by Sarah J. Harris ‧ RELEASE DATE: June 12, 2018
A potentially engaging mystery embedded in an overly daunting puzzle.
A teenager with autism becomes embroiled in the murder of a neighbor—but as culprit or witness?
Comparisons of this novel with The Curious Incident of the Dog in the Night-time (2003) will be inevitable but, sadly, unwarranted. Thirteen-year-old Jasper Wishart, the protagonist of Harris’ first novel for adults (after having written YA under a pseudonym), is on the spectrum, and what an infinitely varied spectrum it is. He has synesthesia—sights and, particularly, in his case, sounds evoke a range of colors most people can’t see. But he is face-blind, unable to recognize even those closest to him except by hue of voice and clothing. He takes everything literally, including metaphors, idioms, and empty threats, like those of his blustery neighbor David Gilbert. The narrative, told exclusively from Jasper’s first-person perspective, ratchets between past and present as Jasper tries to reconstruct events in his London street by painting the colors of his memories. He thinks he killed his new neighbor, Bee Larkham, but has only disordered images, a bloodied knife, and his own stomach slash wound as evidence. His father, who has raised Jasper alone since the deaths of his mother and grandmother, is coping by covering up—Jasper is sure Dad disposed of Bee’s body. Jasper recalls how Bee, a musician and Australian transplant, fomented neighborhood squabbles by blaring loud music and deliberately luring wild parakeets to feeders in her front yard. (These descendants of escaped pet birds have become an invasive pest in the U.K.) Even more disruptive is Bee’s questionable behavior with her young music students, especially Jasper’s schoolmate Lucas Drury. Although Harris strives to keep things coherent with chapter headings dated using Jasper’s idiosyncratic color markers, readers must work to make sense of it all. Unpacking Jasper’s color-coded reality becomes as tedious as deciphering hieroglyphics. Those few instances when Jasper delivers a straight narrative are essential for exposition purposes but feel like a violation of the novel’s fourth wall. The end result of Harris’ determination to spare no synesthetic detail, is, well, monochromatic.
A potentially engaging mystery embedded in an overly daunting puzzle.Pub Date: June 12, 2018
ISBN: 978-1-5011-8789-6
Page Count: 368
Publisher: N/A
Review Posted Online: April 2, 2018
Kirkus Reviews Issue: April 15, 2018
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by Sally Rooney ‧ RELEASE DATE: April 16, 2019
Absolutely enthralling. Read it.
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A young Irish couple gets together, splits up, gets together, splits up—sorry, can't tell you how it ends!
Irish writer Rooney has made a trans-Atlantic splash since publishing her first novel, Conversations With Friends, in 2017. Her second has already won the Costa Novel Award, among other honors, since it was published in Ireland and Britain last year. In outline it's a simple story, but Rooney tells it with bravura intelligence, wit, and delicacy. Connell Waldron and Marianne Sheridan are classmates in the small Irish town of Carricklea, where his mother works for her family as a cleaner. It's 2011, after the financial crisis, which hovers around the edges of the book like a ghost. Connell is popular in school, good at soccer, and nice; Marianne is strange and friendless. They're the smartest kids in their class, and they forge an intimacy when Connell picks his mother up from Marianne's house. Soon they're having sex, but Connell doesn't want anyone to know and Marianne doesn't mind; either she really doesn't care, or it's all she thinks she deserves. Or both. Though one time when she's forced into a social situation with some of their classmates, she briefly fantasizes about what would happen if she revealed their connection: "How much terrifying and bewildering status would accrue to her in this one moment, how destabilising it would be, how destructive." When they both move to Dublin for Trinity College, their positions are swapped: Marianne now seems electric and in-demand while Connell feels adrift in this unfamiliar environment. Rooney's genius lies in her ability to track her characters' subtle shifts in power, both within themselves and in relation to each other, and the ways they do and don't know each other; they both feel most like themselves when they're together, but they still have disastrous failures of communication. "Sorry about last night," Marianne says to Connell in February 2012. Then Rooney elaborates: "She tries to pronounce this in a way that communicates several things: apology, painful embarrassment, some additional pained embarrassment that serves to ironise and dilute the painful kind, a sense that she knows she will be forgiven or is already, a desire not to 'make a big deal.' " Then: "Forget about it, he says." Rooney precisely articulates everything that's going on below the surface; there's humor and insight here as well as the pleasure of getting to know two prickly, complicated people as they try to figure out who they are and who they want to become.
Absolutely enthralling. Read it.Pub Date: April 16, 2019
ISBN: 978-1-984-82217-8
Page Count: 288
Publisher: Hogarth
Review Posted Online: Feb. 17, 2019
Kirkus Reviews Issue: March 1, 2019
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BOOK TO SCREEN
by David Baldacci ‧ RELEASE DATE: Dec. 2, 1997
Irritatingly trite woman-in-periler from lawyer-turned-novelist Baldacci. Moving away from the White House and the white-shoe Washington law firms of his previous bestsellers (Absolute Power, 1996; Total Control, 1997), Baldacci comes up with LuAnn Tyler, a spunky, impossibly beautiful, white-trash truck stop waitress with a no-good husband and a terminally cute infant daughter in tow. Some months after the birth of Lisa, LuAnn gets a phone call summoning her to a make-shift office in an unrented storefront of the local shopping mall. There, she gets a Faustian offer from a Mr. Jackson, a monomaniacal, cross-dressing manipulator who apparently knows the winning numbers in the national lottery before the numbers are drawn. It seems that LuAnn fits the media profile of what a lottery winner should be—poor, undereducated but proud—and if she's willing to buy the right ticket at the right time and transfer most of her winnings to Jackson, she'll be able to retire in luxury. Jackson fails to inform her, however, that if she refuses his offer, he'll have her killed. Before that can happen, as luck would have it, LuAnn barely escapes death when one of husband Duane's drug deals goes bad. She hops on a first-class Amtrak sleeper to Manhattan with a hired executioner in pursuit. But executioner Charlie, one of Jackson's paid handlers, can't help but hear wedding bells when he sees LuAnn cooing with her daughter. Alas, a winning $100- million lottery drawing complicates things. Jackson spirits LuAnn and Lisa away to Sweden, with Charlie in pursuit. Never fear. Not only will LuAnn escape a series of increasingly violent predicaments, but she'll also outwit Jackson, pay an enormous tax bill to the IRS, and have enough left over to honeymoon in Switzerland. Too preposterous to work as feminine wish-fulfillment, too formulaic to be suspenseful. (Book-of-the-Month Club main selection)
Pub Date: Dec. 2, 1997
ISBN: 0-446-52259-7
Page Count: 528
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 1997
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