by Sarah Richman ‧ RELEASE DATE: Aug. 1, 2019
Didactic overtones and blatant real-world parallels spoil this reluctant reader series.
Julie balks at working with android Leila as part of her high school’s integration program.
When interacting with Leila reveals that androids might not be as bad as Julie’s parents preached, Julie learns to use her human privilege to stand up for android rights. All books in the AI High series take place at Julie and Leila’s high school, where tensions between humans and androids run high. In Team Player by Jeffrey Pratt (The Prank, 2019), the star quarterback finds himself replaced by the first android addition to the team. Star-Crossed, by Loren Bailey (Becoming Prince Charming, 2018, etc.), is a Romeo and Juliet story about human Alyssa and android Reid. Claire Ainslie’s (The One, 2019) Detained profiles an android who vandalizes the school in retaliation for bullying from human peers. While the latter three titles balance storytelling with pointed lessons about prejudice, Family Ties reads like an oversimplified introduction to racial injustice. Humans represent a white community while negative stereotypes about androids echo real-world racial hostility. Though a couple of the other books feature ethnic diversity among humans and androids, in Family Ties, only android surnames indicate diverse backgrounds (Farid, Goldman, Kim). When Julie intervenes in an anti-android protest, victory is easily won. Ultimately, the topics of prejudice and bigotry deserve to be addressed with more nuance and less attempt at veiling the subject matter.
Didactic overtones and blatant real-world parallels spoil this reluctant reader series. (Speculative fiction. 12-16)Pub Date: Aug. 1, 2019
ISBN: 978-1-5415-5691-1
Page Count: 112
Publisher: Darby Creek
Review Posted Online: May 5, 2019
Kirkus Reviews Issue: June 1, 2019
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by Ransom Riggs ‧ RELEASE DATE: June 7, 2011
A trilogy opener both rich and strange, if heavy at the front end.
Riggs spins a gothic tale of strangely gifted children and the monsters that pursue them from a set of eerie, old trick photographs.
The brutal murder of his grandfather and a glimpse of a man with a mouth full of tentacles prompts months of nightmares and psychotherapy for 15-year-old Jacob, followed by a visit to a remote Welsh island where, his grandfather had always claimed, there lived children who could fly, lift boulders and display like weird abilities. The stories turn out to be true—but Jacob discovers that he has unwittingly exposed the sheltered “peculiar spirits” (of which he turns out to be one) and their werefalcon protector to a murderous hollowgast and its shape-changing servant wight. The interspersed photographs—gathered at flea markets and from collectors—nearly all seem to have been created in the late 19th or early 20th centuries and generally feature stone-faced figures, mostly children, in inscrutable costumes and situations. They are seen floating in the air, posing with a disreputable-looking Santa, covered in bees, dressed in rags and kneeling on a bomb, among other surreal images. Though Jacob’s overdeveloped back story gives the tale a slow start, the pictures add an eldritch element from the early going, and along with creepy bad guys, the author tucks in suspenseful chases and splashes of gore as he goes. He also whirls a major storm, flying bullets and a time loop into a wild climax that leaves Jacob poised for the sequel.
A trilogy opener both rich and strange, if heavy at the front end. (Horror/fantasy. 12-14)Pub Date: June 7, 2011
ISBN: 978-1-59474-476-1
Page Count: 234
Publisher: Quirk Books
Review Posted Online: March 30, 2014
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by Ransom Riggs ; illustrated by Andrew Davidson
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by Ben Philippe ‧ RELEASE DATE: Jan. 8, 2019
Despite some missteps, this will appeal to readers who enjoy a fresh and realistic teen voice.
A teenage, not-so-lonely loner endures the wilds of high school in Austin, Texas.
Norris Kaplan, the protagonist of Philippe’s debut novel, is a hypersweaty, uber-snarky black, Haitian, French-Canadian pushing to survive life in his new school. His professor mom’s new tenure-track job transplants Norris mid–school year, and his biting wit and sarcasm are exposed through his cataloging of his new world in a field guide–style burn book. He’s greeted in his new life by an assortment of acquaintances, Liam, who is white and struggling with depression; Maddie, a self-sacrificing white cheerleader with a heart of gold; and Aarti, his Indian-American love interest who offers connection. Norris’ ego, fueled by his insecurities, often gets in the way of meaningful character development. The scenes showcasing his emotional growth are too brief and, despite foreshadowing, the climax falls flat because he still gets incredible personal access to people he’s hurt. A scene where Norris is confronted by his mother for getting drunk and belligerent with a white cop is diluted by his refusal or inability to grasp the severity of the situation and the resultant minor consequences. The humor is spot-on, as is the representation of the black diaspora; the opportunity for broader conversations about other topics is there, however, the uneven buildup of detailed, meaningful exchanges and the glibness of Norris’ voice detract.
Despite some missteps, this will appeal to readers who enjoy a fresh and realistic teen voice. (Fiction. 13-16)Pub Date: Jan. 8, 2019
ISBN: 978-0-06-282411-0
Page Count: 384
Publisher: Balzer + Bray/HarperCollins
Review Posted Online: Oct. 14, 2018
Kirkus Reviews Issue: Nov. 1, 2018
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