mother, Naomi, a woman she has believed dead for over 20 years. When Kelsey confronts her genteel English professor father, though, he sheepishly confesses that, no, her mother isn't dead; throughout Kelsey's childhood, she was doing time for the murder of her lover. Kelsey meets with Naomi and not only finds her quite charming, but the owner of Three Willows, one of the most splendid horse farms in Virginia. Kelsey is further intrigued when she meets Gabe Slater, a blue-eyed gambling man who owns a neighboring horse farm; when one of Gabe's horses is mated with Naomi's, nostrils flare, flanks quiver, and the romance is on. Since both Naomi and Gabe have horses entered in the Kentucky Derby, Kelsey is soon swept into the whirlwind of the Triple Crown, in spite of her family's objections to her reconciliation with the notorious Naomi. The rivalry between the two horse farms remains friendly, but other competitors — one of them is Gabe's father, a vicious alcoholic who resents his son's success — prove less scrupulous. Bodies, horse and human, start piling up, just as Kelsey decides to investigate the murky details of her mother's crime. Is it possible she was framed? The ground is thick with no-goods, including haughty patricians, disgruntled grooms, and jockeys with tragic pasts, but despite all the distractions, the identity of the true culprit behind the mayhem — past and present — remains fairly obvious. The plot lopes rather than races to the finish. Gambling metaphors abound, and sexual doings have a distinctly equine tone. But Roberts's style has a fresh, contemporary snap that gets the story past its own worst excesses.
Pub Date: June 13, 1995
ISBN: 0-399-14059-X
Page Count: 400
Publisher: Putnam
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 15, 1995
Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.
Pub Date: April 5, 1996
ISBN: 0-679-41224-7
Page Count: 304
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 1996
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