THE LIES WE CONJURE

Thirteen guests. Two imposters. Two directives. Three days. One murder.

When a mysterious woman approaches high schoolers Ruby and Wren while they’re working at Ye Olde Falafel Shoppe at the local Renaissance festival, her offer seems too good to be true. Wannabe starlet Wren is thrilled by the intrigue, but sober Ruby is cautious. Their task seems simple: impersonate the woman’s absent granddaughters at a dinner party at the infamous Hegemony Manor in exchange for $2,000 each. But events quickly spiral out of control when the Hegemony family matriarch collapses and the girls are thrown into a game that involves fighting for their lives in a world where nothing is as it seems and secrets and lies abound. This novel offers a compelling take on the classic locked-room mystery. The plot unfolds at a measured pace, and well-developed clues and red herrings keep readers guessing until the very end. Moments of levity and tenderness balance out scenes of high emotional tensions and darkness, and Henning’s command of figurative and situationally informal language is masterful. Although the characters feel a bit flat at times—their innermost thoughts and motivations occasionally obscured by the narrative—and the romances sometimes feel like an afterthought, it’s easy to become invested in their struggles as they come together to unravel the web of truths and lies. Ruby and Wren are cued white; there’s some racial diversity in the supporting cast.

A well-crafted, fantastical thriller.