Sentimental and earnest; nevertheless, the tale has charm enough to make you eager for the holidays.

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THE GHOST OF CHRISTMAS PRESENT

A modern Christmas story (with shades of A Christmas Carol) in which a beleaguered single father fights for custody of his sick son.

Patrick Guthrie, drama teacher at an NYC high school, has had a few heartbreaking years: First, his wife suddenly dies from an undiagnosed enlarged heart, and then their son, Braden, is diagnosed with the same condition. Braden is very ill, but it seems he may be a candidate for a lifesaving operation. Finally, Patrick has hope. But as Braden is waiting for operation day, Patrick is laid off and the bills he was valiantly fending off (heat, phone, rent) have all come due. Then, Child Protective Services comes knocking, questioning his ability to care for the soon-to-be-discharged Braden. Patrick knows exactly who sent the watchdogs: Ted Cake, a wealthy industrialist and his former father-in-law. Ted blames Patrick for his daughter’s death and now wants custody of the grandson he’s never met. Patrick gets a job at a pizza parlor, but there is no way he can earn enough to pay all his bills and bank the requisite savings to appease the court. He dons a St. Nick costume, makeup and wig and hits the streets as the Ghost of Christmas Present, from Dickens’ A Christmas Carol. Patrick begs (although it could be argued he’s really busking) as he recites passages from Dickens and his beloved Shakespeare. He sets up shop close to Ted Cake’s office, and Cake (who longed to be an actor in his youth) grows to appreciate Patrick’s performances. A number of unfortunate turns make it unlikely that Patrick will retain custody of his son unless Ted Cake can see his way toward forgiveness and family unity.

Sentimental and earnest; nevertheless, the tale has charm enough to make you eager for the holidays.

Pub Date: Oct. 23, 2012

ISBN: 978-1-4516-6039-5

Page Count: 224

Publisher: Howard Books/Simon & Schuster

Review Posted Online: Sept. 2, 2012

Kirkus Reviews Issue: Sept. 15, 2012

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The writing is merely serviceable, and one can’t help but wish the author had found a way to present her material as...

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THE TATTOOIST OF AUSCHWITZ

An unlikely love story set amid the horrors of a Nazi death camp.

Based on real people and events, this debut novel follows Lale Sokolov, a young Slovakian Jew sent to Auschwitz in 1942. There, he assumes the heinous task of tattooing incoming Jewish prisoners with the dehumanizing numbers their SS captors use to identify them. When the Tätowierer, as he is called, meets fellow prisoner Gita Furman, 17, he is immediately smitten. Eventually, the attraction becomes mutual. Lale proves himself an operator, at once cagey and courageous: As the Tätowierer, he is granted special privileges and manages to smuggle food to starving prisoners. Through female prisoners who catalog the belongings confiscated from fellow inmates, Lale gains access to jewels, which he trades to a pair of local villagers for chocolate, medicine, and other items. Meanwhile, despite overwhelming odds, Lale and Gita are able to meet privately from time to time and become lovers. In 1944, just ahead of the arrival of Russian troops, Lale and Gita separately leave the concentration camp and experience harrowingly close calls. Suffice it to say they both survive. To her credit, the author doesn’t flinch from describing the depravity of the SS in Auschwitz and the unimaginable suffering of their victims—no gauzy evasions here, as in Boy in the Striped Pajamas. She also manages to raise, if not really explore, some trickier issues—the guilt of those Jews, like the tattooist, who survived by doing the Nazis’ bidding, in a sense betraying their fellow Jews; and the complicity of those non-Jews, like the Slovaks in Lale’s hometown, who failed to come to the aid of their beleaguered countrymen.

The writing is merely serviceable, and one can’t help but wish the author had found a way to present her material as nonfiction. Still, this is a powerful, gut-wrenching tale that is hard to shake off.

Pub Date: Sept. 4, 2018

ISBN: 978-0-06-279715-5

Page Count: 272

Publisher: Harper/HarperCollins

Review Posted Online: July 17, 2018

Kirkus Reviews Issue: Aug. 1, 2018

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Though gripping, even moving at times, the novel doesn’t do justice to the solemn history from which it is drawn.

CILKA'S JOURNEY

In this follow-up to the widely read The Tattooist of Auschwitz (2018), a young concentration camp survivor is sentenced to 15 years’ hard labor in a Russian gulag.

The novel begins with the liberation of Auschwitz by Soviet troops in 1945. In the camp, 16-year-old Cecilia "Cilka" Klein—one of the Jewish prisoners introduced in Tattooist—was forced to become the mistress of two Nazi commandants. The Russians accuse her of collaborating—they also think she might be a spy—and send her to the Vorkuta Gulag in Siberia. There, another nightmarish scenario unfolds: Cilka, now 18, and the other women in her hut are routinely raped at night by criminal-class prisoners with special “privileges”; by day, the near-starving women haul coal from the local mines in frigid weather. The narrative is intercut with Cilka’s grim memories of Auschwitz as well as her happier recollections of life with her parents and sister before the war. At Vorkuta, her lot improves when she starts work as a nurse trainee at the camp hospital under the supervision of a sympathetic woman doctor who tries to protect her. Cilka also begins to feel the stirrings of romantic love for Alexandr, a fellow prisoner. Though believing she is cursed, Cilka shows great courage and fortitude throughout: Indeed, her ability to endure trauma—as well her heroism in ministering to the sick and wounded—almost defies credulity. The novel is ostensibly based on a true story, but a central element in the book—Cilka’s sexual relationship with the SS officers—has been challenged by the Auschwitz Memorial Research Center and by the real Cilka’s stepson, who says it is false. As in Tattooist, the writing itself is workmanlike at best and often overwrought.

Though gripping, even moving at times, the novel doesn’t do justice to the solemn history from which it is drawn.

Pub Date: Oct. 1, 2019

ISBN: 978-1-250-26570-8

Page Count: 352

Publisher: St. Martin's

Review Posted Online: Oct. 28, 2019

Kirkus Reviews Issue: Nov. 15, 2019

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