A novel with a strong female lead and plenty to satisfy history buffs.
Pearce (The Promise of Fate, 2015) offers an offbeat, romantic Western adventure that starts in 1849.
Mariah Hardwick was raised in St. Joseph, Missouri, where her father owns a dry goods store. Con man Earl Penngrove comes to town, sets his sights on Mariah, and courts her, promising her a life of excitement exploring the territory past the Great Plains to what Mariah and her mom call “The Beyond.” The mother and daughter share a passion for the journals of explorers Meriwether Lewis and William Clark, which they read aloud to each other during quiet evenings. It breeds a restlessness in Mariah, which leads her to marry Earl. Together, they join a wagon train heading west. But then Earl runs off and is killed on the journey, and Mariah, unwilling to turn back, pools her resources with Hetty Samuels, a recent widow who’s also determined to reach the West Coast. They head to Remington River in Northern California, where Mariah meets an elderly, Chinese shopkeeper, Zhao (aka the “Old Mandarin”), who, in turn, introduces her to a mysterious Mexican man named Pajaro Mendonca, who has a reputation as an outlaw. Her involvement with the two men will put her in grave danger—and provide her with the thrill of her life. The bulk of the novel consists of Mariah’s travel journal, and she also drops in sometimes-quirky passages from Lewis and Clark’s real-life journal. Readers may find themselves skimming these latter excerpts, however, in order to get back to the dramatic action. Pearce’s descriptions of the political machinations surrounding white American land grabs from the “Californios”—people of Mexican heritage who were born in California before it became part of the United States—have a poignant currency. The author’s carefully honed prose captures the cadence and atmosphere of the period, while also offering two well-drawn characters in Mariah and Pajaro. The concluding third of the narrative, set in 2015 and involving modern characters looking into Mariah and Pajaro’s past, is engaging but will leave readers with lingering questions.
A novel with a strong female lead and plenty to satisfy history buffs.Pub Date: Oct. 4, 2018
ISBN: 978-1-943588-77-0
Page Count: 330
Publisher: Lucky Bat Books
Review Posted Online: May 13, 2019
Review Program: Kirkus Indie
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
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