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ALLIE ALL ALONG

A metaphorical miss.

A big brother helps his little sister calm down.

The cover art depicts the first-person narrator, a little boy of color with brown skin and curly black hair, looking at a red-furred monster sticking out its tongue. The front endpapers then depict a broken blue crayon on top of scribbled lines in warm hues on a blue background. Turn to the title page, and the narrator holds a pile of furry-looking things in reddish, yellow, and green hues while blue hands reach toward him from the right. The first spread with text then shows the boy looking wide-eyed at readers while seated at an art table. A red, spiky mass covers the bottom of the spread, which is supposed to represent Allie (or rather, the top of Allie’s head), in a rage after her crayon breaks. These crucial spreads are difficult to follow, and it will take concrete little thinkers some time to come to understand that Allie did not look like this prior to the beginning of the book. Instead, the book starts with the monstrous image, and Reul uses expressive color to indicate Allie’s rage as she pitches a fit in the form of the red monster. She literally sheds her red skin and shifts colors to yellow, then green, then blue as her big brother tries various calming techniques. Finally, she emerges as a little girl of color by book’s end, and she requests a hug.

A metaphorical miss. (Picture book. 2-4)

Pub Date: Aug. 7, 2018

ISBN: 978-1-4549-2858-4

Page Count: 40

Publisher: Sterling

Review Posted Online: May 13, 2018

Kirkus Reviews Issue: June 1, 2018

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ISLE OF YOU

Treacle drips from every page. Find self-esteem elsewhere.

The voice of an omniscient narrator, who may or may not be a caregiver, speaks directly to an unhappy child with an invitation to a very special place.

The child follows directions to the beautiful title isle “just across the bay.” Ferried across by a toy elephant in a sailboat, the child is given an enthusiastic welcome by more adorable animals and some other children. The little one swims in a waterfall, rides a giant eagle, relaxes in a hammock, and happily engages with some of the other children. Several of the activities are stereotypically girl-associated, and the other children appear to be girls with varying skin tones and hair textures; the little protagonist has light skin and a brown pageboy and is only suggested as female. After elaborate entertainments and a sweet feast, the child is assured that “someone loves you very, very, very much” before being borne safely home. Deep purple, bright pastel pink, and yellow watercolors dominate the color palette, creating a magical, otherworldly atmosphere. But it is also somewhat creepy as well. The Isle of You exists only for the protagonist’s happiness, even the other children there, who appear to have no existence in the real world. Apparently intended to build self-esteem and comfort, it seems to encourage self-centeredness instead, as does the ending play on the pronunciation of the title words.

Treacle drips from every page. Find self-esteem elsewhere. (Picture book. 2-4)

Pub Date: Dec. 11, 2018

ISBN: 978-0-7636-9116-5

Page Count: 32

Publisher: Candlewick

Review Posted Online: Sept. 16, 2018

Kirkus Reviews Issue: Oct. 1, 2018

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PEPPA'S GIANT PUMPKIN

From the Peppa Pig series

This TV rerun in board-book form has nothing new to offer.

Peppa hopes to join her classmates in a Halloween pumpkin competition in this adaptation of a story from the popular British television program Peppa Pig.

With the help of Granny and Grandpa Pig, Peppa turns her giant pumpkin, which is the size of a compact car, into a jack-o’-lantern. The trio is flummoxed when it comes time to transport the pumpkin to the competition, so they call on Miss Rabbit and her helicopter to airlift the pumpkin to the festivities as Peppa and her grandparents ride inside. Peppa arrives just in time for the contest and wins the prize for best flying pumpkin. The scenes look as if they are pulled directly from the television show, right down to the rectangular framing of some of the scenes. While the story is literally nothing new, the text is serviceable, describing the action in two to three sentences per page. The pumpkin-shaped book and orange foil cover will likely attract youngsters, whether they are Peppa fans or not.

This TV rerun in board-book form has nothing new to offer. (Board book. 2-4)

Pub Date: July 30, 2019

ISBN: 978-1-338-33922-2

Page Count: 10

Publisher: Scholastic

Review Posted Online: Sept. 23, 2019

Kirkus Reviews Issue: Oct. 15, 2019

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