Big questions, simply put and answered, perhaps, as well as they can be.
A parental meditation on time’s elusive nature.
Like the TIMES newspaper truck drifting through early-morning streets at the beginning, Jacoby’s narrative is more often allusive than direct. “You can almost touch it,” she writes. “Some people pay a lot of attention to it. / Some don’t.” Small figures—notably three, two adults and one child—occupy a set of impressionistic urban and country scenes that begin with breakfast and a rush to catch a train, then move on to an idyllic visit with grandparents. Observations of time’s passage, which can be slow or “quick as a heartbeat skip hello,” parallel images in the pictures that play subtly on the theme, such as a toy train to contrast with the full-size one, or one parent and the mini-me child in identical poses. Following sequential views of a trip to the beach to make an elaborate sand castle and then watch it wash away (“Where does it go?”), a campfire singalong in piney woods, and a goodbye clinch, a night train back to the shimmering city leads to a cozy bedtime. What’s the upshot? “We’ve only got what we’ve got,” and the best we can do with that is to “love the time I have with you.” The couple and their child are pale-skinned (one child and a parent sporting identical mops of frizzy, brown hair, and the other parent with long, black hair), but they travel amid an amusingly lively crowd that is diverse in both race and age.
Big questions, simply put and answered, perhaps, as well as they can be. (Picture book. 6-8, adult)Pub Date: March 27, 2018
ISBN: 978-1-4521-6463-2
Page Count: 40
Publisher: Chronicle Books
Review Posted Online: Feb. 2, 2018
Kirkus Reviews Issue: Feb. 15, 2018
Amusing but a little off tempo.
It’s important to hit all the right notes.
A tan-skinned musical composer with puffy black hair is busy at work on his next musical masterpiece when Half Note, a music symbol denoting two beats, feels unappreciated. Half Note is jealous of the more commonly used Quarter Note (one beat) and Eighth Note. Although the other musical symbols attempt to calm and comfort Half Note, she decides to run away. The next day, Composer needs Half Note and panics when he realizes that she’s gone. The other notes and musical symbols try to find her, but it’s only when they try to play her favorite song, “Twinkle, Twinkle, Little Star,” without her—with terrible results—that she comes running back. The story’s humor—which is largely based on “dad joke” puns—is completely dependent on readers’ musical knowledge. The artwork, a mix of acrylic and colored pencil, attempts to add some allegrezza to the piece, and while it’s not unsuccessful, it’s facing an uphill battle. Music teachers and musically minded caregivers may find some value in this story, but it will likely be too specialized for general readers. (This book was reviewed digitally.)
Amusing but a little off tempo. (glossary) (Picture book. 6-8)Pub Date: March 14, 2023
ISBN: 978-1-64567-631-7
Page Count: 32
Publisher: Page Street
Review Posted Online: Dec. 23, 2022
Kirkus Reviews Issue: Jan. 15, 2023
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A story of friendship that is both lively and lovely
Two friends embark upon a high-seas adventure.
Kondo, a large lemon-colored creature with wide round eyes, spends his day on his island home with his best friend, tangerine-hued Kezumi. Together, they frolic on their idyllic isle picking berries (tall Kondo nabs the higher fruit while Kezumi helps to retrieve the lower) while surrounded by tiny “flitter-birds” and round “fluffle-bunnies.” One day, Kezumi finds a map in a bottle that declares “WE ARE NOT ALONE.” Inspired by visions of a larger world, Kondo and Kezumi fashion a boat from a bathtub and set sail. The pair visits fantastical islands—deliciously cheese-laden Dairy Isle, the fiery and fearsome Fireskull Island—until they eventually settle upon the titular Giant Island, where they meet Albert, a gigantic gray talking mountain who is—obviously—unable to leave. Enthralled by his new friends, Albert wants them to stay forever. After Albert makes a fraught decision, Kondo and Kezumi find themselves at a crossroads and must confront their new friend. Goodner and Tsurumi’s brightly illustrated chapter book should find favor with fans of Kate DiCamillo and Chris Van Dusen’s similarly designed Mercy Watson series. Short, wry, descriptive sentences make for an equally enjoyable experience whether read aloud or independently. Episodic chapters move the action along jauntily; the conclusion is somewhat abrupt, but it promises more exploration and adventures for the best friends. (This review was originally published in the June 1, 2019, issue. The book data has been updated to reflect changes in publisher and date of publication.)
A story of friendship that is both lively and lovely (Fantasy. 6-8)Pub Date: Oct. 27, 2020
ISBN: 978-1-368-02577-5
Page Count: 80
Publisher: Little, Brown
Review Posted Online: May 7, 2019
Kirkus Reviews Issue: July 15, 2020
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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