by Sarah Miller ‧ RELEASE DATE: June 14, 2011
A fascinating, moving exploration of the endlessly fascinating Romanovs, buttressed by extensive and fascinating backmatter.
Tsar Nicholas II’s four ill-fated daughters provide a fictional, inside look at Imperial Russia’s dying days in this thoroughly researched, poignant and compelling account of how the deposed Romanovs coped with abdication and arrest from 1914 to 1918.
At the beginning of World War I, Russia’s grand duchesses, Olga (19), Tatiana (17), Maria (15) and Anastasia (13) lived privileged, protected lives with their mild-mannered father, Nicholas, their anxious mother, Alexandra and their hemophiliac younger brother, Aleksei. Relying on letters, diaries and photographs of the imperial family as well as memoirs of people who shared their last years, Miller imagines how war and revolution irrevocably transported the Romanovs from their palace to house arrest in rural Tobolsk and final captivity in Ekaterinburg. The human side of their story is related chronologically through the alternating first-person voices of insightful Olga, organized Tatiana, kind-hearted Maria and impish Anastasia. Removed from the political drama exploding outside their doors, Olga, Tatiana, Maria and Anastasia emerge as isolated, unique young women with their own dreams and fears. As they nurse wounded soldiers, care for their fretful mother, amuse their ailing brother and suffer humiliation and deprivation, the four sisters symbolize family devotion and enduring hope in the face of bitter fate.
A fascinating, moving exploration of the endlessly fascinating Romanovs, buttressed by extensive and fascinating backmatter. (Historical fiction.12 & up)Pub Date: June 14, 2011
ISBN: 978-1-4169-8340-8
Page Count: 448
Publisher: Atheneum
Review Posted Online: April 18, 2011
Kirkus Reviews Issue: May 1, 2011
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by Elizabeth Acevedo ‧ RELEASE DATE: May 5, 2020
A standing ovation.
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Tackles family secrets, toxic masculinity, and socio-economic differences with incisive clarity and candor.
Camino Rios lives in the Dominican Republic and yearns to go to Columbia University in New York City, where her father works most of the year. Yahaira Rios, who lives in Morningside Heights, hasn’t spoken to her dad since the previous summer, when she found out he has another wife in the Dominican Republic. Their lives collide when this man, their dad, dies in an airplane crash with hundreds of other passengers heading to the island. Each protagonist grieves the tragic death of their larger-than-life father and tries to unravel the tangled web of lies he kept secret for almost 20 years. The author pays reverent tribute to the lives lost in a similar crash in 2001. The half sisters are vastly different—Yahaira is dark skinned, a chess champion who has a girlfriend; Camino is lighter skinned, a talented swimmer who helps her curandera aunt deliver neighborhood babies. Despite their differences, they slowly forge a tenuous bond. The book is told in alternating chapters with headings counting how many days have passed since the fateful event. Acevedo balances the two perspectives with ease, contrasting the girls’ environments and upbringings. Camino’s verses read like poetic prose, flowing and straightforward. Yahaira’s sections have more breaks and urgent, staccato beats. Every line is laced with betrayal and longing as the teens struggle with loving someone despite his imperfections.
A standing ovation. (Verse novel. 14-18)Pub Date: May 5, 2020
ISBN: 978-0-06-288276-9
Page Count: 432
Publisher: Quill Tree Books/HarperCollins
Review Posted Online: March 1, 2020
Kirkus Reviews Issue: March 15, 2020
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by Kathleen Glasgow ‧ RELEASE DATE: Aug. 30, 2016
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression.
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After surviving a suicide attempt, a fragile teen isn't sure she can endure without cutting herself.
Seventeen-year-old Charlie Davis, a white girl living on the margins, thinks she has little reason to live: her father drowned himself; her bereft and abusive mother kicked her out; her best friend, Ellis, is nearly brain dead after cutting too deeply; and she's gone through unspeakable experiences living on the street. After spending time in treatment with other young women like her—who cut, burn, poke, and otherwise hurt themselves—Charlie is released and takes a bus from the Twin Cities to Tucson to be closer to Mikey, a boy she "like-likes" but who had pined for Ellis instead. But things don't go as planned in the Arizona desert, because sweet Mikey just wants to be friends. Feeling rejected, Charlie, an artist, is drawn into a destructive new relationship with her sexy older co-worker, a "semifamous" local musician who's obviously a junkie alcoholic. Through intense, diarylike chapters chronicling Charlie's journey, the author captures the brutal and heartbreaking way "girls who write their pain on their bodies" scar and mar themselves, either succumbing or surviving. Like most issue books, this is not an easy read, but it's poignant and transcendent as Charlie breaks more and more before piecing herself back together.
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression. (author’s note) (Fiction. 14 & up)Pub Date: Aug. 30, 2016
ISBN: 978-1-101-93471-5
Page Count: 416
Publisher: Delacorte
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: May 15, 2016
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