by Saul Bellow ‧ RELEASE DATE: May 1, 1997
The working-out of these intricate plotlines is rather perfunctory, and a few redundancies have escaped editing, but the...
Nobel laureate Bellow's recent penchant for the novella (A Theft, The Bellarosa Connection, both 1989) continues with this witty portrayal of late-life intrigue, politicking, and passion.
Chicagoan Harry Trellman, the story's narrator, is a semi- retired importer whose cautious demeanor and unusual physiognomy (he describes his countenance as "Chinese-looking") have made him a kind of outsider—from the centers of financial power and also from the satisfactions of romantic love. A "first-class noticer," Harry is appropriated as an advisor by elderly Sigmund Adletsky, trillionaire hotel magnate, and, as a chance by-product of joining Adletsky's "brain trust," Harry is reunited with Amy Wustrin, the woman he'd loved decades ago, and with the bittersweet memory of Amy's late husband and his old pal, faithless, freewheeling Jay ("If being sexual was like being drunk, Jay was something like a drunken driver"). Bellow expertly tangles these characters' lives together: Amy, an interior decorator, is hired to assess the value of furnishings in a luxury apartment the Adletskys covet—owned by Bodo Heisinger, whose wife Madge was convicted and imprisoned for hiring a hit man to kill Bodo, who nevertheless continued to adore her and secured her release. Though Harry thinks he's separated, by looks and lifestyle, from this melodramatic human muddle ("I see myself taking pleasure in these assorted people, their motives, their behavior"), he learns he's one of them—a perception emphatically confirmed by a cliffhanger ending recalling that of Bellow's great short novel Seize the Day.The working-out of these intricate plotlines is rather perfunctory, and a few redundancies have escaped editing, but the writing is sharp, and we're absorbed by the personalities of several vividly sketched characters, especially Harry, one of Bellow's most engaging everymen. Like Augie March, Harry Trellman chooses life; like Tommy Wilhelm (of Seize the Day), he's shaped and driven not by intellectual or social imperatives, but by the insistent proddings of "the heart's ultimate need."
Pub Date: May 1, 1997
Page Count: 112
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 1997
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More by Isaac Bashevis Singer
by Hanya Yanagihara ‧ RELEASE DATE: March 10, 2015
The phrase “tour de force” could have been invented for this audacious novel.
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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.The phrase “tour de force” could have been invented for this audacious novel.
Pub Date: March 10, 2015
Page Count: 720
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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by Harper Lee ‧ RELEASE DATE: July 11, 1960
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
Page Count: 323
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
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