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PLESIOSAUR

From the Ancient Animals series

Tempting fare for young dino-devotees.

A gallery of prehistoric marine reptiles, their prey, and their predators.

Aiming for newly independent readers, Thomson describes in short sentences and simple language how plesiosaurs—an order that included both long- and short-necked varieties—hunted, got about with their flippers (“Maybe it paddled like a duck. Maybe it glided like a sea turtle”), gave birth to live young, and succumbed at last to an extinction event 65 million years ago. She provides broader context with comments about general features common to land and marine reptiles alike and closes with summary facts about other marine reptiles of both the past and present. Details both tantalize (the “smooth stones” in a plesiosaur’s stomach “may have helped to crush food”) and enlighten through concrete example: “Some plesiosaurs were only a bit longer than a broomstick. Some could’ve stretched halfway across a basketball court.” Throughout, Thomson carefully makes sure to emphasize that there is much we still do not know. Plant juices up the presentation with dramatic (labeled) portraits of thrillingly toothy predators leaving trails of blood in the water as they eat and are eaten.

Tempting fare for young dino-devotees. (print, video, and web resource lists) (Informational easy reader. 5-7)

Pub Date: July 18, 2017

ISBN: 978-1-58089-542-2

Page Count: 32

Publisher: Charlesbridge

Review Posted Online: April 16, 2017

Kirkus Reviews Issue: May 1, 2017

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ROAR

A DINOSAUR TOUR

There’s not much beyond the razzle-dazzle, but it’s got that in spades.

Intense hues light up a prehistoric parade.

It’s really all about the colors. The endpapers are twinned head-shot galleries captioned, in the front, with scientific names (“Tyrannosaurus rex”) and pronunciations and, in the rear, translations of same (“Tyrant Lizard King”). In between, Paul marches 18 labeled dinos—mostly one type per page or spread, all flat, white-eyed silhouettes posed (with occasional exceptions) facing the same way against inconspicuously stylized background. The text runs toward the trite: “Some dinosaurs were fast… / and other dinosaurs were slow.” But inspired by the fact that we know very little about how dinosaurs were decorated (according to a brief author’s note), Paul makes each page turn a visual flash. Going for saturated hues and vivid contrasts rather than complex patterns, he sets red-orange spikes like flames along the back of a mottled aquamarine Kentrosaurus, places a small purple-blue Compsognathus beneath a towering Supersaurus that glows like a blown ember, pairs a Giganotosaurus’ toothy head and crest in similarly lambent shades to a spotted green body, and outfits the rest of his cast in like finery. “Today you can see their bones at the museum,” he abruptly, inadequately, and simplistically concludes.

There’s not much beyond the razzle-dazzle, but it’s got that in spades. (Informational picture book. 5-7)

Pub Date: April 17, 2018

ISBN: 978-1-5247-6698-6

Page Count: 40

Publisher: Crown

Review Posted Online: Dec. 10, 2017

Kirkus Reviews Issue: Jan. 15, 2018

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MOTHER EARTH'S LULLABY

A SONG FOR ENDANGERED ANIMALS

With its undistinguished poetry but warm feelings and appealing paintings, this is an additional choice for some home...

Snuggling families, whether human or animal, are comforting and reassuring presences at bedtime.

Bookended by sentimentalized portraits of a white mother and two small white children in their pajamas, the verse starts off with exalted language: “When Mother Earth bids goodnight, / she casts her shafts of silver light. / She says: ‘Goodnight, my precious ones.’ / Nature’s song has just begun.” The scene switches to the natural world and successive double-page spreads are filled with lush, vibrantly colored paintings that usually show a parent animal and its young one(s) at night in their environment. Rhyming couplets describe each scene, not always smoothly: “Nene young quieting, / get warm below their mama’s wing,” reads the text as the illustration presents goslings and their mother among hibiscus blooms. The animal paintings are realistic and engaging, but there is no sense of accurate scale. The animals included are threatened or endangered by issues including human encroachment, climate change, and animal predators. These are described briefly in the backmatter. There is an unfortunate editorial mistake; a description of a red-tailed Amazon parrot has been substituted for the toucan pictured in the primary text. The book ends with an upbeat page, inexplicably lacking illustrations but detailing a few animals whose numbers have recently rebounded. There is no map and only one web resource.

With its undistinguished poetry but warm feelings and appealing paintings, this is an additional choice for some home libraries. (Informational picture book. 5-7)

Pub Date: Oct. 16, 2018

ISBN: 978-0-88448-557-5

Page Count: 36

Publisher: Tilbury House

Review Posted Online: Aug. 26, 2018

Kirkus Reviews Issue: Sept. 15, 2018

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