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JERUSALEM, DRAWN AND QUARTERED

A YEAR SPENT LIVING IN THE CHRISTIAN, MUSLIM, ARMENIAN, AND JEWISH QUARTERS OF OLD JERUSALEM

A quirky, novelistic tour as much about the author as Jerusalem.

A memoir of a year spent in the Old City in the heart of today’s Jerusalem.

Tuttle-Singer, the new media editor at the Times of Israel, was enraptured with life in Jerusalem ever since her first youthful visit, and she remains in love with the Holy Land as a grown-up Israeli now living again in the ancient city. During the year she chronicles, the author lived part of each week on a communal moshav with her two young children. The rest of the week, she lived in the various quarters of the Old City, where the disparate Christian, Muslim, and Jewish cultures are encapsulated in one small spot on a map. “On the days I’m not with my kids,” she writes, “I’m in the Old City, because it’s one thing to understand this place through the thoroughfares, and it’s quite another to go behind the walls and see what’s hidden, what doesn’t meet the eye.” Tuttle-Singer enjoyed views from the city’s rooftops, watched Arab elders play backgammon, and danced with bar mitzvah celebrants. She delighted in such things as the “amazing” chicken-and-rice dish called maklouba and the wide variety of odors wafting through the city. She was friendly with merchants and became a confidante of many candid residents of the walled district. It wasn’t all charm and understanding, though. There were the nervous young soldiers carrying rifles and demonstrators throwing rocks. When she was 18, the author was stoned by Palestinian kids. During her youth in Los Angeles, she lost her mother, who now haunts her daughter’s impassioned memoir, which tends toward the operatic. Certain descriptive passages of the sounds and sights may be a bit rich for some readers, but Tuttle-Singer’s approachable personality will prevail for a good many more.

A quirky, novelistic tour as much about the author as Jerusalem.

Pub Date: June 1, 2018

ISBN: 978-1-5107-2489-1

Page Count: 256

Publisher: Skyhorse Publishing

Review Posted Online: April 2, 2018

Kirkus Reviews Issue: April 15, 2018

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IN MY PLACE

From the national correspondent for PBS's MacNeil-Lehrer Newshour: a moving memoir of her youth in the Deep South and her role in desegregating the Univ. of Georgia. The eldest daughter of an army chaplain, Hunter-Gault was born in what she calls the ``first of many places that I would call `my place' ''—the small village of Due West, tucked away in a remote little corner of South Carolina. While her father served in Korea, Hunter-Gault and her mother moved first to Covington, Georgia, and then to Atlanta. In ``L.A.'' (lovely Atlanta), surrounded by her loving family and a close-knit black community, the author enjoyed a happy childhood participating in activities at church and at school, where her intellectual and leadership abilities soon were noticed by both faculty and peers. In high school, Hunter-Gault found herself studying the ``comic-strip character Brenda Starr as I might have studied a journalism textbook, had there been one.'' Determined to be a journalist, she applied to several colleges—all outside of Georgia, for ``to discourage the possibility that a black student would even think of applying to one of those white schools, the state provided money for black students'' to study out of state. Accepted at Michigan's Wayne State, the author was encouraged by local civil-rights leaders to apply, along with another classmate, to the Univ. of Georgia as well. Her application became a test of changing racial attitudes, as well as of the growing strength of the civil-rights movement in the South, and Gault became a national figure as she braved an onslaught of hostilities and harassment to become the first black woman to attend the university. A remarkably generous, fair-minded account of overcoming some of the biggest, and most intractable, obstacles ever deployed by southern racists. (Photographs—not seen.)

Pub Date: Nov. 1, 1992

ISBN: 0-374-17563-2

Page Count: 192

Publisher: Farrar, Straus and Giroux

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 1, 1992

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A LITTLE HISTORY OF POETRY

Necessarily swift and adumbrative as well as inclusive, focused, and graceful.

A light-speed tour of (mostly) Western poetry, from the 4,000-year-old Gilgamesh to the work of Australian poet Les Murray, who died in 2019.

In the latest entry in the publisher’s Little Histories series, Carey, an emeritus professor at Oxford whose books include What Good Are the Arts? and The Unexpected Professor: An Oxford Life in Books, offers a quick definition of poetry—“relates to language as music relates to noise. It is language made special”—before diving in to poetry’s vast history. In most chapters, the author deals with only a few writers, but as the narrative progresses, he finds himself forced to deal with far more than a handful. In his chapter on 20th-century political poets, for example, he talks about 14 writers in seven pages. Carey displays a determination to inform us about who the best poets were—and what their best poems were. The word “greatest” appears continually; Chaucer was “the greatest medieval English poet,” and Langston Hughes was “the greatest male poet” of the Harlem Renaissance. For readers who need a refresher—or suggestions for the nightstand—Carey provides the best-known names and the most celebrated poems, including Paradise Lost (about which the author has written extensively), “Kubla Khan,” “Ozymandias,” “The Charge of the Light Brigade,” Wordsworth and Coleridge’s Lyrical Ballads, which “changed the course of English poetry.” Carey explains some poetic technique (Hopkins’ “sprung rhythm”) and pauses occasionally to provide autobiographical tidbits—e.g., John Masefield, who wrote the famous “Sea Fever,” “hated the sea.” We learn, as well, about the sexuality of some poets (Auden was bisexual), and, especially later on, Carey discusses the demons that drove some of them, Robert Lowell and Sylvia Plath among them. Refreshingly, he includes many women in the volume—all the way back to Sappho—and has especially kind words for Marianne Moore and Elizabeth Bishop, who share a chapter.

Necessarily swift and adumbrative as well as inclusive, focused, and graceful.

Pub Date: April 21, 2020

ISBN: 978-0-300-23222-6

Page Count: 304

Publisher: Yale Univ.

Review Posted Online: Feb. 8, 2020

Kirkus Reviews Issue: March 1, 2020

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