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THE GHOST OF CHRISTMAS PRESENT

Sentimental and earnest; nevertheless, the tale has charm enough to make you eager for the holidays.

A modern Christmas story (with shades of A Christmas Carol) in which a beleaguered single father fights for custody of his sick son.

Patrick Guthrie, drama teacher at an NYC high school, has had a few heartbreaking years: First, his wife suddenly dies from an undiagnosed enlarged heart, and then their son, Braden, is diagnosed with the same condition. Braden is very ill, but it seems he may be a candidate for a lifesaving operation. Finally, Patrick has hope. But as Braden is waiting for operation day, Patrick is laid off and the bills he was valiantly fending off (heat, phone, rent) have all come due. Then, Child Protective Services comes knocking, questioning his ability to care for the soon-to-be-discharged Braden. Patrick knows exactly who sent the watchdogs: Ted Cake, a wealthy industrialist and his former father-in-law. Ted blames Patrick for his daughter’s death and now wants custody of the grandson he’s never met. Patrick gets a job at a pizza parlor, but there is no way he can earn enough to pay all his bills and bank the requisite savings to appease the court. He dons a St. Nick costume, makeup and wig and hits the streets as the Ghost of Christmas Present, from Dickens’ A Christmas Carol. Patrick begs (although it could be argued he’s really busking) as he recites passages from Dickens and his beloved Shakespeare. He sets up shop close to Ted Cake’s office, and Cake (who longed to be an actor in his youth) grows to appreciate Patrick’s performances. A number of unfortunate turns make it unlikely that Patrick will retain custody of his son unless Ted Cake can see his way toward forgiveness and family unity.

Sentimental and earnest; nevertheless, the tale has charm enough to make you eager for the holidays.

Pub Date: Oct. 23, 2012

ISBN: 978-1-4516-6039-5

Page Count: 224

Publisher: Howard Books/Simon & Schuster

Review Posted Online: Sept. 1, 2012

Kirkus Reviews Issue: Sept. 15, 2012

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THE DOVEKEEPERS

Hoffman (The Red Garden, 2011, etc.) births literature from tragedy: the destruction of Jerusalem's Temple, the siege of Masada and the loss of Zion.

This is a feminist tale, a story of strong, intelligent women wedded to destiny by love and sacrifice. Told in four parts, the first comes from Yael, daughter of Yosef bar Elhanan, a Sicarii Zealot assassin, rejected by her father because of her mother's death in childbirth. It is 70 CE, and the Temple is destroyed. Yael, her father, and another Sicarii assassin, Jachim ben Simon, and his family flee Jerusalem. Hoffman's research renders the ancient world real as the group treks into Judea's desert, where they encounter Essenes, search for sustenance and burn under the sun. There too Jachim and Yael begin a tragic love affair. At Masada, Yael is sent to work in the dovecote, gathering eggs and fertilizer. She meets Shirah, her daughters, and Revka, who narrates part two. Revka's husband was killed when Romans sacked their village. Later, her daughter was murdered. At Masada, caring for grandsons turned mute by tragedy, Revka worries over her scholarly son-in-law, Yoav, now consumed by vengeance. Aziza, daughter of Shirah, carries the story onward. Born out of wedlock, Aziza grew up in Moab, among the people of the blue tunic. Her passion and curse is that she was raised as a warrior by her foster father. In part four, Shirah tells of her Alexandrian youth, the cherished daughter of a consort of the high priests. Shirah is a keshaphim, a woman of amulets, spells and medicine, and a woman connected to Shechinah, the feminine aspect of GodThe women are irretrievably bound to Eleazar ben Ya'ir, Masada's charismatic leader; Amram, Yael's brother; and Yoav, Aziza's companion and protector in battle. The plot is intriguingly complex, with only a single element unresolved.  An enthralling tale rendered with consummate literary skill.

 

Pub Date: Oct. 4, 2011

ISBN: 978-1-4516-1747-4

Page Count: 512

Publisher: Scribner

Review Posted Online: April 5, 2011

Kirkus Reviews Issue: April 15, 2011

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THE CONVERT

Constructed with delicacy, lyricism, and care, Hertmans’ novel still feels occasionally static.

A Christian woman and a Jewish man fall in love in medieval France.

In 1088, a Christian girl of Norman descent falls in love with the son of a rabbi. They run away together, to disastrous effect: Her father sends knights after them, and though they flee to a small southern village where they spend a few happy years, their budding family is soon decimated by a violent wave of First Crusaders on their way to Jerusalem. The girl, whose name becomes Hamoutal when she converts to Judaism, winds up roaming the world. Hertmans’ (War and Turpentine, 2016, etc.) latest novel is based on a true story: The Cairo Genizah, a trove of medieval manuscripts preserved in an Egyptian synagogue, contained an account of Hamoutal’s plight. Hamoutal makes up about half of Hertmans’ novel; the other half is consumed by Hertmans’ own interest in her story. Whenever he can, he follows her journey: from Rouen, where she grew up, to Monieux, where she and David Todros—her Jewish husband—made a brief life for themselves, and all the way to Cairo, and back. “Knowing her life story and its tragic end,” Hertmans writes, “I wish I could warn her of what lies ahead.” The book has a quiet intimacy to it, and in his descriptions of landscape and travel, Hertmans’ prose is frequently lovely. In Narbonne, where David’s family lived, Hertmans describes “the cool of the paving stones in the late morning, the sound of doves’ wings flapping in the immaculate air.” But despite the drama of Hamoutal’s story, there is a static quality to the book, particularly in the sections where Hertmans describes his own travels. It’s an odd contradiction: Hertmans himself moves quickly through the world, but his book doesn’t quite move quickly enough.

Constructed with delicacy, lyricism, and care, Hertmans’ novel still feels occasionally static.

Pub Date: Feb. 4, 2020

ISBN: 978-1-5247-4708-4

Page Count: 304

Publisher: Pantheon

Review Posted Online: Oct. 13, 2019

Kirkus Reviews Issue: Nov. 1, 2019

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