by Sarah Stewart & illustrated by David Small ‧ RELEASE DATE: Aug. 1, 1997
This latest collaboration from Stewart and Small (The Library, 1995, not reviewed) is the Depression-era story of young Lydia Grace Finch, whose family's financial woes are the occasion for Lydia's extended stay in the city with dour Uncle Jim. Lydia's letters to her parents and Grandma, her beloved gardening partner, tell of her adjustment to the city, her work in her uncle's bakery, and of her determination to make her uncle smile. Meanwhile, the pictures show Lydia's gradual transformation of the drab shop and their apartment ``over the store,'' as she plants the seeds from Grandma in pots and tubs and flowerboxes in every possible space. Her piäce de rÇsistance is the lush roof garden she cultivates in secret and springs on her uncle on the Fourth of July, earning Uncle Jim's equivalent of ``one thousand smiles,'' a huge cake elaborately decorated with flowers. It's a lovely story exemplifying the old adage, ``Brighten the corner where you are,'' and a good introduction to the epistolary form of storytelling. Small's marvelous pictures show the city in all its gritty variety- -pushcarts, pigeons, packing crates, fire escapes, awnings, nuns, bums, and dogs—and the scrawny, smiling bakery cat, Otis. (Picture book. 6+)
Pub Date: Aug. 1, 1997
ISBN: 0-374-32517-0
Page Count: 40
Publisher: Farrar, Straus and Giroux
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: June 15, 1997
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by Sarah Stewart ; illustrated by David Small
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by Sarah Stewart & illustrated by David Small
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by Sarah Stewart & illustrated by David Small
by Katherine Marsh ‧ RELEASE DATE: Aug. 7, 2018
A captivating book situated in present-day discourse around the refugee crisis, featuring two boys who stand by their high...
Two parallel stories, one of a Syrian boy from Aleppo fleeing war, and another of a white American boy, son of a NATO contractor, dealing with the challenges of growing up, intersect at a house in Brussels.
Ahmed lost his father while crossing the Mediterranean. Alone and broke in Europe, he takes things into his own hands to get to safety but ends up having to hide in the basement of a residential house. After months of hiding, he is discovered by Max, a boy of similar age and parallel high integrity and courage, who is experiencing his own set of troubles learning a new language, moving to a new country, and being teased at school. In an unexpected turn of events, the two boys and their new friends Farah, a Muslim Belgian girl, and Oscar, a white Belgian boy, successfully scheme for Ahmed to go to school while he remains in hiding the rest of the time. What is at stake for Ahmed is immense, and so is the risk to everyone involved. Marsh invites art and history to motivate her protagonists, drawing parallels to gentiles who protected Jews fleeing Nazi terror and citing present-day political news. This well-crafted and suspenseful novel touches on the topics of refugees and immigrant integration, terrorism, Islam, Islamophobia, and the Syrian war with sensitivity and grace.
A captivating book situated in present-day discourse around the refugee crisis, featuring two boys who stand by their high values in the face of grave risk and succeed in drawing goodwill from others. (Historical fiction. 10-14)Pub Date: Aug. 7, 2018
ISBN: 978-1-250-30757-6
Page Count: 368
Publisher: Roaring Brook Press
Review Posted Online: June 10, 2018
Kirkus Reviews Issue: July 1, 2018
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by Katherine Marsh ; illustrated by Kelly Murphy
by Mae Respicio ‧ RELEASE DATE: June 12, 2018
This delightful debut welcomes readers in like a house filled with love.
A 13-year-old biracial girl longs to build the house of her dreams.
For Lou Bulosan-Nelson, normal is her “gigantic extended family squished into Lola’s for every holiday imaginable.” She shares a bedroom with her Filipina mother, Minda—a former interior-design major and current nurse-to-be—in Lola Celina’s San Francisco home. From her deceased white father, Michael, Lou inherited “not-so-Filipino features,” his love for architecture, and some land. Lou’s quietude implies her keen eye for details, but her passion for creating with her hands resonates loudly. Pining for something to claim as her own, she plans to construct a house from the ground up. When her mom considers moving out of state for a potential job and Lou’s land is at risk of being auctioned off, Lou stays resilient, gathering support from both friends and family to make her dream a reality. Respicio authentically depicts the richness of Philippine culture, incorporating Filipino language, insights into Lou’s family history, and well-crafted descriptions of customs, such as the birdlike Tinikling dance and eating kamayan style (with one’s hands), throughout. Lou’s story gives voice to Filipino youth, addressing cultural differences, the importance of bayanihan (community), and the true meaning of home.
This delightful debut welcomes readers in like a house filled with love. (Fiction. 8-13)Pub Date: June 12, 2018
ISBN: 978-1-5247-1794-0
Page Count: 240
Publisher: Wendy Lamb/Random
Review Posted Online: March 3, 2018
Kirkus Reviews Issue: March 15, 2018
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by Mae Respicio
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