by Scott McVay Scott McVay ‧ RELEASE DATE: Sept. 22, 2015
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Poet and philanthropy chairman McVay describes, in prose and verse, his eventful life and his meetings with remarkable men, women, and animals.
McVay, a Princeton alum, went from Cold War–era service in 1950s Berlin, where he met his wife, Hella, to a detour into natural science; he stayed after a lecture by animal-communication expert John C. Lilly and asked so many insightful questions that Lilly hired him as an assistant. Thus was McVay exposed to the minds and ways of marine mammals—predominantly dolphins and whales, whose underwater language Lilly spent his career studying. As the eventual head of both the Robert Sterling Clark Foundation and the Geraldine R. Dodge Foundation, McVay mingled with some of the great minds of the 20th century; he describes interactions with, among others, Isaac Asimov, Charles Lindbergh (whom he characterizes as being misinformed about whales), Prince Philip of England, Ralph Nader, Hillary Clinton, primatologist Dian Fossey (and Sigourney Weaver, who portrayed Fossey in the 1988 film Gorillas in the Mist), as well as luminaries of the World Wildlife Fund and the Chautauqua Institution (of which he became president). At one point in this book of reminiscences, the author quotes a character in Lily King’s novel Euphoria, who says that “We’re always, in everything we do in this world, limited by subjectivity,” and he sees it as “a cautionary thought for anyone trying to put together ‘an anecdotal biography.’ ” McVay follows that method here, recounting his eventful life mainly in short, pithy tales of meetings with remarkable people—and animals. He also sprinkles examples of his verse throughout this book, usually attached to a matching anecdote. Overall, this wide-ranging book compensates in passion and spirit what it may lack in cohesion. Conservation causes and eco-initiatives are strongly on the author’s broad mind, for example, as is the relative lack of recognition for modern female poets. He has little time or regard for climate change deniers or the Koch brothers, but he notes when someone makes a choice that benefits the planet.
A whale of a memoir in more ways than one.
Pub Date: Sept. 22, 2015
ISBN: 978-1-941948-01-9
Page Count: 556
Publisher: Wild River Consulting & Publishing, LLC
Review Posted Online: Nov. 3, 2015
Review Program: Kirkus Indie
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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