A troubling take on obsessive self-improvement.
An immigrant mother and her daughter clash over beauty treatments.
Wang’s incisive debut takes a cool, sharp look at the relationship between 26-year-old narrator Linli Feng, who would like to stop babysitting her mother in Los Angeles and move to New York for graduate school, and her mother, Fanny, who has irretrievably damaged her face with decades of botched under-the-table plastic surgeries and other treatments undertaken in the belief that “perfection was always one procedure away.” Their situation looks bleak after Fanny is indicted on federal charges for not revealing who has been performing the illegal procedures, but things start to look up when Fanny is chosen for America’s Beauty Extreme, a new reality TV show in which contestants compete for the prize of “life-changing reconstructive surgery.” While Fanny is sequestered away for the competition, Linli goes undercover to try to find evidence that will free her mother from her legal problems. The novel hits many of the familiar beats of the story of conflict between a damaged mother and a sensitive, artistic daughter, but it manages to find some new twists. Wang walks the edge between domestic drama, as Linli discovers more about her mother’s past and begins to understand her drive to change herself, and dark satire, both of the machinations and excesses of the reality TV industry and the exploitation of those who want to fit into the U.S. by whatever means necessary—even if it means “forever scrabbling in [a] bottomless pit of debt.” As Linli subjects herself to one painful and disfiguring procedure after another in the hope of discovering more about her mother’s experience as well as evidence to free her, the novel slides in the direction of body horror.
A troubling take on obsessive self-improvement.Pub Date: May 12, 2026
ISBN: 9780316594523
Page Count: 320
Publisher: Little, Brown
Review Posted Online: Feb. 16, 2026
Kirkus Reviews Issue: March 15, 2026
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
Fans of Stockett’s bestselling debut will love this engaging follow-up.
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
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