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ONE MOMENT, ONE MORNING

Affectionately drawn characters lift a morose topic into a companionable light.

The lives of three women are altered when a man dies on a commuter train.

Lou is paying little attention to the people around her; after all, she makes the trip from Brighton to London every morning. But then suddenly the man across from her is having a heart attack. His wife Karen is begging for help, but it’s too late. Everyone is asked to exit the train, and Lou shares a cab the rest of the way to London with fellow traveler Anna. The two strangers commiserate over the tragic event when Anna’s cell rings—it’s her best friend Karen, in shock at the sudden death of her husband Simon on that very same train. Anna returns to Brighton to comfort Karen as Lou goes to work as a youth counselor. The novel spans the ensuing week, as Karen prepares for Simon’s funeral and Anna and Lou, in their own ways, reevaluate their lives with this ever-so-sharp reminder of their mortality. Anna is a successful copywriter, but her home life is a mess—boyfriend Steve is a mean drunk, but she can’t imagine life without him. Lou lives a happy lesbian life in gay-friendly Brighton, but she hasn’t come out to her overbearing mum, and the secret is killing her. Meanwhile, Karen and her two young children are barely coping now that their family is broken. Anna supports Karen, and Lou with her counseling experience is there for them both. The novel’s strength—facing head-on the minutia of coping with a death—is also one of its failings when it occasionally reads like a self-help book. Sitting with the body in hospital, explaining to children about saying goodbye, how to reach out to friends and banish guilt—a week’s worth of it gets a bit too much. Nevertheless, Rayner never shies away from her character’s misery and ineptitude in dealing with the worst, offering a welcome dose of reality in the literature of female bonding.

Affectionately drawn characters lift a morose topic into a companionable light.

Pub Date: Jan. 1, 2012

ISBN: 978-1-250-00019-4

Page Count: 416

Publisher: St. Martin's Griffin

Review Posted Online: Dec. 3, 2011

Kirkus Reviews Issue: Dec. 15, 2011

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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LAST ORDERS

Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.

Pub Date: April 5, 1996

ISBN: 0-679-41224-7

Page Count: 304

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 1996

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