Comedy-fantasy fans with strong stomachs will enjoy this book.

DOUBLE-CROSSING THE BRIDGE

A group of trolls plans to rob a greedy corporation in Sover’s fantasy debut.

Troll protagonist Granu is jobless and struggling to pay rent in New Metta, a subterranean city hidden from the sun. The former teacher was scarred physically and mentally by an attack by a group of troll students, and she spends most of her time at her favorite bar, Goron’s. Her friend Kradduk, a playboy with a heart of gold, works at The Covered Bridge (“TCB” for short), whose administrators lucratively charge humans a toll to cross. When Fillig, another pal, drunkenly suggests robbing TCB, they’re soon consumed by the plan—Fillig and Granu for financial reasons and Kradduk to settle a score. Granu recruits Len, a rather creepy hacker neighbor, while Fillig reveals details of the heist to Lyssa, an attractive troll with more intelligence than she lets on. New Metta is teeming with other oddly named creatures, including zimbles, molents, grawbacks, and swogs; the latter are powerful piglike beings with tiny wings who run TCB like a fraternity house. Eventually, the five trolls hatch a plan to outsmart the swogs, keep out of the sun (which would turn them to stone) and avoid the harassing billy goats who roam New Metta. Sover’s ability to gross out readers is nothing short of gleeful; Granu and the gang feast on kittens and “Unicorn fillets” and even contemplate eating one another in fits of rage. But they also have embarrassing one-night stands and are saddled with student loan debt. The worldbuilding is immersive, although it’s mostly just everyday human life with a few grotesque descriptors tacked on. Sover also attempts a twist on beauty standards: Granu is petite, green-eyed, and smooth-skinned, which her world finds humanoid and ugly; however, all three male supporting characters seem to be attracted to her nonetheless. Sover’s prose is strong, and her passion for her story is evident. A hopeful ending leaves room for further adventures.

Comedy-fantasy fans with strong stomachs will enjoy this book.

Pub Date: Aug. 2, 2019

ISBN: 978-1-08-706482-6

Page Count: 316

Publisher: The Parliament House

Review Posted Online: Sept. 8, 2020

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A tale that’s at once familiar and full of odd and unexpected twists—vintage King, in other words.

FAIRY TALE

Narnia on the Penobscot: a grand, and naturally strange, entertainment from the ever prolific King.

What’s a person to do when sheltering from Covid? In King’s case, write something to entertain himself while reflecting on what was going on in the world outside—ravaged cities, contentious politics, uncertainty. King’s yarn begins in a world that’s recognizably ours, and with a familiar trope: A young woman, out to buy fried chicken, is mashed by a runaway plumber’s van, sending her husband into an alcoholic tailspin and her son into a preadolescent funk, driven “bugfuck” by a father who “was always trying to apologize.” The son makes good by rescuing an elderly neighbor who’s fallen off a ladder, though he protests that the man’s equally elderly German shepherd, Radar, was the true hero. Whatever the case, Mr. Bowditch has an improbable trove of gold in his Bates Motel of a home, and its origin seems to lie in a shed behind the house, one that Mr. Bowditch warns the boy away from: “ ‘Don’t go in there,’ he said. ‘You may in time, but for now don’t even think of it.’ ” It’s not Pennywise who awaits in the underworld behind the shed door, but there’s plenty that’s weird and unexpected, including a woman, Dora, whose “skin was slate gray and her face was cruelly deformed,” and a whole bunch of people—well, sort of people, anyway—who’d like nothing better than to bring their special brand of evil up to our world’s surface. King’s young protagonist, Charlie Reade, is resourceful beyond his years, but it helps that the old dog gains some of its youthful vigor in the depths below. King delivers a more or less traditional fable that includes a knowing nod: “I think I know what you want,” Charlie tells the reader, "and now you have it”—namely, a happy ending but with a suitably sardonic wink.

A tale that’s at once familiar and full of odd and unexpected twists—vintage King, in other words.

Pub Date: Sept. 6, 2022

ISBN: 978-1-66800-217-9

Page Count: 608

Publisher: Scribner

Review Posted Online: June 22, 2022

Kirkus Reviews Issue: July 15, 2022

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A deceptively quiet beginning rockets to a thrilling finish, preparing us for the next volume’s undoubtedly explosive finale.

NONA THE NINTH

The third installment of a necromantic science-fantasy series continues working at puzzles of identity and the meaning of loyalty.

Previously (Gideon the Ninth, 2019; Harrow the Ninth, 2020), sullen but brilliant necromancer Harrowhark consumed the soul of Gideon, her foulmouthed cavalier, to become a Lyctor, a semi-immortal officer in the Emperor Undying’s court. In a desperate attempt to preserve Gideon’s identity, Harrow deliberately erased the other woman from her memories, leaving herself confused to the point of delusion, unable to access her full powers, and vulnerable to enemies both within and without the Emperor’s court. This novel introduces Nona, a sweet but extraordinarily naïve young woman who appears to be in Harrowhark’s body but with Gideon’s golden eyes, lacking both necromantic abilities and any memories prior to six months ago. Nona’s been happy despite her precarious living situation in a war-torn city threatened by the necromantic Houses and their foe, the Blood of Eden. Unfortunately, what fragile peace she has cannot last, and everything depends on recovering Nona’s memories and returning to Harrowhark’s home in the Ninth House, there to finally release the deadly threat lurking in the Locked Tomb. But who is Nona, really: Harrowhark, Gideon, a blend of both young women…or someone else entirely? (The reader will figure it out long before the characters do.) Meanwhile, the Emperor and Harrowhark meet in dreams, where he recounts events of 10,000 years ago, when, as a newly fledged necromancer, his conflict with the corrupt trillionaires who planned to escape the dying Earth and leave the remaining billions to perish led to nuclear apocalypse. It’s pretty gutsy of Muir to write two books in a row about amnesiac characters, particularly when it may very well be the same character experiencing a different form of amnesia in each. This work initially reads like a strange interlude from the series, devoted to Nona’s odd but essentially quotidian routine in the midst of war, riot, and general chaos. But the story gradually gathers speed, and it’s all in service to a deeper plot. It is unfortunate that the demands of that plot mean we’ve gotten a considerably smaller dose of Gideon’s defiantly crude, riotously flouncy behavior in the two books subsequent to the one which bears her name.

A deceptively quiet beginning rockets to a thrilling finish, preparing us for the next volume’s undoubtedly explosive finale.

Pub Date: Sept. 13, 2022

ISBN: 978-1-25-085411-7

Page Count: 480

Publisher: Tordotcom

Review Posted Online: July 8, 2022

Kirkus Reviews Issue: Aug. 1, 2022

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