by Scott Anderson ‧ RELEASE DATE: Aug. 6, 2013
A lively, contrasting study of hubris and humility.
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New York Times Bestseller
National Book Critics Circle Finalist
A well-fleshed portrait of T.E. Lawrence (1888–1935) brought in burnished relief against other scoundrels in the Arabian narrative.
American novelist and journalist Anderson (Moonlight Hotel, 2007, etc.) is evidently taken with the story of the brash, contradictory, ultimately unknowable personality who managed to galvanize the Arab revolt against the Ottoman Empire “because no one was paying much attention.” The “Great Loot” brought out mostly the worst in those characters, portrayed with verve by Anderson, who were attracted to the lawless gain in the exotic Middle East. These included New England aristocrat William Yale, who embarked on a top-secret prospecting mission for Standard Oil in the Holy Land, and the German spy and Turkish adviser Curt Prüfer, among others. In contrast, Lawrence was profoundly moved by the Arab plight and what was increasingly viewed as Western manipulation and duplicity, revealed in the Sykes-Picot Agreement of 1916. Steeped in the tales of King Arthur’s court as a child, the product of secretive parents in hiding from his father’s divorce scandal, Lawrence was small, shy and exceptionally bright, with ferocious self-endurance and self-sufficiency, an ideal candidate as an Oxford student to latch on to David Hogarth’s archaeological dig at Carchemish in 1911. As mapper and “Syria hand” for British intelligence in Cairo with the outbreak of war, Lawrence learned the lay of the Ottoman Empire and its diverse peoples. Once he offered himself as the man on the ground to render logistical aid to the leader of the Arab Revolt, Emir Hussein, and his sons, Lawrence was in a unique position; he added to his elusiveness by adopting Arab dress. Anderson thoroughly explores the making of the Lawrence legend, from the effortless taking of Aqaba to “the fantasy of the ‘clean war’ of Arab warriors.”
A lively, contrasting study of hubris and humility.Pub Date: Aug. 6, 2013
ISBN: 978-0-385-53292-1
Page Count: 592
Publisher: Doubleday
Review Posted Online: May 14, 2013
Kirkus Reviews Issue: June 1, 2013
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
by Tom Clavin ‧ RELEASE DATE: April 21, 2020
Buffs of the Old West will enjoy Clavin’s careful research and vivid writing.
Rootin’-tootin’ history of the dry-gulchers, horn-swogglers, and outright killers who populated the Wild West’s wildest city in the late 19th century.
The stories of Wyatt Earp and company, the shootout at the O.K. Corral, and Geronimo and the Apache Wars are all well known. Clavin, who has written books on Dodge City and Wild Bill Hickok, delivers a solid narrative that usefully links significant events—making allies of white enemies, for instance, in facing down the Apache threat, rustling from Mexico, and other ethnically charged circumstances. The author is a touch revisionist, in the modern fashion, in noting that the Earps and Clantons weren’t as bloodthirsty as popular culture has made them out to be. For example, Wyatt and Bat Masterson “took the ‘peace’ in peace officer literally and knew that the way to tame the notorious town was not to outkill the bad guys but to intimidate them, sometimes with the help of a gun barrel to the skull.” Indeed, while some of the Clantons and some of the Earps died violently, most—Wyatt, Bat, Doc Holliday—died of cancer and other ailments, if only a few of old age. Clavin complicates the story by reminding readers that the Earps weren’t really the law in Tombstone and sometimes fell on the other side of the line and that the ordinary citizens of Tombstone and other famed Western venues valued order and peace and weren’t particularly keen on gunfighters and their mischief. Still, updating the old notion that the Earp myth is the American Iliad, the author is at his best when he delineates those fraught spasms of violence. “It is never a good sign for law-abiding citizens,” he writes at one high point, “to see Johnny Ringo rush into town, both him and his horse all in a lather.” Indeed not, even if Ringo wound up killing himself and law-abiding Tombstone faded into obscurity when the silver played out.
Buffs of the Old West will enjoy Clavin’s careful research and vivid writing.Pub Date: April 21, 2020
ISBN: 978-1-250-21458-4
Page Count: 400
Publisher: St. Martin's
Review Posted Online: Jan. 19, 2020
Kirkus Reviews Issue: Feb. 15, 2020
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