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AND THROW AWAY THE SKINS

A deeply affecting and fearlessly descriptive story that charts the complexities of life with a potentially fatal illness.

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  • Kirkus Reviews'
    Best Books Of 2019

A cancer patient searches for direction and fulfillment in Jones’ (A Rising Tide of People Swept Away, 2016, etc.) novel.

In 2008, following a breast cancer diagnosis, Rebecca “Bec” Robertson undergoes a double mastectomy and begins aggressive chemotherapy. Her husband, William, is a chaplain in the U.S. Army serving in Afghanistan. Near the start of the novel, William boards a plane from Dallas to begin a journey back to Kabul, leaving his sick wife behind. As they part, there’s the sense that an emotional chasm is opening between them. Ever since Bec became ill, William has taken to treating her with excessive caution, and she senses his relief as they bid farewell to each other. Bec, meanwhile, feels a growing sense of detachment from him and a nagging suspicion that her recovery may be “Easier alone.” Furthermore, the couple is in dire financial straits; Bec chooses not to burden William with the knowledge that their money has “bled away” and that the bank is foreclosing on their house. Soon, she relocates to a cabin in New Mexico. There, she meets an oddball set of locals—the first of whom, Marcus, she finds sitting in her truck, expecting her to drive him somewhere. The narrative also looks back over Bec’s grueling childhood, her courtship with William when they were both teenagers, and her stoic efforts to carve out a life for herself after cancer—part of which may involve a relationship with an unpredictable former Marine named Michael. Some readers may be unnerved by Jones’ unflinching descriptions of the physical realities of cancer treatment: “Tribal marks, two slices of purple thread ruled out in straight horizontal lines below her chest….At least they had left the muscles underneath, so she didn’t have craters.” These graphic revelations of the treatments’ brutal violence can be difficult to read; in Bec’s case, surgeons are said to have “Cut away hunks of her body to fend off death.” Along the way, Jones vividly captures the character’s sense of emotional torment: “Sometimes she wanted something to blame, someone to scream at.” In her struggle for survival, Bec lives on a razor’s edge, and Jones subtly charts her progress and psychological shifts—which, the author points out, are also affected by medication: “At first, the steroids drove her crazy and the anticoagulants left her so vulnerable she feared to touch anything. When her desire for intimacy returned, she couldn’t find William.” As the story progresses, readers will be drawn ever closer to Bec—they’ll gain a profound understanding of the challenges she faces and be awed by her spirit of survival. But there are also feelings of joy in this harrowing novel, as Bec’s newfound conception of self arises from her sense of loss and despair. Overall, this novel offers a nuanced and thoroughly believable portrait of a cancer patient’s everyday life that offers hope and sadness in equal measure.

A deeply affecting and fearlessly descriptive story that charts the complexities of life with a potentially fatal illness.

Pub Date: March 2, 2019

ISBN: 978-1-944388-61-4

Page Count: 312

Publisher: Fomite

Review Posted Online: April 23, 2019

Kirkus Reviews Issue: June 1, 2019

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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LAST ORDERS

Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.

Pub Date: April 5, 1996

ISBN: 0-679-41224-7

Page Count: 304

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 1996

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