The working-out of these intricate plotlines is rather perfunctory, and a few redundancies have escaped editing, but the...

THE ACTUAL

A NOVELLA

Nobel laureate Bellow's recent penchant for the novella (A Theft, The Bellarosa Connection, both 1989) continues with this witty portrayal of late-life intrigue, politicking, and passion.

Chicagoan Harry Trellman, the story's narrator, is a semi- retired importer whose cautious demeanor and unusual physiognomy (he describes his countenance as "Chinese-looking") have made him a kind of outsider—from the centers of financial power and also from the satisfactions of romantic love. A "first-class noticer," Harry is appropriated as an advisor by elderly Sigmund Adletsky, trillionaire hotel magnate, and, as a chance by-product of joining Adletsky's "brain trust," Harry is reunited with Amy Wustrin, the woman he'd loved decades ago, and with the bittersweet memory of Amy's late husband and his old pal, faithless, freewheeling Jay ("If being sexual was like being drunk, Jay was something like a drunken driver"). Bellow expertly tangles these characters' lives together: Amy, an interior decorator, is hired to assess the value of furnishings in a luxury apartment the Adletskys covet—owned by Bodo Heisinger, whose wife Madge was convicted and imprisoned for hiring a hit man to kill Bodo, who nevertheless continued to adore her and secured her release. Though Harry thinks he's separated, by looks and lifestyle, from this melodramatic human muddle ("I see myself taking pleasure in these assorted people, their motives, their behavior"), he learns he's one of them—a perception emphatically confirmed by a cliffhanger ending recalling that of Bellow's great short novel Seize the Day.

The working-out of these intricate plotlines is rather perfunctory, and a few redundancies have escaped editing, but the writing is sharp, and we're absorbed by the personalities of several vividly sketched characters, especially Harry, one of Bellow's most engaging everymen. Like Augie March, Harry Trellman chooses life; like Tommy Wilhelm (of Seize the Day), he's shaped and driven not by intellectual or social imperatives, but by the insistent proddings of "the heart's ultimate need."

Pub Date: May 1, 1997

ISBN: 0-670-86075-1

Page Count: 112

Publisher: Viking

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: March 1, 1997

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Nothing original, but in Hilderbrand’s hands it’s easy to get lost in the story.

BAREFOOT

Privileged 30-somethings hide from their woes in Nantucket.

Hilderbrand’s saga follows the lives of Melanie, Brenda and Vicki. Vicki, alpha mom and perfect wife, is battling late-stage lung cancer and, in an uncharacteristically flaky moment, opts for chemotherapy at the beach. Vicki shares ownership of a tiny Nantucket cottage with her younger sister Brenda. Brenda, a literature professor, tags along for the summer, partly out of familial duty, partly because she’s fleeing the fallout from her illicit affair with a student. As for Melanie, she gets a last minute invite from Vicki, after Melanie confides that Melanie’s husband is having an affair. Between Melanie and Brenda, Vicki feels her two young boys should have adequate supervision, but a disastrous first day on the island forces the trio to source some outside help. Enter Josh, the adorable and affable local who is hired to tend to the boys. On break from college, Josh learns about the pitfalls of mature love as he falls for the beauties in the snug abode. Josh likes beer, analysis-free relationships and hot older women. In a word, he’s believable. In addition to a healthy dose of testosterone, the novel is balanced by powerful descriptions of Vicki’s bond with her two boys. Emotions run high as she prepares for death.

Nothing original, but in Hilderbrand’s hands it’s easy to get lost in the story.

Pub Date: July 2, 2007

ISBN: 978-0-316-01858-6

Page Count: 352

Publisher: Little, Brown

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: May 15, 2007

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More about grief and tragedy than romance.

FRIENDS FOREVER

Five friends meet on their first day of kindergarten at the exclusive Atwood School and remain lifelong friends through tragedy and triumph.

When Gabby, Billy, Izzie, Andy and Sean meet in the toy kitchen of the kindergarten classroom on their first day of school, no one can know how strong the group’s friendship will remain. Despite their different personalities and interests, the five grow up together and become even closer as they come into their own talents and life paths. But tragedy will strike and strike again. Family troubles, abusive parents, drugs, alcohol, stress, grief and even random bad luck will put pressure on each of them individually and as a group. Known for her emotional romances, Steel makes a bit of a departure with this effort that follows a group of friends through young adulthood. But even as one tragedy after another befalls the friends, the impact of the events is blunted by a distant narrative style that lacks emotional intensity. 

More about grief and tragedy than romance.

Pub Date: July 24, 2012

ISBN: 978-0-385-34321-3

Page Count: 322

Publisher: Delacorte

Review Posted Online: Nov. 14, 2012

Kirkus Reviews Issue: Dec. 1, 2012

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